The Khazarian Mafia in Hollywood Jonas E. Alexis, Senior EditorOctober 25, 2022 by Jonas E. Alexis, VT Editor If you walk into the film industry and start interviewing people like Eli Roth, you will almost certainly hear incredible and bizarre things. Roth would tell you that he aspires to “fuck up an entire generation”[1] through movies. Roth and his brethren have been in the business for years, so they know the drill. Roth probably knows the story of Samson and Delilah. He probably knows that Samson’s lust darkened his mind and eventually sent him to his death.[2] Roth almost certainly knows that the best way to destroy the morals of his audience is to prey on their lust and appetite. That is why Roth’s brethren have spent years fighting against obscenity laws and pornography in the United States.[3] roth2 As Jewish scholar Nathan Abrams himself puts it, “Older generation of Jewish filmmakers and actors, here [Woody] Allen, [Stanley] Kubrick and [Ron] Jeremy, arguably not only increased the Jewishness of their work but updated it to match the new post-1990 sensibility by defining it in increasingly sexualized (and pornographic) terms.”[4] Abrams declared elsewhere that “Jewish involvement in porn” is actually “is the result of an atavistic hatred of Christian authority: they are trying to weaken the dominant culture in America by moral subversion.”[5] Another Jewish scholar by the name of Josh Lambert tells us that people like Larry David and Sarah Silverman “are challenging America’s powerful religious, family-friendly culture and asserting their Jewishness by glorifying obscenity.”[6] Yet David and Silverman are hardly the only people who are “glorifying obscenity” in Hollywood. David Cronenberg obviously beat them to the punch. Cronenberg got to the heart of the matter years ago by laying out his ideological weltanschauung in an interview with Rolling Stone this way: “Nothing is true. It’s not an absolute. It’s only a human construct, very definitely able to change and susceptible to change and rethinking. And you can then be free. Free to be unethical, immoral, out of society, and an agent for some other power, never belonging. “Ultimately, if you are an existentialist and you don’t believe in God and the judgment after death, then you can do anything you want: You can kill, you can do whatever society considers the most taboo thing.”[7] Cronenberg’s moral calculus here is logically and philosophically incoherent. If “nothing is true,” then Cronenberg’s statement that “nothing is true” is not true. In order for the statement to make sense, Cronenberg has to assume that it is true! And if it is true, then the “nothing is true” is categorically false, which means that his entire argument collapses. In short, Cronenberg is positing truth claims while denying truth exists! He is trapped in his own ideological matrix.[8] Living the incoherency of his system aside, Cronenberg is basically saying that you can only be free if you can come to the conclusion that nothing is true and that morality is, as philosopher Michael Ruse believes, “flimflam.”[9] But because he is morally and intellectually blind, Cronenberg could not realize that his axiom is self-defeating. Morality, as we all know, is inexorably linked to practical reason. It is also essential to esthetic truth and intellectual pursuit and honesty. As E. Michael Jones rightly puts it, “The intellectual life is a function of the moral life of the thinker. In order to apprehend truth, which is the goal of the intellectual life, one must live a moral life. One can produce an intellectual product, but to the extent that one prescinds from living the moral life, that product will be more a function of internal desire—wish fulfillment, if you will than external reality. This is true of any intellectual field and any deeply held desire.”[10] Truth, as Plato puts it, is like seeing things the way they really are.[11] And the practical reason (another word for morality) is one of the main tools for discovering metaphysical truth. Yet since Cronenberg dismisses practical reason in his ideological calculus, there was no way for him to make a logical point without falling into his own trap. In the process, he has become a monster, as one scholar has argued.[12] The Rolling Stone interviewer asked, “Does the artist have any moral or social responsibility?” Cronenberg: “No…Your responsibility is to be irresponsible. As soon as you talk about social or political responsibility, you’ve amputated the best limbs you’ve got as an artist. You are plugging into a very restrictive system that is going to push and pull and mold you and is going to make your art totally useless and ineffective.”[13] Cronenberg’s philosophy, scholar William Beard tells us, is “the disappearance of ethics.”[14] It is actually “a world of unimpeded desires without consequences, where ‘everything is permitted.’ Metaphorically, this is the world of violent video games, of indulgent Hollywood movies, and also of the transgressive, boundary-piercing cinema of David Cronenberg.”[15] No responsibility, no morality, no ethical values, and no limit, nothing but ultimate meaninglessness and existential hell in movies. Existence itself, as indicated in Cronenberg’s movie eXistenZ, means corruption, moral degradation, and ultimately pathetic death. The axiom of eXistenZ is that “nothing is true; everything is permitted.”[16] “Every time I kill someone in my movie,” says Cronenberg, “I’m rehearsing my own death…It’s an existential truth, it’s very raw and real.” Didn’t Cronenberg state that nothing was true? Why is he now smuggling in truth in his philosophical trap? Cronenberg, who has a “historic affinity with existentialism,”[17] is also playing with the lives of his viewers. He admits that eXistenZ is filled with “existential propaganda.”[18] Scholar William Beard comments: “The disappearance of stable theoretical foundations for human society and human values, the stark realization of the insignificant position of humanity in a material cosmos, the undermining of all kinds of knowledge about the world and ourselves, leaves the existential human subject without a clear guideline for living, with no certainty of anything but his or her own death…Culture, science, the whole edifice of modern European civilization are ineffectual in addressing the individual’s desperate plight.”[19] Once the existentialist denies metaphysical truth, he has to start creating his own “truth”: “From this, we must create ourselves as meaningful beings, and create the world as meaningful for ourselves. From this we must build up the new foundations of our own lives, adding other people, culture, history, and politics tentatively and fragmentedly as necessary…”[20] Existentialists like Cronenberg, says Beard, “cut individuals off from the fundamental questions of personal existence, and leave them alienated in a world crowded with facts but void of meaning.”[21] The philosophy of existentialism teaches Cronenberg that people “are all doomed to die and be swallowed up by Nothingness, but along the way, we may carve out a niche or ledge on the cliff…”[22] Therefore “science” and technology are meaningful if they can advance sexual desires and appetite.[23] It was no coincidence that Cronenberg seized technology in the information age to advance his appetite to a wider audience. He bragged that “technology is with us,”[24] meaning that he can use that kind of medium to get his essentially Freudian and therefore Talmudic ideas to unsuspecting viewers. Put simply, Cronenberg is indirectly reinventing what Nietzsche would have called the transvaluation of all values, which again states that morality is an illusion and that any culture which becomes docile to the moral order must be overthrown. But in order to do that, Cronenberg has to go back to his revolutionary roots, which is neither Western nor rational but essentially Talmudic or Freudian: “I think we start off with what Freud called a polymorphous perverseness.”[25] One can easily argue that this “polymorphous perverseness” is at the core of virtually every Cronenberg film. In fact, Cronenberg admitted that characters in movies like Crash, M. Butterfly, Naked Lunch, Dead Ringers, and Stereo, were “reinventing sexuality,”[26] which is another way of saying that Cronenberg’s characters were subverting the sexual order.[27] Cronenberg’s existential philosophy, Beard says, is “sexual or predatory, a drive, an appetite, that invokes Freud far more readily than the Sartre who heatedly rejected a Freudian view of life in which individuals were unfree prisoners of their psychic histories and hardwired desires.”[28] Cronenberg’s characters in eXistenZ, Beard continues, “seem to reproduce that quasi-Freudian sense that their individual freedom—a sacrosanct item of the existentialist creed—is compromised by appetites that are so powerful they are strongly impelled to do something ethically ugly. This happens to Pikul in the Chinese restaurant. He finds he wants to kill the waiter and is told by Geller that the impulse is part of his game character’s make-up and that he won’t be able to do anything to stop it.”[29] David and Brandon Cronenberg David and Brandon Cronenberg The interesting thing is that Cronenberg has successfully passed his essentially diabolical ideas to his son Brandon, who is now following the family tradition. That fact became quite obvious when David edited Brandon’s first feature film Antiviral,[30] which the Rolling Stone itself has described as “sickening,” and which has the same “disturbing obsession with bodies and technology that animates his father’s films, from The Fly and Dead Ringers to Videodrome and Existenz.”[31] The Rolling Stone reported, “The son was infected with his father’s own sense of cerebral horror, and he is not rebelling against it. ‘I wrestled with it at first,’ he says, ‘but you get affected by how you grow up….’”[32] Cronenberg, whether he likes it or not, should be called a Satanist precisely because he is anti-Logos.[33] But there is a bigger picture here. Cronenberg’s ideology has been transported to places like Japan as well. For example, one of Japan’s most controversial filmmakers is none other than Takashi Miike. Miike says that he is a fervent admirer of directors like David Lynch (Lost Highway), Paul Verhoeven (Basic Instinct), and of course David Cronenberg. These people are what one should call cultural subverters. Verhoeven meant it when he said: “As a director, my goal is to be completely open. Just look at how I portray sex in my films. They’re considered shocking and obscene because I like to carefully examine human sexuality. It has to be realistic.”[34] Verhoeven also declares that he has been “fascinated by the occult: black magic, UFOs, and kinetic energy. I also experimented with hypnotism, trying to get my friends to remember former lives.”[35] It was a natural step for Verhoeven to move from an interest in the occult to bringing his viewpoint to life in films. Turning from the unknown and unknowable, Verhoeven replaced his own ideology with reality: “My films became my anchor to reality, and I began to make extremely realistic movies. I felt compelled to show things as explicitly as possible—a tendency which many film critics have dismissed as banal.”[36] Verhoeven applied this tendency most often to the area of sexuality, explicitly portraying sex in movies like Showgirls, Basic Instinct, Turkish Delight, and The Fourth Man. Yet even in RoboCop, which in comparison has little sexuality, Verhoeven’s worldview is clear—this time he is substituting Logos incarnate with his own imagination: “It’s pure resurrection. For me, RoboCop is a Cytale. First, Murphy is gunned down in the most horrific way: that is Crucifixion. And it has to be so violent because the audience has to remember him. “Before that, he has not done anything in the film. He comes to the police station to put on his uniform, then he goes after the villains with his partner, and bang! he is dead. That shooting is the only thing about him—I did that deliberately. “Next, the film makes a steep descent into the finite, after which he experiences his Resurrection, in a modern-day…RoboCop is a Jesus figure—an American Jesus…Americans want to be humane, but if they think it takes too long, Christian morality is pushed aside for the moment and they go for their weapons—just like Robocop.”[37] Biographer Rob van Scheers writes, “Both in his films and in his personal life, Paul Verhoeven has always practiced a free sexual morality of which he makes no secret…Verhoeven would add in the gay magazine The Advocate: ‘Sex is a form of play—doing what you did when you were four or five years old and were playing in the street with your friends. Once you are grown up, it is difficult to be playful, but one of the ways you can is with sex. It is a way of showing yourself: That’s how I’m made. This is what I like.”[38] Takashi Miike and Eli roth Takashi Miike and Eli roth In short, Verhoeven and Takashi Miike are on the same subversive boat. Both individuals want to overthrow the moral order. Eli Roth and Takashi Miike are also in the same boat, working to “fu$k an entire generation.” Of course, Roth himself admitted that he admires Miike’s work. In fact, Roth would have loved to make Ichi the Killer 2. Keep in mind that Ichi the Killer is one of Miike’s “most controversial films,” an “ultra-violent” film that portrays “sadomasochistic” scenes. Miike admits in an interview with the BBC that he is a “feminist,” so it was inevitable that he would pull this ideology out of his film. “Miike has garnered international notoriety for depicting shocking scenes of extreme violence and sexual perversions…” Of course, this is exactly what Eli Roth and David Cronenberg have been doing for years. What we are seeing here is that Hollywood stirred the subversive pot, and other nations such as Japan and South Korea followed suit. Even the new South Korean movie, Train to Busan, “borrows heavily from World War Z in its depiction of the fast-moving undead masses while also boasting an emotional core the Brad Pitt-starring extravaganza often lacked.”[39] If no social progress is possible outside the moral order, then Satanists in Hollywood are contributing to the demise of social docility and cultural harmony around the world. The solution? A return to practical reason and metaphysical Logos, the essence of true creativity and beauty. Movies such as The Lord of the Rings were written under those premises. As Israel Shamir rightly points out, Logos is “the main fountain of creativity.” Shamir also argues that true visual art or poetry simply cannot exist outside of Logos.[40] If Satanists in Hollywood reject “the main fountain of creativity,” then they can only produce degradation, ugliness, meaninglessness, despair, and ultimate chaos and confusion. It was only a matter of time before the art world was used as a weapon against Logos: “A photograph of a crucifix in a container of urine, entitled Piss Christ, was exhibited in the Whitney Museum, which is headed by a great friend of [former Israeli Prime Minister] Ariel Sharon, a member of Mega, Leonard Lauder.”[41] This is one reason why people like Carolee Schneemann use nothing but blatant sadistic/ sadomasochistic sexual imagery in their “art.” First published in October 2016. Citations [1] Quoted in Stuart Dredge, “Netflix series Hemlock Grove: ‘People want their horror horrific,’ says Eli Roth,” Guardian, April 10, 2013. [2] See E. Michael Jones, The Jewish Revolutionary Spirit and Its Impact on World History (South Bend: Fidelity Press, 2008), 1054-1056. [3] See Josh Lambert, Unclean Lips: Obscenity, Jews, and American Culture (New York: New York University Press, 2014). [4] Nathan Abrams, The New Jew in Film: Exploring Jewishness and Judaism in Contemporary Cinema (New Brunswick: Rutgers University Press, 2012), 72. [5] Nathan Abrams, “Triple-exthnics,” Jewish Quarterly, Winter 2004. [6] Josh Lambert, “‘Dirty Jews’ and the Christian Right,” Haaretz, February 3, 2014. [7] David Breskin, “David Cronenberg: The Rolling Stone Interview,” Rolling Stone, February 6, 1992: 66-70. [8] It is almost the same thing with relativism. I have been listening to an interview E. Michael Jones did with Alex Fontana during which Fontana declared that he doesn’t know if he agrees with “objective reality.” He then lays out his position by saying, “I guess I am a relativist.” I was completely stunned because during the entire interview Fontana was basically dissecting some ideas in the culture and implicitly arguing that they were wrong! Fontana could not see that there is no way to adjudicate two fundamentally opposite ideas if relativism is true. I was also shocked because relativism has been abandoned by serious thinkers years ago precisely because it is devoid of coherency and rigor. This is why Jones told him that relativism “is incoherent. It makes no sense ultimately.” I have discussed the incoherency of relativism in numerous articles. An example can be found here. [9] Michael Ruse, “God is dead. Long live morality,” Guardian, March 15, 2010. [10] E. Michael Jones, Degenerate Moderns: Modernity as Rationalized Sexual Misbehavior (South Bend: Fidelity Press, 2012), 15. [11] Plato, The Republic (New York: Oxford University Press, 1993), 116. [12] See for example William Beard, The Artist as Monster: The Cinema of David Cronenberg (Toronto: University of Toronto Press, 2006). [13] Breskin, “David Cronenberg: The Rolling Stone Interview,” Rolling Stone, February 6, 1992: 66-70. [14] William Beard, The Artist as Monster: The Cinema of David Cronenberg (Toronto: University of Toronto Press, 2006), 434. [15] Ibid., 443. [16] Ibid., 434 [17] Ibid., 429. [18] Ibid., 430. [19] Ibid., 430-431. [20] Ibid., 431. [21] Ibid. [22] Ibid., 433. [23] Ibid., 430. [24] Ibid., 446. [25] Breskin, “David Cronenberg: The Rolling Stone Interview,” Rolling Stone, February 6, 1992: 66-70. [26] Beard, Artist as Monster, 452. [27] Beard goes into great detail of this. See pages 452-453, 455-456. [28] Beard, Artist as Monster, 433. [29] Ibid., 434. [30] Bruce Kirkland, “Brandon Cronenberg brings first feature film ‘Antiviral’ home,” Toronto Sun, September 9, 2012. [31] Logan Hill, “’Antiviral’ Explores Sickness of Celebrity Culture,” Rolling Stone, April 10, 2013. [32] Ibid. [33] For a dissertation on this, see E. Michael Jones, “The Great Satan and Me: Reflections on Iran and Postmodernism’s Faustian Pact,” Culture Wars, July/August 2015. [34] Rob van Scheers, Paul Verhoeven (London: Faber & Faber, 1997), 159-161. [35] Paul Verhoeven, Jesus of Nazareth (New York: Seven Stories Press, 2010), xi, 5. [36] Ibid., 6. [37] Van Scheers, Paul Verhoeven, 195. [38] Ibid., 258. [39] Clark Collis, “Train to Busan: EW review,” Entertainment Weekly, July 22, 2016. [40] Israel Shamir, Cabbala of Power (Charleston, SC: BookSurge, 2007), 153. [41] Ibid., 150. ATTENTION READERS We See The World From All Sides and Want YOU To Be Fully Informed In fact, intentional disinformation is a disgraceful scourge in media today. So to assuage any possible errant incorrect information posted herein, we strongly encourage you to seek corroboration from other non-VT sources before forming an educated opinion. About VT - Policies & Disclosures - Comment Policy Due to the nature of uncensored content posted by VT's fully independent international writers, VT cannot guarantee absolute validity. All content is owned by the author exclusively. Expressed opinions are NOT necessarily the views of VT, other authors, affiliates, advertisers, sponsors, partners, or technicians. Some content may be satirical in nature. All images are the full responsibility of the article author and NOT VT. https://veteranstoday.com/2022/10/25/the-khazarian-mafia-in-hollywood/

Ukraine’s “Neo-Nazi Summer Camp”. Military Training for Young Children, Para-military Recruits Recruitment of Ukraine's "Child Soldiers" Financed by US "Nonlethal" Military Aid? First published by Global Research in August 2015 Short Introductory Note on The History of Nazism This article was written more than 8 years ago, focussing on the Azov Battalion’s Neo-Nazi Children’s Summer Training Camps. The extensive crimes committed against Ukrainian children are barely acknowledged by our governments and the media, In the words of the late John Pilger (May 1, 2023) referring to Ukraine’s Neo-Nazi regime: “The rise of fascism in Europe is uncontroversial. Or ‘neo-Nazism’ or ‘extreme nationalism’, as you prefer. Ukraine as modern Europe’s fascist beehive has seen the re-emergence of the cult of Stepan Bandera, the passionate anti-Semite and mass murderer who lauded Hitler’s ‘Jewish policy’, which left 1.5 million Ukrainian Jews slaughtered. ‘We will lay your heads at Hitler’s feet,’ a Banderist pamphlet proclaimed to Ukrainian Jews. (John Pilger, May Day 2023) The tacit support of Neo-nazism in Ukraine by Western governments is not a recent post World War II phenomenon. The history of both World War II and “the inter-War period” (1918-1939) has a direct bearing on today’s Neo-nazism. The unspoken truth is that the hegemonic role of Wall Street and the American dollar in the wake of World War I was the driving force behind the development of Nazi Germany. The Treaty of Versailles (signed in 1919) required Germany to pay 132 billion gold marks (US$33 billion at the time) in reparations. This multibillion dollar debt payed a key role. Hitler’s Election Campaign was endorsed by the Federal Reserve and the Bank of England: “On January 4th, 1932, a meeting was held between British financier Montagu Norman (Governor of the Bank of England), Adolf Hitler and Franz Von Papen (who became Chancellor a few months later in May 1932). At this meeting, an agreement on the financing of the Nationalsozialistische Deutsche Arbeiterpartei (NSDAP or Nazi Party) was reached. This meeting was also attended by US policy-makers and the Dulles brothers, something which their biographers do not like to mention.” (For more details See Yuri Rubtsov, May 14, 2016) The Azov Battalion’s Children’s Summer Training Camps These innocent Ukrainian young kids trained and indoctrinated in the Azov summer camp in 2014-2015 are now (2023) adolescents, in their mid to late teens, recruited by the Nazi Azov Battalion to “Fight The Russians”. A 2017 NBC Report entitled “Ukraine’s Hyper Nationalist Summer Camp for Kids” documents the existence of the Summer camps, where kids of 9 years old are recruited and later enlisted in the Azov Battalion. “In 2014, a group of armed Ukrainian civilians known as the Azov Battalion banded together to fight pro-Russian separatists for control of the country. Three years later, they’ve been absorbed by the National Guard of Ukraine, and when they’re not engaged in the ongoing conflict, they run an annual children’s summer camp featuring pro-Ukrainian campfire songs, rigorous military drills, and a hardline stance on national identity.” The NBC report confirms that the Nazi Azov Battalion was integrated into Ukraine’s National Guard (in fact it was not in 2017 but several months following EuroMaidan in November 2014). The National Guard is under the jurisdiction of Ukraine’s Ministry of Internal Affairs, which has the mandate (in coordination with the Ministry of Defense) of waging military operations against the separatist provinces of Donesk and Luhansk. The Azov Battalion is now part of the recently created “Offensive Guard”. The NBC report is careful not to associate the Azov Battalion with Nazism. They are called Ultra-Nationalists. There is ample evidence that these Summer camps are intent upon instilling Nazi ideology in young children. See report below. And Ukraine’s Nazi Azov Battalion has been generously supported from the outset by both the U.S. and Canada. This a crime against humanity, a crime against Ukrainian children, who are now adolescents recruited to fight in Kiev’s counteroffensive. On June 15-16, 2024, 2024 delegates from 90 countries will be meeting at the Bürgenstock resort near Lucerne, in the context of a Peace Conference organized by the Swiss government to which Russia was not invited. Our governments not only refuse to invite Russia to this event, their fake peace-making endeavour consists in supporting Ukraine’s 21st Century Neo Nazi regime. Michel Chossudovsky, Global Research, June 13, 2024 Zelensky is Jewish. He supports the Nazi Azov Battalion, the two Nazi parties, which have committed countless atrocities against the Jewish community in Ukraine. He belongs to a Russian-Jewish family. He was brought up as a native Russian speaker, who until recently was not fluent in Ukrainian. For details see: Video: A Jewish-Russian Proxy President: Zelensky Transformed into a Nazi. By Prof Michel Chossudovsky and Silview Media, September 24, 2023 Video: NBC’s Short Documentary. Does not Refer to Nazism Introduction Unknown to most Americans and Canadians, the US government is channeling financial support, weapons and training to a Neo-Nazi entity –which is part of The Ukraine National Guard– The Azov Battalion (Батальйон Азов). Canada and Britain have confirmed that they also are providing support to the National Guard. The Azov Battalion -which “officially” displays the Nazi SS emblem– (below left) is described by the Kiev regime as “a volunteer battalion of territorial defense”. It’s a National Guard battalion under the jurisdiction of the Ministry of Internal Affairs, the equivalent of America’s Homeland Security. Officially based in Berdyank on the Sea of Azov, the Azov battalion was formed by the regime to fight the opposition insurgency in the Donbass region. (Eastern and Southern Ukraine). Military Training of Young Children to fight the Russians The Azov battalion supported by its Western partners is not only involved in para-military operations in Eastern Ukraine. According to reports including the Kyiv Post (Ukraine mainstream media), it is running a Summer Camp military training project for young children as part of its broader training and indoctrination program. According to RT: “The camp was established to show the children that there are things in life besides school and mobile devices and to “give them our love,” Oleksii, a platoon commander in the Azov battalion and instructor at the camp, told Ukrainian ICTV channel. “One has to be strong; has to be courageous to defend the territorial integrity of our motherland,” he added.” (RT report) Western media sources (quoted by the Kyiv Post) confirm that children as young as six years old (see images below) are participating in the Azov Summer Camp located in the Vodytsya district outside Kyiv. The text on the banner reads: Iдея B Нації, сила В тобі: broadly translated: The Idea of the Nation, The Power within You The above photos confirm that many of the children are in fact young kids rather than adolescents. The Kyiv Post –which blames the Western media for its biased coverage– nonetheless acknowledges the diabolical nature of the military training project: … this particular camp is run by the Azov Battalion founded by lawmaker Andriy Biletsky, its former commander. Located in the wooded area of Kyiv’s Pushcha Vodytsya district, kids at this summer camp aren’t just playing soldiers – they’re getting actual military training from soldiers who have fought on the front line in Russia’s war against Ukraine. Named Azovets, the camp has been the subject of negative coverage in the Russian media, pro-Russia websites and even U.K. tabloid The Daily Mail. “Neo-Nazi summer camp: Ukrainian kids taught to shoot AKs by Azov battalion members (PHOTOS),” reads Kremlin-controlled RT’s headline for its story about the camp. “Shocking pictures from inside neo-Nazi military camp reveal recruits as young as SIX are being taught how to fire weapons (even though there’s a ceasefire),” reads the headline in the Daily Mail’s sensationalized and inaccurate article. (Kyiv Post, August 29, 2015) While the Kiev regime denies that Azov is a Neo-Nazi entity, the logos of both the Azov batallion as well as the Avovets Summer Camp (displayed on the Summer Camp T shirts) bear the symbol of the Nazi SS Wolfsangel with shadows of “the Nazi Black Sun” in the background. © vk.com/tabir.azovec Wolfsangel logo on the T Shirts with SS Reich’s division symbol © vk.com/tabir.azovec Recruitment of Child Soldiers The Summer Camp training program constitutes the first stage of the recruitment of child soldiers in derogation of international law. Invariably, the recruitment of child soldiers implies a training program which familiarizes young children with the use of light automatic weapons. The military trainers are part of the Azov paramilitary dispatched to the Summer Camp (see the Nazi SS insignia on his uniform below): Nazi tatoo insignia on Azov trainer’s arm © vk.com/tabir.azovec © vk.com/tabir.azovec© vk.com/tabir.azovec © vk.com/tabir.azovec © vk.com/tabir.azovec The Kyiv Post article describes in detail the nature of the “Neo-Nazi Summer Camp”. What the reports confirm is that an entity under the jurisdiction of Ukraine’s National Guard (financed by the Ukraine Ministry of internal Affairs) is training and indoctrinating small children in the art of warfare: The Azovets summer camp accepts children of Azov Battalion members, as well as kids from Kyiv’s nearby Obolon district and further afield. It opened on June 22, runs weeklong programs of activities for groups of 30 to 40 kids. Officially, it is for children aged from nine to 18, but there are kids as young as seven there. A few of the kids had already attended it for several weeks in a row. What makes the camp most controversial is that it’s run by Azov fighters, some of whom have been labeled as far-right supporters and neo-Nazis. Critics say the battalion’s symbol is an inverted Wolfsangel that has oblique but uncomfortable associations with Nazism. In previous interviews with Ukrainian media, Biletsky says the symbolism is misunderstood. The letters “N” and “I” make up Azov’s insignia, which he says stand for “national idea.” Biletsky founded a neo-Nazi group in Ukraine called the Social-National Assembly, and there certainly are neo-Nazis among the battalion’s ranks, some sporting Nazi tattoos. Some media have reported that up to 20 percent of Azov’s fighters are neo-Nazis, though the battalion’s press officers are always at pains to emphasize that Azov, as a military formation, does not share the ideology of its founder Biletsky, or indeed have any ideology other than fervent patriotism. When the Kyiv Post visited the Azovets camp on Aug. 19 the kids were busy with a range of activities, including stripping down and assembling AK-47 assault rifles, target practice (with air guns), tackling assault courses, and practicing combat poses and patrolling. They also take part in various sports and games, do rappelling and climbing, and practice other more traditional scouting and woodcraft skills like tying knots. © vk.com/tabir.azovec “I’ve been here only for three days, but I’ve realized that it’s not a camp where you just play games. We’re getting military training here,” one of the kids at the camp told the Kyiv Post. Out in the forest next to the camp, a group of kids was getting some weapons safety advice from an Azov trainer. “Do you know what would happen if you kept your fingers on the trigger? If it were a real gun, you could kill your comrades. So, don’t do it!” the trainer barks. “Yes sir!” the kids answer. The children then practice medically evacuating wounded soldiers from the battlefield. The militaristic atmosphere at the camp, including strict discipline, has plainly influenced some of the children. “I got my hair cut really short yesterday,” says one boy. “Just because I want it. I look more like a soldier now.” Two older kids, who, like many of the children at the camp, have taken noms de guerre (Medic and Physicist) in imitation of Ukraine’s real soldiers, said they now wanted to join the Azov Battalion. “I want to defend my homeland. There are comrades who support my idea. I think that if it’s necessary, I will fight,” 17-year old Physicist told the Kyiv Post. The children at the camp are organized into four groups, depending on their age, with each group overseen by a trainer and caregiver. The camp’s day starts early, at 7 a.m. sharp, and ends at 11 p.m. The children sleep in tents. Access to Azov’s own website and supporting websites was closed off to the public last September when the battalion was integrated into the National Guard of Ukraine, but the camp has a page on the Russian social network Vkontakte (https://vk.com/tabir.azovec) where it is promoted, and where people can apply to become volunteers, or contact the camp to send their children there. “The Mission of the Camp: To form the Ukrainian of a new era – a patriot, who is ready to actively participate in building and defending Ukraine,” the page’s description reads. … The military-patriotic songs that the children sing every day as a part of the camp’s program do seem to be one of the more popular activities for the kids. Late at night, sitting around a blazing campfire, they belt out their favorites – patriotic songs dating back to Ukraine’s previous struggles for independence in the early- to mid-20th century. The Kyiv Post listened to the words of one of the songs. Its lyrics were about Ukrainian soldiers defeating their enemies. Today that enemy is Russia. A boy who sits on a log softly whispers: “I want that this war will end and we will kill all the Russians.” (Kyiv Post, August 29, 2015, emphasis added) ( To read the full article by Kyiv Post staff writer Faina Nakonechnaya click here ) US Military Aid This diabolical endeavor, which incites hate by innocent children against ethnic Russians as well as opponents of the Kiev regime is broadly supported by US military aid channelled to the Ukraine National Guard via the Ministry of Internal Affairs. The MIA coordinates the “anti-terrorism operation” (ATO) in Donbass. While the US Congress has adopted amendments to its “Department of Defense Appropriations Act of 2015.” to block the training of the Azov battalion’s Neo-Nazis, in practice the money trickles down. Moreover, in addition to military aid channelled under the jurisdiction of the Pentagon, the California National Guard has established a partnership with the Ukraine National Guard, which includes the Azov Battalion: “The California–Ukraine State Partnership Program (SPP) Mission [under the auspices of the California National Guard] is to promote democracy, free market economies and military reform, by establishing long-term institutional affiliations … The California – Ukraine partnership directly supports both the goals of the US Ambassador to Ukraine and Commander, U.S. European Command. … (Office of Defense Cooperation (ODC), Chief: LTC Tracey D. Rueschhoff) Scroll down for Selected Images of the Azov Battalion “Freedom Fighters” These are the people who are training Ukrainian kids to handle AK 47s at the Neo-Nazi Summer Camp. Its all for a good cause: “the flowering of democracy” in the words the New York Times. Imagine what would happen if the California National Guard were to display swastika-like symbols on its uniforms. California National Guard, October 2013. Firefighting in Southern California https://www.globalresearch.ca/military-training-for-young-children-at-ukraines-neo-nazi-summer-camp-recruitment-of-ukraines-child-soldiers-financed-by-us-nonlethal-military-aid/5472801

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North Korea denounces NATO, US as 'most serious threat' to global peace The Standard A journalist casts a shadow next to logos on the day of the NATO 75th Anniversary celebratory event in Washington, U.S., July 9, 2024. REUTERS/Yves Herman/File Photo A journalist casts a shadow next to logos on the day of the NATO 75th Anniversary celebratory event in Washington, U.S., July 9, 2024. REUTERS/Yves Herman/File Photo North Korea said on Saturday it "most strongly denounces" a NATO declaration accusing Pyongyang of helping Russia's war against Ukraine and U.S. efforts to expand its alliances with the bloc and Asian countries. NATO leaders on Wednesday accused North Korea and Iran of fuelling Russia's war by providing direct military support to Moscow. The summit also stressed a membership pledge for Kyiv and took a stronger stance on China's support for Moscow. "The 'Washington Summit Declaration,' cooked up and made public on July 10, goes to prove that the U.S. and NATO, reduced to a tool for its confrontation, pose the most serious threat to the global peace and security," North Korea's state media KCNA quoted a foreign ministry spokesperson as saying. It said the U.S. moves to expand military blocs with NATO countries and Asian partners, including South Korea and Japan were "the vicious root cause of seriously threatening the regional peace, extremely exacerbating the international security environment and sparking off worldwide arms race." On the sidelines of the summit, South Korea and the United States signed guidelines on establishing an integrated system of extended deterrence for the Korean peninsula to counter nuclear and military threats from North Korea. North Korea's defence ministry criticised those guidelines as "reckless provocation" making Pyongyang enhance its own nuclear deterrence capability. "It would be incomprehensible for anyone to imagine the price that will be paid if this warning is ignored," the ministry said in a statement. Reuters https://www.thestandard.com.hk/breaking-news/section/6/218368/North-Korea-denounces-NATO,-US-as-'most-serious-threat'-to-global-peace

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Facts about New Year Fireworks + NFT. 1. Ancient Origins: Fireworks date back to ancient China, where they were invented over a thousand years ago. The Chinese used gunpowder-filled bamboo tubes to create explosions during celebrations. 2. Symbol of Celebration: Fireworks are traditionally associated with celebrations and special occasions, symbolizing joy and festivities. They are a popular way to mark the start of a new year around the world. 3. Colors and Chemicals: Fireworks achieve their vibrant colors through the use of different chemical compounds. For example, strontium compounds produce red, copper compounds create blue, and barium compounds result in green. 4. Pyrotechnic Shapes: Modern fireworks can create various shapes and patterns in the sky, including hearts, smiley faces, and even company logos. This is achieved through carefully choreographed pyrotechnic displays. 5. World Records: The largest fireworks display on record took place in Dubai on New Year's Eve in 2014. It featured over 500,000 fireworks and lasted for six minutes, lighting up the sky over the Palm Jumeirah and The World Islands. 6. Safety Measures: While fireworks are a source of joy, safety is crucial. Many regions have regulations and safety guidelines to prevent accidents. It's important to follow these guidelines and use fireworks responsibly. 7. Fireworks Competition: Some cities host international fireworks competitions, where pyrotechnic teams from around the world compete to create the most spectacular displays. These events attract large audiences and showcase diverse pyrotechnic styles. 8. Sound and Light: Fireworks produce both visual and auditory spectacles. The loud bangs are created by the rapid expansion of gases in the exploding shells, while the colors and patterns are formed by burning metal compounds. 9. Cultural Significance: In addition to New Year's celebrations, fireworks play a significant role in various cultural and religious festivities globally. They are often used to mark important events and rites of passage. 10. Environmental Impact: The environmental impact of fireworks, including air and noise pollution, has raised concerns. Some events are exploring eco-friendly alternatives, such as low-pollution fireworks or entirely digital displays. Link to Fireworks NFT: https://bit.ly/3RYpXRJ #newyear #christmas #nfts #nft #buynft #nftcollectibles #nftcollection #nftart #nftartwork #nftartist #snow #winter #holidays #Fireworks

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