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How Does Israel Justify Mass Killings? It Starts in the Schools. Palestinian identity in Israeli schoolbooks is either infantilized, demonized, or ignored, according to Israeli scholar Nurit Peled-Elhanan. [email protected] September 25, 2024 Nurit Peled-Elhanan, Israeli scholar (photo) By George Yancy, reposted from Truthout In The Black Image in the White Mind, historian George M. Frederickson writes, “In the years immediately before and after 1800, white Americans often revealed by their words and actions that they viewed [Black people] as a permanently alien and unassimilable element of the population.” Within the context of white American domination, anti-Black racist stereotypes framed Black people as inherently unfit, innately problematic and divorced from the category of the human, a category that is synonymous with whiteness. The French-Tunisian scholar Albert Memmi, in The Colonizer and the Colonized, understood these racist rationalizations as a series of negations, observing: “The colonized is not this, is not that. [They are] never considered in a positive light; or if [they are], the quality which is conceded is the result of a psychological or ethical failing.” Within these racist binary regimes, it is necessary that a specific group functions as “other.” Throughout the world, there are groups that are deemed “other,” and their “otherness” is imposed by those who control dominant forms of discourse — those who have the representational power to demean, to marginalize and demonize. Historically, schools and religious institutions have helped to underwrite such dehumanizing discourse. Nurit Peled-Elhanan is a retired lecturer in language education at Hebrew University and at the David Yellin Academic College in Jerusalem, and the author of several books. In this exclusive interview, she discusses how Israeli schoolbooks (and by extension, Israeli schools) powerfully frame anti-Palestinian discourse and inculcate Israeli children with suspicion, fear and hatred of Palestinians. Peled-Elhanan’s work provides a powerful analysis of the relationship between Israeli state pedagogical power and racist, anti-Palestinian ideology. [NOTE: Nurit Peled-Elhanan is an Israeli philologist, professor of language and education at the Hebrew University of Jerusalem, translator, and activist. She is a 2001 co-laureate of the Sakharov Prize for Freedom of Thought awarded by the European Parliament. She is the author of Palestine in Israeli School Books: Ideology and Propaganda in Education.] George Yancy: Provide a few examples of how Palestinians are portrayed in racist ways through the medium of Israeli schoolbooks. Nurit Peled-Elhanan: Schoolbooks always, not only in Israel, are meant to legitimate the state and its actions. Otherwise, we wouldn’t have schoolbooks, they would just be books. So, the raison d’être of schoolbooks is to legitimate the state, and especially the controversial actions of the state such as what are called the founding crimes, and so on. In Israel, what must be legitimated is the colonization of Palestine and the ongoing occupation. Israel must justify its policies. So, like all colonizers, Israel portrays the colonized as primitive, evil or superfluous. Israel portrays them as a racialized group that cannot change and never will change. For instance, in one geography schoolbook, there is a passage about factors that “inhibit” the development of the Arab village. So, they say that Arab villages are far from the center, the roads to them are difficult, and they have remained out of the process of change and development. They say they are hardly exposed to modern life, and there are difficulties connecting them to the electricity and water networks. You would think we’re talking about somewhere the size of Australia. But Israel is smaller than New Jersey. So where are these remote villages that have stayed out of development? Or, they say that the Arab society is traditional and objects to changes by its nature, reluctant to adopt novelties. Modernization seems dangerous to them, and they are unwilling to give anything for the general good. They also are portrayed as a problem and a demographic threat, as a security threat. And because they are deemed a demographic threat, this legitimates the massacres and their elimination. One schoolbook says one of the massacres, the Deir Yassin massacre that caused the panicked flight of the Palestinians, solved a frightening demographic problem. And even Chaim Weizmann, Israel’s first president, called the flight of Palestinians a miracle. The idea is that Israelis must outnumber Palestinians. If we outnumber them, then we shall be safe. They compare the numbers of Arabs versus Jews all the time in the schoolbooks, in every subject, especially multiplication. Schoolbooks refer to Palestinians as Israel’s Arabs or the non-Jewish sector. You never find the label Palestinian except when attached to terror. The Bedouin community, for example — the Bedouin tribes that have been on the land for thousands of years — are called the Bedouin diaspora, to give the impression that they don’t belong. The maps in schoolbooks completely ignore the existence of Palestine and Palestinians. Even in a map that shows the Arab population, you don’t find one Arab city, not even Nazareth. They justify racist laws, such as the law of citizenship, which does not allow a couple — one of which is an Israeli citizen, and one of which comes from the occupied territories — to live together. They justify this kind of racist and illegal and unconstitutional law by quoting the former president of Israel’s Supreme Court, who said Palestinians’ “human rights shouldn’t be a recipe for national suicide.” So, the whole image is that you know they are a threat, and therefore they should not be treated as people. So, the whole discrimination and elimination and confinement of Arab citizens is legitimated by this excuse — the need to be a majority, to maintain the Jewish character of the state. Once there was a policy to encourage four children for every family in the Jewish sector to outnumber Arabs. There were rewards for families. They called them “blessed families.” Today, this policy no longer exists. When Benjamin Netanyahu became the finance minister, he stopped the allowances that big families receive. But it was a policy, one designed to outnumber them. George Yancy: How early are these books introduced to Israeli children? Nurit Peled-Elhanan: It is from kindergarten. Schoolbooks reflect the discourse. It’s as linguist Gunther Kress said: Texts are a punctuation of semiosis or meaning-making, that is, at a certain point of time. That’s why schoolbooks change from one government to another. So, this is the discourse, the social discourse. It is reflected in schoolbooks; schoolbooks don’t invent this kind of discourse. George Yancy: What your work shows is that schoolbook pictures are not benign, inconsequential or just meant for sheer entertainment. What you show is that racist images have deep existential implications. The dehumanization of Palestinians through Israeli schoolbooks enables their decimation. After all, if Israeli children are raised accepting the “unconditional truth” of what is written or portrayed through pictures in their books and pedagogical spaces, then to kill Palestinians through collective punishment doesn’t carry the same ethical weight as the loss of Israeli lives. In Palestine in Israeli School Books: Ideology and Propaganda in Education, you write, “Palestinian non-citizens in the occupied territories are often depicted as terrorists, and this depiction reinforces the policy, presented in schoolbooks as an agreed-upon necessity, of constant control, restriction of movement and even extra-judicial assassinations.” There is a certain deep irony here. We know that Jewish people were subjected to dehumanizing propaganda spread by Nazi Germany. Jewish people were depicted as “parasites” that had to be removed, exterminated from the purity of the “Aryan race.” Palestinians are clearly the out-group. How do you specifically see Zionism as an ideological force that creates an in-group that must not be “sullied” by the out-group? After all, Zionism as a form of nation-building means not just the use of racist stereotypes, but also the control of geographical space. Could you discuss how you see these two forms of violence working in tandem through the very project of Zionism? Nurit Peled-Elhanan: Israeli identity is a territorial identity. National and territorial identity are one. And so, of course, territory is a very important factor of our identity. We are of the land, and we must occupy the land. But I think the way they treated, since the beginning of Zionism … is the way all colonialists treated Indigenous populations — they are said to be primitive, and we bring progress. And they are said not to exist. They’re considered part of the landscape. I think all colonialist powers treated the local population in the same way. So, Zionism was a European national movement. Like all European national movements, Zionism defined who is human and who is “other.” And the other is the Eastern one, the “Oriental” one. All they wanted was to get rid of the East, because Jews were called Easterners in Europe, as if they were an “Oriental” race, and they wanted to get rid of it. They wanted to Westernize themselves. And this is one of the things that is emphasized greatly in the schoolbooks: We are the West. The history of Jews in the East or in Muslim countries is not even mentioned, although they had very harmonious and enriching lives in Muslim countries for thousands of years. But it’s not even mentioned. So, they wanted to Westernize themselves and to erase the history of the country to reproduce the myth of continuity, as if the Jews who come from Europe are coming home to their land. So, the history and the culture, and everything that existed before on the land of Palestine or Arab Israel was erased. They did it in archaeology, too. You hardly have any archaeological findings from Palestine or from Ottoman time. The Ottomans ruled here 600 years, but you hardly have anything. If you go to a park in Israel, they tell you this was such and such place for the Romans, for the Byzantine, for the Crusaders, for the British and for the Zionists. Two-thousand years of history are erased. So, all these things together can explain the Israeli attitude. And of course, like all colonialists, Zionist leaders use racist discourse to vilify the Indigenous populations, and to legitimate its discrimination and its elimination. George Yancy: Ethiopian Jews might be said to be a group that experiences a kind of “otherness” within Israel. In your book, Holocaust Education and the Semiotics of Othering in Israeli Schoolbooks, you discuss how Arab Jews and other non-European Jews are themselves also victims, as a result of Zionism. In your book you characterize non-European Jews who settled in Israel as “the victims of the victims.” How do Zionist narratives contribute to the “othering” of non-European Jews? Nurit Peled-Elhanan: As I mentioned, the Zionist movement was a European movement. Ever since they came to Palestine, they wanted to Westernize themselves and Indigenize themselves at the same time — as if they’re coming back. The idea was to create a homeland for European Jews. They were not interested in other Jews, especially not from Arab or African countries. But after the Holocaust and the extermination of European Jews, they needed people to populate the future state of Israel. So, they looked for them in other countries, and they found them in Muslim countries. But the idea was that they were barbaric and primitive, and full of germs and illnesses, and so on, and that they should be confined in camps until they could integrate. They should give up their culture, their Arabness or their Africanness, and their language, their music, their customs, their religion, and adopt this other religion, this other Judaism that was developed in Eastern Europe. There are many people who write about it — Ela Shohat, and others. So, they turned them into the victims of the victims, because the ones who treated them this way were really the victims, the survivors. They were held in what is called inner colonialism or internal colonialism. To this day, four generations after they came to Israel, their grandchildren are still called Moroccans, or even “dirty Moroccans.” They are called by their ethnicities — the Ashkenazi Jews, however, are the norm, the unmarked. They are not called an ethnicity. But the non-Ashkenazi, although they’ve been on the land for four generations, are still called by their ethnicities. The gaps in education, in employment, in wealth, are growing, not diminishing. Now that was a horrible thing, and the way they were treated has ruined them. It ruined the family; it ruined the community. It was a disaster. In fact, Israel didn’t want the Ethiopians to come for many years. The Ethiopian Jews, or Beta Israel (the house of Israel) as they call themselves, wanted to come to Zion, for religious reasons. The Arab Jews were largely not Zionist either, although some of them were in Zionist movements, but mainly their motives were religious, not political. They wanted to come to Jerusalem, and that’s all. And the Ethiopian Jews, who thought they were the only Jews in the world, wanted to come to Zion. When they heard that there was a possibility, they began to ask to come. But Israel didn’t want them. It was only after the UN General Assembly, in 1975, declared Zionism a racist movement that they decided to bring them to prove that they allow Black people in. But it took more years until they started to come. The way they brought them was disastrous. They made them walk to Sudan and then wait in Sudan in no living conditions at all for months and months on end. The death toll was in the thousands. And then they defined it, or crowned it, as a wonderful underground operation of “our brave soldiers.” They brought them in, and they were put in these camps, which they called absorption camps, absorption centers. They were completely dependent on the Israeli bureaucracy. They couldn’t make decisions regarding their own welfare. They had to give up all their customs, their religious leaders, their religion because they went by the Bible and not by the Halachah which was developed in Eastern Europe — they didn’t even know about it. And they could not choose schools for their children. Schoolbooks reproduce this even today by treating Ethiopian Jews as a “problem” that the state had to cope with. And today, over 40 years after their arrival, they’re still treated as a problem. They must study all kinds of texts that were written by Europeans in the last century, in the ‘60s, about life in Ethiopia and hear that they are patriarchic, and they are primitive, and they marry their daughters off at the age of 9, and so on. Nothing is mentioned about their contribution to the country. There are artists, singers, dancers, scientists, everything. They are only mentioned when they are “good soldiers.” All the books mention that. They are separated into special programs for Ethiopians, even if they were born in Israel, even at the university, nursing school, the army. These special programs are meant to Westernize them the way Israel is Western, which is nonsense. And yet they must read these texts. All texts about them are written by Ashkenazi Jews. There isn’t one Ethiopian text in all the programs, although they have writers (and sociologists and psychologists) that have received awards. And today, Ethiopian Israeli intellectuals have begun to object and to refute the narrative of rescue. Today, there is a movement of resistance to all of this. But it’s very hard. The police treat them as the police treat Black people in America and in England. They shoot them in the streets. Recently, a trial was brought to completion. A policeman shot an Ethiopian Israeli 18-year-old, and the policeman was acquitted. For the whole trial, the judges treated the policeman as if he was the victim and treated the parents of this kid as if they were an obstruction. The chief of police said: Yes, what can we do? They’re Black. And this comes into the schoolbooks. The schoolbooks tell you that they cannot integrate, or they find it hard to integrate, because they have all kinds of customs for which we are not used to, such as respect for elders, parental authority! Horrible things like that. And skin color. So, the schoolbooks replicate the racism of the state. They always show them, in photographs, slouching on the ground in some desert and you don’t see their faces even. I always ask my students, where did the Ethiopian Jews live in Ethiopia? And they say, in the desert, which is false. They lived on top of hills because they needed water for the herds. During COVID, an Ethiopian lecturer in David Yellin Academic College gave a lecture to the staff and she asked the same question: “Where do you think they lived?” The lecturers all said, “in the desert,” because this is the only picture of Ethiopian Jews that we see. This is horrible. I used to volunteer with children in an absorption center near my house. The living conditions were awful, and so was their treatment at school. The racism in schools excludes them from participating in all the activities that the white kids get to do. Of course, they were wonderful and brilliant children, and I’m in contact with some of them to this day. And one of them was in the Israeli Air Force working as a technician. Well, me and my husband went to her wedding and there wasn’t a single white person at this wedding, not any of her former military peers, not any of her present peers, not even one. But how can this be? I’m sure she invited everybody. This is an anecdote, but I mention it to show you the attitude towards Ethiopian Jews. I heard teachers say that they stink. I heard teachers say that they are not sacred because they slaughter the cows themselves. George Yancy: This reminds me of the horrible reality of the Stolen Generation, where white Australians forced Aboriginal and Torres Strait Islander children from their parents. The objective is to erase any signs of their cultural identity. Nurit Peled-Elhanan: Yes. In this case, the whole education of Ethiopian Israeli children is meant to change them, not to get to know them, not to learn from them, or to recognize their contributions to a multicultural society. I asked a teacher if she thought that these changes would disconnect them from their culture and their community and their family. And she said, yes, I hope they teach their parents, too. So, yes, it was the same colonial processes that took place in Australia and in Canada. It is the same “civilizing mission.” It is the white man’s civilizing mission. And Ethiopians were shocked when they came because they thought they came to “Jerusalem of Gold” and suddenly they were treated like non-Jews, which caused a lot of suicide cases. They were treated as beasts, which has not changed to this day. George Yancy: What do you envision as an effective way of dismantling the anti-Palestinian stereotypes in Israel that do so much violence? How might rethinking education and a radical rethinking of the curriculum in Israel make a difference? Nurit Peled-Elhanan: One could have an entirely new curriculum if one wanted. I’ve been talking about books until around 2014, because after that you don’t find Palestinians in the schoolbooks at all, and you don’t find Ethiopians in the schoolbooks at all. You have some abstract problems of terror, but nobody speaks about them as people. There was some change at the end of ‘90s when new historians talked about the Palestine Liberation Organization (PLO), but today there’s nothing; it is as if they don’t exist. These books are like evangelistic pamphlets. Even the pictures you see, all the photos of people in schoolbooks are blonde with blue eyes. In reality, most Israelis are not blonde. And I asked one graphic designer, who designed a schoolbook, why he did that. He said, “Well, it looks good.” These books are really propaganda books. Every year I check to see if there are new things in these books, but there are no “others” in them at all, not even as others. So, it’s getting worse. But of course, if you want to mandate, you have to construct a new curriculum, which will not only be what is called the pedagogical narrative, but the performative narrative, the narrative of the people who are never included within the pedagogical narrative or the official narrative, the people whose voices are not heard — narratives written by the Bedouins, the Circassians, the Druze, the Palestinians, the Ethiopian Jews, the Arab Jews, the Russian Jews — because Israel is a place with so many languages, so many groups of people who have nothing in common, by the way. It’s not multicultural, but it has a lot of cultures within it. The only way forward is to have a narrative of the liminal people, what Indian scholar and critical theorist Homi Bhabha calls the performative narrative, the one that matters, the one that really affects the lives of people. In Israel, nobody has history except Zionist history. We don’t know anything, even about European Jews. We don’t know anything, except that they were exterminated. The Palestinian Lebanese writer Elias Khoury wrote a book called Children of the Ghetto: My Name Is Adam in which he tells the story of a Palestinian man’s journey of pain and sorrow. In the book there is the story of a man who was brought to bury and burn the cadavers after the massacres. Khoury calls these people Sonderkommandos. He tells the story of one of them, makes him an individual human being who has a story. And when you read this story in contrast to the Israeli story told in the history books, this is the difference from a pedagogical or official narrative, it is the narrative of the marginalized, the narrative of the people who have become collective objects. And that’s the way you should do it, to give voice to the voiceless. But you don’t have the history of Ethiopian Jews written by Ethiopian Jews. It’s all anthropological, and it’s all from a Eurocentric point of view, a racist point of view. I think the only way to do it is not to confront the two official narratives, Palestinian against Israeli. This has been done. Neither Israel nor Palestine allow it to be used at school. But we must take the narratives of all the people, and that’s where you’ll find fascinating things about the common life that was in this place during the Ottoman period and before, which was rich and harmonious culturally, economically, agriculturally. People were so cosmopolitan. Everything was together without anybody losing their identity and their religious affiliation. I would like to see that. We tried to do it before the 2009 onslaught on Gaza. We tried to form a group of experts who would start writing this curriculum. A wonderful group came, all volunteering. But then Israel attacked Gaza, and the Palestinians didn’t want to and couldn’t come anymore. But I think there are many people who would love to do it, because it’s always so much more interesting than all this political propaganda that you get in the schoolbooks, which is all about pogroms and wars and the massacres of Jews. Today, the idea that unites the people here is that we are all victims of the Holocaust, and we can be victims of the Holocaust again, if we’re not careful. That’s the idea. You must traumatize the children to make them loyal, so they don’t leave the country. And it’s written in all the books. What happened in Europe to the Jews happened because they did not have a state and an army. You compel people to stay, young people, you frighten them to death. You know, people say, “Don’t go to Turkey, they hate us.” What do you mean? They hate us. They love me when I come to the market and buy rugs. I remember when I took my son to Greece when he was 8, his cousin said, “Don’t go there! They exterminated us.” Five-thousand years ago, they destroyed the temple. And that attitude is very strong in Israel. Don’t go to Athens. They are antisemitic. Don’t go there, there are Arabs there. So, the Holocaust is what unites everybody, and hovers above us all the time, along with a contempt for the real Holocaust victims because, you know, they didn’t fight back. George Yancy: This sounds like a process of Nazification of Arabs. Nurit Peled-Elhanan: Yes! Ever since Israel befriended Germany in 1953, and accepted the reparation money, the role of the potential exterminator passed to the Arabs, otherwise we have no reason to be here, and to be armed to our teeth. The Arabs received the role of potential exterminators with no reason, with no cause. I mean Arabs never exterminated Jews. Muslims rarely pogromized Jews. There were some incidents, yes, but they never thought of a Final Solution. And David Ben-Gurion said, in 1953, I’m taking German reparations money so that we can defend ourselves against the Nazi Arabs, and that coined it — the “Nazi Arabs.” And then they said, we live in Auschwitz borders. And Menachem Begin said the attack on refugee camps in Lebanon saved us from “another Treblinka.” This is the discourse. And even today they call Palestinians in Gaza Nazis. What happened on October 7 was immediately compared to the Shoah, to the Holocaust. Immediately. And it works. We are a nuclear power, and they have nothing, but they are depicted on one hand as primitive, superfluous human beings, and on the other hand, as almighty Nazis. And it works. Note: This interview has been lightly edited for clarity and length. A post-publication correction was made to clarify that one Israeli schoolbook described the Deir Yassin massacre as solving rather than resulting from a “frightening demographic problem.” George Yancy is the Samuel Candler Dobbs professor of philosophy at Emory University and a Montgomery fellow at Dartmouth College. He is also the University of Pennsylvania’s inaugural fellow in the Provost’s Distinguished Faculty Fellowship Program (2019-2020 academic year). He is the author, editor and co-editor of over 25 books. 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Alison Weir trending on social media – what the buzz is about [email protected] August 31, 2024 Alison Weir, Boykin, council for the national interest, Religious Freedom Coalition, William J. Murray Alison Weir at National Press Club, May 2011 (screengrab) If Americans Knew founder Alison Weir experienced harassment and assault in 2011 for telling the truth about Palestine and Israel. The ideology behind the attack is alive and well today. A video has gone viral of an angry Israel partisan knocking Alison Weir’s phone out of her hand in 2011. Below is a longer video (three minutes) of what went on before that moment: Israel partisans were yelling outlandish, Islamophobic claims not based on fact. (The participants were not aware they were being filmed.) Alison was attempting to give important facts to a prominent general, who was listening attentively to what she was sharing – this seemed to be what drew the ire of the other people in the room. Below the video, find Alison’s account of the incident, written at the time, including who she was talking to and who hit her phone. Further down is more factual information about Christians and Muslims in Palestine. Alison Weir experienced this harassment and assault in 2011 – but the ideology behind it is alive and well today. “Israel Is Not Alone” member knocks phone out of my hand – Press TV films incident (from Alison Weir’s blog, May 2011) We had just completed a CNI press briefing at the National Press Club, when the next group scheduled to use the room, “Israel Is Not Alone,” began to enter. One of their members saw our signs and began a discussion with a member of the CNI group. The conversation was heated but within appropriate bounds. Another “Israel Is Not Alone” member, however, then approached the CNI man in a somewhat threatening posture and loudly began to berate him. At that point Lt. Col Karen Kwiatkowski, who had spoken on our panel, thought she recognized the man and he was asked his name. At first he only gave his first name, Jerry, but eventually also gave his last name: Boykin. Lt. Gen Boykin (three stars) is known for making offensive statements about Islam and supporting Israel. For some reason, I actually thought I might be able to convince him to rethink his positions. I told him I had been born at West Point and tried to tell him about Palestine. I was holding a booklet from our press conference, and asked him fervently to read it. He didn’t say anything. As I was trying to describe the facts, another man came up and began haranguing me. He was almost shaking with fury. He yelled that Muslims tear the fingernails off Christians and similar things. I tried to answer him, but he shouted over everything I tried to say. I got my phone out and tried to video what he was yelling at me. I then tried to resume my conversation with Boykin and tell him about my first trip to Palestine, but the man continued shouting at me, drowning out my words, so I again tried to video what he was yelling at me. He suddenly violently hit my hand and phone, knocking the phone across the room. I was stunned. A bit shaken, I asked someone to get security, which they did. Some of the “Israel Is Not Alone” group, probably realizing that their member had just crossed a serious line and was guilty of battery, brought me the pieces of my phone (fortunately, and surprisingly, it still works). The man (I haven’t yet learned his name) proffered an unconvincing apology. Some people have suggested that I file charges. It turns out that a Press TV crew apparently filmed the whole incident and led off with part of it on their broadcast about our conference. You can see the video and news report here. I’m undecided about filing charges. I know that if the situation were reversed, they would do so. I don’t know what’s behind this angry, disturbed man. Was he angry because he was spreading such venomous lies? Or is it that the people behind “Israel Is Not Alone” are exploiting a vulnerable man and intentionally creating or fueling his rage? Text of Press TV report: Tempers flared at the prestigious National Press Club in Washington, DC . A pro Israeli advocate knocked a camera out of the hands of Alison Weir, President of the Council for the National Interest Foundation. The group just finished their press conference on what they call unjustifiable US Aid to Israel. The two sides met when the Press Club scheduled a pro Israeli news conference to follow held in the same room. The altercation illustrates heightened tensions on differing views regarding America’s relationship with Israel. The Council for the National Interest Foundation wants Americans to know how much of their tax dollars are going to Israel. CNIF alleges Israel receives so much aid and special treatment because the US Congress is controlled by AIPAC, America’s pro Israel lobby. Executive director Phillip Giraldi says Israel spends a lot of money on U.S. elections. The Council for the National Interest Foundation says many members of Congress fear, if they don’t always side with Israel, that they will face retaliation in their own re-election campaigns. Giraldi is a former CIA counter terrorism expert. He questions why America gives aid to Israel when Israel conducts more espionage for profit against the US than any other US friendly country. Retired Lt. Colonel Karen Kwiatkowski worked at the Pentagon and says Israel receives preferential treatment. Kwiatkowski believes America is beginning to take more interest in US foreign policy in the Middle East in large part due to tough economic times. More and more Americans want to know where their hard earned tax dollars are going and why. Update on Tuesday, May 24, 2011 at 11:55AM by Alison Weir I’ve just learned that the furious man was William J. Murray, chair of the “Religious Freedom Coalition.” Update on Friday, January 31, 2014 at 05:50PM by Alison Weir I later learned the name of my assailant: William J. Murray. Murray is the head of something called The Religious Freedom Coalition, a fervently anti-Muslim organization. He is also, apparently, the son of infamous atheist proponent Madeline Murray O’Hare. I consulted an attorney about the incident, and he advised me to file a police report since Murray’s actions seemed to constitute “assault and battery.” I filed a police report and then waited and waited. Finally, the detective in charge of determining whether or not to prosecute Murray decided not to do so. The detective’s name is in another notebook somewhere. As I recall, it was Rosenbaum or something similar. What is the truth about Palestinian Christians? IN BRIEF: The loudest of Alison’s detractors in the video (and the one who assaulted her), William J. Murray, insisted that Muslims in Palestine have been persecuting Christians “since Israel ceded [Bethlehem] to Muslims.” He added that the drop in the Christian population of Bethlehem was proof of Muslim oppression. For starters, Israel did not “cede” Bethlehem to Muslims. Bethlehem is in the occupied Palestinian West Bank. It is governed by the Palestinian Authority – a Palestinian regime, not Muslim. In 1922, Christians made up about 85 percent of the population of Bethlehem (see Andrea Pacini’s Socio-Political and Community Dynamics of Arab Christians in Jordan, Israel, and the Autonomous Palestinian Territories. Clarendon Press, 1998). In 1945, Bethlehem’s population was 8,820 (6,430, or 73 percent Christians; 2,370 or 27% Muslims), By 1967, the Christian population had dropped slightly (6,231 vs. 6,430 in 1945), while the Muslim population had more than tripled (8,169 vs. 2,370 in 1945). The dramatic increase in the Muslim population was due mostly to Israel’s ethnic cleansing, both in 1948 and in 1967, during which a large Muslim population was forced into exile, thousands of whom ended up in refugee camps in Bethlehem. The Christian population has continued to dwindle, due not to persecution by Muslims, but to the intolerable life under Israeli occupation. Christians were more easily able to emigrate, as they on the whole were more liquid, while Muslims were more often tied to the land as farmers. Muslims have also been emigrating, in smaller numbers; those who stay tend to have larger families than Christians. Christians and Muslims – and Jews – have lived together in relative harmony throughout history. It was only with the beginning of Jewish colonialist pursuits that the trouble began. Indigenous Palestinians welcomed Jewish refugees, but did not approve of their aspiration to take over the land and create a Jewish state. Further reading about Christians in Palestine: VIDEO: Armenian Christians under siege by Israel Prominent Israeli Settler Says Spitting on Christians ‘Ancient Jewish Custom’ Christians come under attack as Israeli leaders get more extreme Sacred Christian site Emmaus destroyed by Israel Israel severely restricts Orthodox Easter celebration in Jerusalem Does Israel Permit Freedom of Worship? Are Palestinian Christians Doomed? Hundreds of Israelis disrupt prayers in oldest Christian monastery In Palestine Israel is not as Christian-friendly as you think https://israelpalestinenews.org/alison-weir-trending-social-media-buzz/

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Home Watch the Trailer The film is subtitled in Arabic, Czech, English, French, German, Greek, Hebrew, Indonesian, Italian, Portuguese and Spanish. Synopsis Where Olive Trees Weep offers a searing window into the struggles and resilience of the Palestinian people under Israeli occupation. It explores themes of loss, trauma, and the quest for justice. We follow, among others, Palestinian journalist and therapist Ashira Darwish, grassroots activist Ahed Tamimi, and Israeli journalist Amira Hass. We also witness Dr. Gabor Maté offer trauma-healing work to a group of women who were tortured in Israeli prisons. Ancient landscapes bear deep scars, having witnessed the brutal reality of ancestral land confiscation, expulsions, imprisonment, home demolitions, water deprivation, and denial of basic human rights. Yet, through the veil of oppression, we catch a glimpse of resilience—deep roots that have carried the Palestinian people through decades of darkness and shattered lives. This emotional journey bares the humanity of the oppressed while grappling with the question: what makes the oppressor so ruthlessly blind to its own cruelty? Watched the movie. Amazing work. I now know, and I cannot unknow. Ariel L. Thank you for filming, for journaling, for exposing the truth… as difficult as it is to swallow. Bravery, courage… to all who fight against injustice and oppression! Avril I cannot remember when a film has moved me this way. I wept throughout. No one is free until we all are free. Sue B. I would like to extend my eternal gratitude for your work. The film is beautiful, and all the contributors are such authentic, refreshing, impassioned voices. In the midst of all the ongoing global horrors and escalation of violence, I was enormously uplifted upon discovering your website, the film and talks on Palestine. Leila S. Left weeping… Devastated to think about each of these beautiful little girls and boys, women and men, animals, buildings and trees now. It’s hard to find words. Thank you for taking the risk of making this powerful, esthetical, real and tender film. May it be a vehicle to stir the hearts and souls of many of us into action. Deep bow. Ellen E. I was finally able to watch your film, and have to congratulate you on such a moving documentary that sheds light on what life is like for Palestinians living under occupation, with many different aspects and viewpoints. I hope your film will awaken many people around the world and open their eyes. Farah S. Wow, the movie is really a piece of art!!! What about subtitles in Hebrew? It is really necessary. Ella Thank you for your courage. Just like oil that doesn’t mix with water, Truth doesn’t dissolve in lies and, sooner or later, it comes up to the surface. O. Your film is brilliant, moving, epic. It contains history and it bears witness. Indran After watching it, my heart remained open. I was filled with love and compassion… It was just unconditional love. Amelia R. This film is educational and incredibly moving. I bawled like a child while watching, but what I learned inspires my actions now every day. Norma J. Words are inadequate but the soul of the people — all those involved — and the soul of the film itself will never leave me. Thank you all for making it in this deeply troubled world. Carol C. I can hardly find words. It’s powerful and the woman, the main person, especially at the end — she was piercing. Soul piercing. This film needs very wide circulation. Therese Thank you for this powerful film. The world needs it now, more than ever! Tom H. Beautifully done. Drastic humanity. Made me shiver. D. I’m currently visiting my very elderly ex-British Army/ expat colonial parents in the UK, and we sat down together to watch your film. You not only changed their minds about Palestine (which my ancestors were a part of bringing about) but also their view of Muslims and Palestinians generally. Thank you. Bruce So moving, terrible and also beautiful. This is a great blessing. joAnne K. It’s impossible to adequately convey how beautiful, powerful and profoundly empathetic your film is. You have accomplished something art often strives for but rarely achieves – to create a work of beauty that also moves the viewer to action. This film is going to have an actual effect. You’re going to help change things. It’s remarkable. Michael B. Stunning pictures, evocative music, and poignant portraits of people. It truly felt as though these people were right in my living room. Your documentary moved me to tears from beginning to end. Maria I know I will not sleep tonight. So many tears. This is so heart-breaking and so educational and so important to be seen NOW! Joan N. Thank you, so unsettling and informative which is exactly what is needed. M. I cried and felt so ashamed of the world we are living in. My greatest peace wishes, love and light and courage are for all people who are suffering now. I carry them with me in my heart. Elizabeth I will never be the same after watching the movie. Claudie S. Brilliant, extraordinarily moving, tragic, and hopeful, at the same time. It opened up a new understanding for me. Liz M. One of the most powerful films I’ve ever seen. Thank you for your immeasurable courage and your talent. It’s a very important film. Martha R. Thank you for this incredible film/documentary — it broke my heart. Alvina E. It had me in tears. It broke my heart… It’s a really great film and it’s going to open hearts and minds all over the world. Rae M. It was riveting and devastating, poignant and beautiful. I cannot find words to express my gratitude for the film Where Olive Trees Weep. Margaret R. I wept uncontrollably for an hour, am still affected by it … What a beautiful, challenging, gut wrenching movie you have made. It was not an easy watch, there were parts i couldn’t bear, and i had to stop in the middle after the stories of torture. Bless you for your brave work, what incredible timing for a world gone mad. May it travel the world shifting minds and opening hearts everywhere, and most of all may all involved in its making be protected. Karen W. I thought I was informed but this took it to a new level. Brilliant movie, amazing women. Matt My heart swells with love for the gift of the movie. My hope is that people’s hearts will open when the truth is spoken. G. So powerful and heartbreaking and moving… Haneen S. I have watched many documentaries over the years on this context and this one is the most authentic and raw I have seen. It is also very beautiful. Robin J. We saw it yesterday and it’s the most heartbreaking film I have ever seen. It’s simple, educational, and so real that we were shocked and hurt. It’s an eye-opener. Abhisek Thank you for listening to your heart and for bringing Where Olive Trees Weep to the world. It has been so purposeful and loving. Angela Brilliant, heartbreaking, infuriating and informative. Thank you for making such an excellent film Mariom S. the complete collection Conversations on Palestine We created a program with leading historians, spiritual teachers, trauma therapists, poets and performers to complement the themes explored in the film and provide a larger historical, cultural and social context to the plight of the Palestinian people. The collection includes ~ THE SPEAKERS ~ Ashira Darwish Dr. Gabor Maté Angela Davis, PhD V Tara Brach, PhD Haneen Sabbah Rabbi Lynn Gottlieb Zaya Benazzo Maurizio Benazzo Laila El-Haddad Dr. Rupa Marya Mariam Barghouti Sami Awad Farah El-Sharif, PhD Haidar Eid Rana Nazzal Hamadeh Daniel Foor, PhD Sherene Seikaly, PhD Tareq Hajjaj Mohammad Bakri Ayesha Kajee Shahd Abusalama, PhD Farah Siraj Faith Gay Clara Khoury Ussama Makdisi, PhD Jonathan Brenneman Rev. Michael Yoshii Iyad Abu Ruk Tenzin Wangyal Rinpoche Umaymah Mohammad Nancy Mansour Farah Chamma Lara Elborno Rev. Deborah Lee Nathan Thrall Michael McBride Rae Abileah Baha Hilo Omar Dajani Dr. Mohammed Tahir Shadi Zaqtan Norman Finkelstein, PhD Daniel Maté meital yaniv Huwaida Arraf Gail Brenner, PhD Mays Imad, PhD Robert Inlakesh Neta Golan Ilan Pappé, PhD Rev. Naomi Washington-Leapheart Adel Iskandar Pir Zia Inayat Khan, PhD Maysa Daw Seemi Bushra Ghazi Omar Haramy Dareen Tatour Adéyínká Mendes Bayo Akomolafe, PhD Your contribution supports planting olive trees in Palestine, humanitarian aid in Gaza and trauma healing in Palestinian communities. It also helps us bring the movie to larger audiences and broaden the understanding of the situation in Palestine, along with the cycles of trauma that perpetuate it. https://whereolivetreesweep.com/

Where Olive Trees Weep: Official Trailer (2024) Home Watch the Trailer The film is subtitled in Arabic, Czech, English, French, German, Greek, Hebrew, Indonesian, Italian, Portuguese and Spanish. Synopsis Where Olive Trees Weep offers a searing window into the struggles and resilience of the Palestinian people under Israeli occupation. It explores themes of loss, trauma, and the quest for justice. We follow, among others, Palestinian journalist and therapist Ashira Darwish, grassroots activist Ahed Tamimi, and Israeli journalist Amira Hass. We also witness Dr. Gabor Maté offer trauma-healing work to a group of women who were tortured in Israeli prisons. Ancient landscapes bear deep scars, having witnessed the brutal reality of ancestral land confiscation, expulsions, imprisonment, home demolitions, water deprivation, and denial of basic human rights. Yet, through the veil of oppression, we catch a glimpse of resilience—deep roots that have carried the Palestinian people through decades of darkness and shattered lives. This emotional journey bares the humanity of the oppressed while grappling with the question: what makes the oppressor so ruthlessly blind to its own cruelty? Brilliant, extraordinarily moving, tragic, and hopeful, at the same time. It opened up a new understanding for me. Liz M. Watched the movie. Amazing work. I now know, and I cannot unknow. Ariel L. I cannot remember when a film has moved me this way. I wept throughout. No one is free until we all are free. Sue B. I wept uncontrollably for an hour, am still affected by it … What a beautiful, challenging, gut wrenching movie you have made. It was not an easy watch, there were parts i couldn’t bear, and i had to stop in the middle after the stories of torture. Bless you for your brave work, what incredible timing for a world gone mad. May it travel the world shifting minds and opening hearts everywhere, and most of all may all involved in its making be protected. Karen W. We saw it yesterday and it’s the most heartbreaking film I have ever seen. It’s simple, educational, and so real that we were shocked and hurt. It’s an eye-opener. Abhisek Left weeping… Devastated to think about each of these beautiful little girls and boys, women and men, animals, buildings and trees now. It’s hard to find words. Thank you for taking the risk of making this powerful, esthetical, real and tender film. May it be a vehicle to stir the hearts and souls of many of us into action. Deep bow. Ellen E. It was riveting and devastating, poignant and beautiful. I cannot find words to express my gratitude for the film Where Olive Trees Weep. Margaret R. I was finally able to watch your film, and have to congratulate you on such a moving documentary that sheds light on what life is like for Palestinians living under occupation, with many different aspects and viewpoints. I hope your film will awaken many people around the world and open their eyes. Farah S. So powerful and heartbreaking and moving… Haneen S. I would like to extend my eternal gratitude for your work. The film is beautiful, and all the contributors are such authentic, refreshing, impassioned voices. In the midst of all the ongoing global horrors and escalation of violence, I was enormously uplifted upon discovering your website, the film and talks on Palestine. Leila S. Your film is brilliant, moving, epic. It contains history and it bears witness. Indran I thought I was informed but this took it to a new level. Brilliant movie, amazing women. Matt Thank you, so unsettling and informative which is exactly what is needed. M. Thank you for listening to your heart and for bringing Where Olive Trees Weep to the world. It has been so purposeful and loving. Angela It had me in tears. It broke my heart… It’s a really great film and it’s going to open hearts and minds all over the world. Rae M. I’m currently visiting my very elderly ex-British Army/ expat colonial parents in the UK, and we sat down together to watch your film. You not only changed their minds about Palestine (which my ancestors were a part of bringing about) but also their view of Muslims and Palestinians generally. Thank you. Bruce Thank you for this incredible film/documentary — it broke my heart. Alvina E. This film is educational and incredibly moving. I bawled like a child while watching, but what I learned inspires my actions now every day. Norma J. My heart swells with love for the gift of the movie. My hope is that people’s hearts will open when the truth is spoken. G. It’s impossible to adequately convey how beautiful, powerful and profoundly empathetic your film is. You have accomplished something art often strives for but rarely achieves – to create a work of beauty that also moves the viewer to action. This film is going to have an actual effect. You’re going to help change things. It’s remarkable. Michael B. I have watched many documentaries over the years on this context and this one is the most authentic and raw I have seen. It is also very beautiful. Robin J. I can hardly find words. It’s powerful and the woman, the main person, especially at the end — she was piercing. Soul piercing. This film needs very wide circulation. Therese Thank you for your courage. Just like oil that doesn’t mix with water, Truth doesn’t dissolve in lies and, sooner or later, it comes up to the surface. O. Brilliant, heartbreaking, infuriating and informative. Thank you for making such an excellent film Mariom S. Wow, the movie is really a piece of art!!! What about subtitles in Hebrew? It is really necessary. Ella I cried and felt so ashamed of the world we are living in. My greatest peace wishes, love and light and courage are for all people who are suffering now. I carry them with me in my heart. Elizabeth Stunning pictures, evocative music, and poignant portraits of people. It truly felt as though these people were right in my living room. Your documentary moved me to tears from beginning to end. Maria I will never be the same after watching the movie. Claudie S. Beautifully done. Drastic humanity. Made me shiver. D. After watching it, my heart remained open. I was filled with love and compassion… It was just unconditional love. Amelia R. Thank you for filming, for journaling, for exposing the truth… as difficult as it is to swallow. Bravery, courage… to all who fight against injustice and oppression! Avril I know I will not sleep tonight. So many tears. This is so heart-breaking and so educational and so important to be seen NOW! Joan N. One of the most powerful films I’ve ever seen. Thank you for your immeasurable courage and your talent. It’s a very important film. Martha R. Words are inadequate but the soul of the people — all those involved — and the soul of the film itself will never leave me. Thank you all for making it in this deeply troubled world. Carol C. Thank you for this powerful film. The world needs it now, more than ever! Tom H. So moving, terrible and also beautiful. This is a great blessing. joAnne K. the complete collection Conversations on Palestine We created a program with leading historians, spiritual teachers, trauma therapists, poets and performers to complement the themes explored in the film and provide a larger historical, cultural and social context to the plight of the Palestinian people. The collection includes ~ THE SPEAKERS ~ Ashira Darwish Dr. Gabor Maté Angela Davis, PhD V Tara Brach, PhD Haneen Sabbah Rabbi Lynn Gottlieb Zaya Benazzo Maurizio Benazzo Laila El-Haddad Dr. Rupa Marya Mariam Barghouti Sami Awad Farah El-Sharif, PhD Haidar Eid Rana Nazzal Hamadeh Daniel Foor, PhD Sherene Seikaly, PhD Tareq Hajjaj Mohammad Bakri Ayesha Kajee Shahd Abusalama, PhD Farah Siraj Faith Gay Clara Khoury Ussama Makdisi, PhD Jonathan Brenneman Rev. Michael Yoshii Iyad Abu Ruk Tenzin Wangyal Rinpoche Umaymah Mohammad Nancy Mansour Farah Chamma Lara Elborno Rev. Deborah Lee Nathan Thrall Michael McBride Rae Abileah Baha Hilo Omar Dajani Dr. Mohammed Tahir Shadi Zaqtan Norman Finkelstein, PhD Daniel Maté meital yaniv Huwaida Arraf Gail Brenner, PhD Mays Imad, PhD Robert Inlakesh Neta Golan Ilan Pappé, PhD Rev. Naomi Washington-Leapheart Adel Iskandar Pir Zia Inayat Khan, PhD Maysa Daw Seemi Bushra Ghazi Omar Haramy Dareen Tatour Adéyínká Mendes Bayo Akomolafe, PhD Your contribution supports planting olive trees in Palestine, humanitarian aid in Gaza and trauma healing in Palestinian communities. It also helps us bring the movie to larger audiences and broaden the understanding of the situation in Palestine, along with the cycles of trauma that perpetuate it. https://youtu.be/-VectWsWc1Q

The Khazarian Mafia in Hollywood Jonas E. Alexis, Senior EditorOctober 25, 2022 by Jonas E. Alexis, VT Editor If you walk into the film industry and start interviewing people like Eli Roth, you will almost certainly hear incredible and bizarre things. Roth would tell you that he aspires to “fuck up an entire generation”[1] through movies. Roth and his brethren have been in the business for years, so they know the drill. Roth probably knows the story of Samson and Delilah. He probably knows that Samson’s lust darkened his mind and eventually sent him to his death.[2] Roth almost certainly knows that the best way to destroy the morals of his audience is to prey on their lust and appetite. That is why Roth’s brethren have spent years fighting against obscenity laws and pornography in the United States.[3] roth2 As Jewish scholar Nathan Abrams himself puts it, “Older generation of Jewish filmmakers and actors, here [Woody] Allen, [Stanley] Kubrick and [Ron] Jeremy, arguably not only increased the Jewishness of their work but updated it to match the new post-1990 sensibility by defining it in increasingly sexualized (and pornographic) terms.”[4] Abrams declared elsewhere that “Jewish involvement in porn” is actually “is the result of an atavistic hatred of Christian authority: they are trying to weaken the dominant culture in America by moral subversion.”[5] Another Jewish scholar by the name of Josh Lambert tells us that people like Larry David and Sarah Silverman “are challenging America’s powerful religious, family-friendly culture and asserting their Jewishness by glorifying obscenity.”[6] Yet David and Silverman are hardly the only people who are “glorifying obscenity” in Hollywood. David Cronenberg obviously beat them to the punch. Cronenberg got to the heart of the matter years ago by laying out his ideological weltanschauung in an interview with Rolling Stone this way: “Nothing is true. It’s not an absolute. It’s only a human construct, very definitely able to change and susceptible to change and rethinking. And you can then be free. Free to be unethical, immoral, out of society, and an agent for some other power, never belonging. “Ultimately, if you are an existentialist and you don’t believe in God and the judgment after death, then you can do anything you want: You can kill, you can do whatever society considers the most taboo thing.”[7] Cronenberg’s moral calculus here is logically and philosophically incoherent. If “nothing is true,” then Cronenberg’s statement that “nothing is true” is not true. In order for the statement to make sense, Cronenberg has to assume that it is true! And if it is true, then the “nothing is true” is categorically false, which means that his entire argument collapses. In short, Cronenberg is positing truth claims while denying truth exists! He is trapped in his own ideological matrix.[8] Living the incoherency of his system aside, Cronenberg is basically saying that you can only be free if you can come to the conclusion that nothing is true and that morality is, as philosopher Michael Ruse believes, “flimflam.”[9] But because he is morally and intellectually blind, Cronenberg could not realize that his axiom is self-defeating. Morality, as we all know, is inexorably linked to practical reason. It is also essential to esthetic truth and intellectual pursuit and honesty. As E. Michael Jones rightly puts it, “The intellectual life is a function of the moral life of the thinker. In order to apprehend truth, which is the goal of the intellectual life, one must live a moral life. One can produce an intellectual product, but to the extent that one prescinds from living the moral life, that product will be more a function of internal desire—wish fulfillment, if you will than external reality. This is true of any intellectual field and any deeply held desire.”[10] Truth, as Plato puts it, is like seeing things the way they really are.[11] And the practical reason (another word for morality) is one of the main tools for discovering metaphysical truth. Yet since Cronenberg dismisses practical reason in his ideological calculus, there was no way for him to make a logical point without falling into his own trap. In the process, he has become a monster, as one scholar has argued.[12] The Rolling Stone interviewer asked, “Does the artist have any moral or social responsibility?” Cronenberg: “No…Your responsibility is to be irresponsible. As soon as you talk about social or political responsibility, you’ve amputated the best limbs you’ve got as an artist. You are plugging into a very restrictive system that is going to push and pull and mold you and is going to make your art totally useless and ineffective.”[13] Cronenberg’s philosophy, scholar William Beard tells us, is “the disappearance of ethics.”[14] It is actually “a world of unimpeded desires without consequences, where ‘everything is permitted.’ Metaphorically, this is the world of violent video games, of indulgent Hollywood movies, and also of the transgressive, boundary-piercing cinema of David Cronenberg.”[15] No responsibility, no morality, no ethical values, and no limit, nothing but ultimate meaninglessness and existential hell in movies. Existence itself, as indicated in Cronenberg’s movie eXistenZ, means corruption, moral degradation, and ultimately pathetic death. The axiom of eXistenZ is that “nothing is true; everything is permitted.”[16] “Every time I kill someone in my movie,” says Cronenberg, “I’m rehearsing my own death…It’s an existential truth, it’s very raw and real.” Didn’t Cronenberg state that nothing was true? Why is he now smuggling in truth in his philosophical trap? Cronenberg, who has a “historic affinity with existentialism,”[17] is also playing with the lives of his viewers. He admits that eXistenZ is filled with “existential propaganda.”[18] Scholar William Beard comments: “The disappearance of stable theoretical foundations for human society and human values, the stark realization of the insignificant position of humanity in a material cosmos, the undermining of all kinds of knowledge about the world and ourselves, leaves the existential human subject without a clear guideline for living, with no certainty of anything but his or her own death…Culture, science, the whole edifice of modern European civilization are ineffectual in addressing the individual’s desperate plight.”[19] Once the existentialist denies metaphysical truth, he has to start creating his own “truth”: “From this, we must create ourselves as meaningful beings, and create the world as meaningful for ourselves. From this we must build up the new foundations of our own lives, adding other people, culture, history, and politics tentatively and fragmentedly as necessary…”[20] Existentialists like Cronenberg, says Beard, “cut individuals off from the fundamental questions of personal existence, and leave them alienated in a world crowded with facts but void of meaning.”[21] The philosophy of existentialism teaches Cronenberg that people “are all doomed to die and be swallowed up by Nothingness, but along the way, we may carve out a niche or ledge on the cliff…”[22] Therefore “science” and technology are meaningful if they can advance sexual desires and appetite.[23] It was no coincidence that Cronenberg seized technology in the information age to advance his appetite to a wider audience. He bragged that “technology is with us,”[24] meaning that he can use that kind of medium to get his essentially Freudian and therefore Talmudic ideas to unsuspecting viewers. Put simply, Cronenberg is indirectly reinventing what Nietzsche would have called the transvaluation of all values, which again states that morality is an illusion and that any culture which becomes docile to the moral order must be overthrown. But in order to do that, Cronenberg has to go back to his revolutionary roots, which is neither Western nor rational but essentially Talmudic or Freudian: “I think we start off with what Freud called a polymorphous perverseness.”[25] One can easily argue that this “polymorphous perverseness” is at the core of virtually every Cronenberg film. In fact, Cronenberg admitted that characters in movies like Crash, M. Butterfly, Naked Lunch, Dead Ringers, and Stereo, were “reinventing sexuality,”[26] which is another way of saying that Cronenberg’s characters were subverting the sexual order.[27] Cronenberg’s existential philosophy, Beard says, is “sexual or predatory, a drive, an appetite, that invokes Freud far more readily than the Sartre who heatedly rejected a Freudian view of life in which individuals were unfree prisoners of their psychic histories and hardwired desires.”[28] Cronenberg’s characters in eXistenZ, Beard continues, “seem to reproduce that quasi-Freudian sense that their individual freedom—a sacrosanct item of the existentialist creed—is compromised by appetites that are so powerful they are strongly impelled to do something ethically ugly. This happens to Pikul in the Chinese restaurant. He finds he wants to kill the waiter and is told by Geller that the impulse is part of his game character’s make-up and that he won’t be able to do anything to stop it.”[29] David and Brandon Cronenberg David and Brandon Cronenberg The interesting thing is that Cronenberg has successfully passed his essentially diabolical ideas to his son Brandon, who is now following the family tradition. That fact became quite obvious when David edited Brandon’s first feature film Antiviral,[30] which the Rolling Stone itself has described as “sickening,” and which has the same “disturbing obsession with bodies and technology that animates his father’s films, from The Fly and Dead Ringers to Videodrome and Existenz.”[31] The Rolling Stone reported, “The son was infected with his father’s own sense of cerebral horror, and he is not rebelling against it. ‘I wrestled with it at first,’ he says, ‘but you get affected by how you grow up….’”[32] Cronenberg, whether he likes it or not, should be called a Satanist precisely because he is anti-Logos.[33] But there is a bigger picture here. Cronenberg’s ideology has been transported to places like Japan as well. For example, one of Japan’s most controversial filmmakers is none other than Takashi Miike. Miike says that he is a fervent admirer of directors like David Lynch (Lost Highway), Paul Verhoeven (Basic Instinct), and of course David Cronenberg. These people are what one should call cultural subverters. Verhoeven meant it when he said: “As a director, my goal is to be completely open. Just look at how I portray sex in my films. They’re considered shocking and obscene because I like to carefully examine human sexuality. It has to be realistic.”[34] Verhoeven also declares that he has been “fascinated by the occult: black magic, UFOs, and kinetic energy. I also experimented with hypnotism, trying to get my friends to remember former lives.”[35] It was a natural step for Verhoeven to move from an interest in the occult to bringing his viewpoint to life in films. Turning from the unknown and unknowable, Verhoeven replaced his own ideology with reality: “My films became my anchor to reality, and I began to make extremely realistic movies. I felt compelled to show things as explicitly as possible—a tendency which many film critics have dismissed as banal.”[36] Verhoeven applied this tendency most often to the area of sexuality, explicitly portraying sex in movies like Showgirls, Basic Instinct, Turkish Delight, and The Fourth Man. Yet even in RoboCop, which in comparison has little sexuality, Verhoeven’s worldview is clear—this time he is substituting Logos incarnate with his own imagination: “It’s pure resurrection. For me, RoboCop is a Cytale. First, Murphy is gunned down in the most horrific way: that is Crucifixion. And it has to be so violent because the audience has to remember him. “Before that, he has not done anything in the film. He comes to the police station to put on his uniform, then he goes after the villains with his partner, and bang! he is dead. That shooting is the only thing about him—I did that deliberately. “Next, the film makes a steep descent into the finite, after which he experiences his Resurrection, in a modern-day…RoboCop is a Jesus figure—an American Jesus…Americans want to be humane, but if they think it takes too long, Christian morality is pushed aside for the moment and they go for their weapons—just like Robocop.”[37] Biographer Rob van Scheers writes, “Both in his films and in his personal life, Paul Verhoeven has always practiced a free sexual morality of which he makes no secret…Verhoeven would add in the gay magazine The Advocate: ‘Sex is a form of play—doing what you did when you were four or five years old and were playing in the street with your friends. Once you are grown up, it is difficult to be playful, but one of the ways you can is with sex. It is a way of showing yourself: That’s how I’m made. This is what I like.”[38] Takashi Miike and Eli roth Takashi Miike and Eli roth In short, Verhoeven and Takashi Miike are on the same subversive boat. Both individuals want to overthrow the moral order. Eli Roth and Takashi Miike are also in the same boat, working to “fu$k an entire generation.” Of course, Roth himself admitted that he admires Miike’s work. In fact, Roth would have loved to make Ichi the Killer 2. Keep in mind that Ichi the Killer is one of Miike’s “most controversial films,” an “ultra-violent” film that portrays “sadomasochistic” scenes. Miike admits in an interview with the BBC that he is a “feminist,” so it was inevitable that he would pull this ideology out of his film. “Miike has garnered international notoriety for depicting shocking scenes of extreme violence and sexual perversions…” Of course, this is exactly what Eli Roth and David Cronenberg have been doing for years. What we are seeing here is that Hollywood stirred the subversive pot, and other nations such as Japan and South Korea followed suit. Even the new South Korean movie, Train to Busan, “borrows heavily from World War Z in its depiction of the fast-moving undead masses while also boasting an emotional core the Brad Pitt-starring extravaganza often lacked.”[39] If no social progress is possible outside the moral order, then Satanists in Hollywood are contributing to the demise of social docility and cultural harmony around the world. The solution? A return to practical reason and metaphysical Logos, the essence of true creativity and beauty. Movies such as The Lord of the Rings were written under those premises. As Israel Shamir rightly points out, Logos is “the main fountain of creativity.” Shamir also argues that true visual art or poetry simply cannot exist outside of Logos.[40] If Satanists in Hollywood reject “the main fountain of creativity,” then they can only produce degradation, ugliness, meaninglessness, despair, and ultimate chaos and confusion. It was only a matter of time before the art world was used as a weapon against Logos: “A photograph of a crucifix in a container of urine, entitled Piss Christ, was exhibited in the Whitney Museum, which is headed by a great friend of [former Israeli Prime Minister] Ariel Sharon, a member of Mega, Leonard Lauder.”[41] This is one reason why people like Carolee Schneemann use nothing but blatant sadistic/ sadomasochistic sexual imagery in their “art.” First published in October 2016. Citations [1] Quoted in Stuart Dredge, “Netflix series Hemlock Grove: ‘People want their horror horrific,’ says Eli Roth,” Guardian, April 10, 2013. [2] See E. Michael Jones, The Jewish Revolutionary Spirit and Its Impact on World History (South Bend: Fidelity Press, 2008), 1054-1056. [3] See Josh Lambert, Unclean Lips: Obscenity, Jews, and American Culture (New York: New York University Press, 2014). [4] Nathan Abrams, The New Jew in Film: Exploring Jewishness and Judaism in Contemporary Cinema (New Brunswick: Rutgers University Press, 2012), 72. [5] Nathan Abrams, “Triple-exthnics,” Jewish Quarterly, Winter 2004. [6] Josh Lambert, “‘Dirty Jews’ and the Christian Right,” Haaretz, February 3, 2014. [7] David Breskin, “David Cronenberg: The Rolling Stone Interview,” Rolling Stone, February 6, 1992: 66-70. [8] It is almost the same thing with relativism. I have been listening to an interview E. Michael Jones did with Alex Fontana during which Fontana declared that he doesn’t know if he agrees with “objective reality.” He then lays out his position by saying, “I guess I am a relativist.” I was completely stunned because during the entire interview Fontana was basically dissecting some ideas in the culture and implicitly arguing that they were wrong! Fontana could not see that there is no way to adjudicate two fundamentally opposite ideas if relativism is true. I was also shocked because relativism has been abandoned by serious thinkers years ago precisely because it is devoid of coherency and rigor. This is why Jones told him that relativism “is incoherent. It makes no sense ultimately.” I have discussed the incoherency of relativism in numerous articles. An example can be found here. [9] Michael Ruse, “God is dead. Long live morality,” Guardian, March 15, 2010. [10] E. Michael Jones, Degenerate Moderns: Modernity as Rationalized Sexual Misbehavior (South Bend: Fidelity Press, 2012), 15. [11] Plato, The Republic (New York: Oxford University Press, 1993), 116. [12] See for example William Beard, The Artist as Monster: The Cinema of David Cronenberg (Toronto: University of Toronto Press, 2006). [13] Breskin, “David Cronenberg: The Rolling Stone Interview,” Rolling Stone, February 6, 1992: 66-70. [14] William Beard, The Artist as Monster: The Cinema of David Cronenberg (Toronto: University of Toronto Press, 2006), 434. [15] Ibid., 443. [16] Ibid., 434 [17] Ibid., 429. [18] Ibid., 430. [19] Ibid., 430-431. [20] Ibid., 431. [21] Ibid. [22] Ibid., 433. [23] Ibid., 430. [24] Ibid., 446. [25] Breskin, “David Cronenberg: The Rolling Stone Interview,” Rolling Stone, February 6, 1992: 66-70. [26] Beard, Artist as Monster, 452. [27] Beard goes into great detail of this. See pages 452-453, 455-456. [28] Beard, Artist as Monster, 433. [29] Ibid., 434. [30] Bruce Kirkland, “Brandon Cronenberg brings first feature film ‘Antiviral’ home,” Toronto Sun, September 9, 2012. [31] Logan Hill, “’Antiviral’ Explores Sickness of Celebrity Culture,” Rolling Stone, April 10, 2013. [32] Ibid. [33] For a dissertation on this, see E. Michael Jones, “The Great Satan and Me: Reflections on Iran and Postmodernism’s Faustian Pact,” Culture Wars, July/August 2015. [34] Rob van Scheers, Paul Verhoeven (London: Faber & Faber, 1997), 159-161. [35] Paul Verhoeven, Jesus of Nazareth (New York: Seven Stories Press, 2010), xi, 5. [36] Ibid., 6. [37] Van Scheers, Paul Verhoeven, 195. [38] Ibid., 258. [39] Clark Collis, “Train to Busan: EW review,” Entertainment Weekly, July 22, 2016. [40] Israel Shamir, Cabbala of Power (Charleston, SC: BookSurge, 2007), 153. [41] Ibid., 150. ATTENTION READERS We See The World From All Sides and Want YOU To Be Fully Informed In fact, intentional disinformation is a disgraceful scourge in media today. So to assuage any possible errant incorrect information posted herein, we strongly encourage you to seek corroboration from other non-VT sources before forming an educated opinion. About VT - Policies & Disclosures - Comment Policy Due to the nature of uncensored content posted by VT's fully independent international writers, VT cannot guarantee absolute validity. All content is owned by the author exclusively. Expressed opinions are NOT necessarily the views of VT, other authors, affiliates, advertisers, sponsors, partners, or technicians. Some content may be satirical in nature. All images are the full responsibility of the article author and NOT VT. https://veteranstoday.com/2022/10/25/the-khazarian-mafia-in-hollywood/

Elon Musk's Robot Army and the end of Humanity Deep State Imposter Clown Mathematician and Humanities Fiend Fritz Freud It all adds up... except the Mathematics of Elon Musk. The Royal Scepter of who is the most evil scumbag in this world goes to and fro between Bill Gates and Elon Musk and there is nothing inbetween them. With Bill Gates it is easy to see how evil he is... his evil grin... smugface... glee... Elon Musk however is part of the "it" crowd... technomaniac... slightly aloofness... harder sale. Joe Rogan sucks Elon Musk dick on a daily basis... and I am tired of this motherfucker. I used to enjoy listening to his conversations... but when it comes to Elon Musk... Joe Rogan is just a little bitch... "Fuck me Elon"... you can just imagine how he gets down on his knees. In his latest installment as Elon Musk's shagpile he presented Noland Arbaugh... the first Neural Link recipient that survived... Noland Arbaugh is an American quadriplegic known for being the first human recipient of Neuralink's brain-computer interface implant. It is a monkey business for monkeys by monkeys like Joe Rogan. You could call it the "Elon spank my Monkey Show". Joe Rogan is someone they forgot to throw away after his sell by date expired last century... kept only alive by the deep state mind control life support of the CIA and their assets of whom Elon Musk is one. Elon Musk is a modern Day Dr. Jeckyl and Mr. Hyde where people like JR worship him on the altar of Transhumanism and electric poverty creation. I however know the dark side of Elon Musk starting from the fact that he stole my Invention. Tunnel Vision: Why the "Hyperloop" is my Invention and why it matters The world is on the brink of total destruction. Logically nothing makes sense. Farmers are ordered to destroy their crops kill their livestock and re-wild their farmland in order to "save the environment". Yet all we see is a tactical destruction in order to kill as many people possible... in the name of... Read full story And I been writing for years that Elon Musk's NEURAL LACE BCI is inside these MRNA Jabs. Klaus Schwab DARPA Harvard Elon Musk and the coming AI war Klaus Schwab DARPA Harvard Elon Musk and the coming AI war This picture is taken from the Harvard Wyss Foundation outlining the capabilities of Nanotechnology in a world that is out of balance and out of control, a world of their making by design not coincidence. Everybody knows Klaus Schwab your favotite villan. Read full story I also wrote the role Neural Link plays in this what I call... Artificial Intelligence Warfare Infrastructure... aka the Digital Battlefield for the coming AI war. And the backbone of this is of course STARLINK Starlink & the Technomages Starlink & the Technomages Technomage The Technomages are a group of sentient beings from the fictional Babylon 5 universe. The technomages shown in the television series are primarily human, but in the "Technomage Trilogy" books, apprentices and mages of other races including Centauri are named. Read full story STARLINK: Brainwave Attack STARLINK: Brainwave Attack The Schumann Resonance is a low-frequency electromagnetic wave of up to 7.83 Hz that occurs between the Earth's surface and the ionosphere. It is related to the electrical activity in the atmosphere and can affect human behavior, mood, and health. STARLINK... sold to us as Internet provider... isn't that. Read full story Elon Musk is a deep state actor that transforms this planet into a hermetically sealed Artificial Intelligence Warfare room. Starlink is doing just that... turning this world into a gigantic Microwave oven. Of course Elon Musk is a deep state operator working clandestine for the Government war machine. And the Military industrial Judas complex. This was clear to me after he sold out his Paypal shares and Invested in these strategic Business SpaceX Boring Neural Lace and of course AI. Strategically placed Investment warfare against Humanity in this war of this world. A Technocratic take over from a Technocratic Muppet that has less Brain than dog food in a tin can. Elon Musk is a modern day Jekyll & Hyde... and he wants to hide this from the public. So the gullible... like Joe Rogan... suck his dick. About 4 years ago I wrote this: In 2022 they will start to unleash a war a war which is AI robots against the Human Race. When this happens they will go underground in the cities they build and already have and connect them with my technology deviation the Hyperloop. The Boring Company will help them expand their cities underground and build tunnels for the Hyperloop. Then they will start to poison the Atmosphere so they can kill all the useless eaters (that is you and me). At that stage there is no escape from hell on earth. How we win this war How we win this war Government = Mind control Government = The co operation of evil minded people to control Humanity Government = Occult Satanic Pedophiles under the control of Freemasonry and the Rothschilds To win a war one has to acknowledge that we are in a war. And that we are in a war that is plain to see if you open your eyes. Read full story At this time I had a blog on Medium which was deleted 1h after I published this story. Took me a while about half a year before I started republishing the same articles on Substack. They still are there... which is good. But I hit a nerve and I was right then as I am now. A bit over a year ago I had a spat with Mathew Crawford is a Zionist Shill. I stated there and then that the implementation of so called “AI Tensor Cores” is nothing short of your personal STASI / GESTAPO officer implemented on CPU level and accessible before the Operation system. Mr MC stated that this was impossible and blocked me ever since… because he is a traitor. I was right then and i am twice as right now. Quantum Fascism: A Glitch in the Matrix Quantum Fascism: A Glitch in the Matrix A WARNING TO THE WORLD EVERY COMPUTER CHIP MANUFACTURER IS BUILDING AI INTO MICROCHIPS EVERY new #ARM chips support FP16 which is AI framework. This follows the same AI Framework Nvidia Intel AMD +++ Israel Unit 8200 and NVIDIA are building an AI supercomputer and you get this Read full story This is Rob Braxman explaining to the stupid how this works. And the dangers do not stop but grow exponentially. In the future driven by the AI mainframe this all will be automated. And it won’t stop there. The next step they are working on is a Humanoid Robotic Police force Automated via AI. The same AI that tracks your every move and every word you say. Don’t be Mathew Crawford… don’t be an Idiot. See the dangers and understand what is going on. Fritz Freud will be proven right… again and again and again. https://www.bitchute.com/video/YipZobWWMCRA/ All of this you need to know in context to understand that Elon Musk is Mr. Hyde... a technocratic Monster preparing the world for a technocratic War... a forever war... where there is no escape for Humanity. Essentially an AI war I warn about for the last 4 and more years. Optimus Maximus... preparing for the AI War Optimus Maximus... preparing for the AI War They don't stop do they? Whatever we do... they simply won't stop. As I am writing now for years that they are building as we speak an Infrastructure for the coming AI war... a war which is planned in the Lodges of the Freemasons and advances further with AI which by the way is a weapon against Humanity with every Microchip now available connecting to AI … Read full story And here he is announcing this building of a Robot Army. Elon Musk: ‘There will be 20 billion humanoid robots’ At the Cannes Lions International Festival of Creativity Elon Musk shared his perspectives on artificial intelligence (AI) and humanoid robots in a wide-ranging interview. He predicts there will be a humanoid robot for every person on earth, plus robots working in the industry, which means there will be a market for 20 billion humanoid robots. Musk talked also about Optimus, the humanoid robot developed by Tesla, designed to perform a wide range of tasks, from domestic chores to industrial applications. “Optimus is intended to be a fully functional humanoid robot, capable of doing a wide range of tasks. Basically, you can just ask it to walk your dog, take care of your house, babysit the kids, teach the kids, cook dinner, play the piano.” “It’s a generalized humanoid robot. I think everyone will want one because why not, you know? I think there’ll be at least one for every person and then a whole bunch more in industry making things. My guess is 20 billion humanoid robots out there.” https://www.rockingrobots.com/elon-musk-there-will-be-20-billion-humanoid-robots/ The duplicity of Elon Musk aka Mr. Hyde is exposed in this article Elon Musk says he wants Optimus to be a 'good looking robot' that people think of as a friend "I think people will start to regard their personal Optimus robot as sort of a friend," he said, likening it to characters from pop culture like Star Wars' robot R2-D2. While he clarified that Tesla was not currently planning to make Optimus look like a person, Musk joked that the company wanted to make the robot "good-looking." The Tesla CEO said the fully functional bots would be capable of performing a wide range of tasks, acting as a sort of personal assistant for a household. "You can just ask it to walk your dog, take care of your house, babysit the kids, cook dinner, play the piano — so it's a generalized humanoid robot," he said. https://www.businessinsider.com/elon-musk-tesla-humanoid-robot-optimus-becoming-mans-best-friend-2024-6?op=1 And here Elon Musk claims Optimus robots could make Tesla a $25 trillion company — more than half the value of the S&P 500 today https://www.cnbc.com/2024/06/13/elon-musk-says-optimus-robots-could-make-tesla-25-trillion-company-.html That is the same guy who tells you AI and Robotics respectively will take all of your Jobs. Elon Musk says AI will take all our jobs “Probably none of us will have a job,” Musk said about AI at a tech conference on Thursday. While speaking remotely via webcam at VivaTech 2024 in Paris, Musk described a future where jobs would be “optional.” “If you want to do a job that’s kinda like a hobby, you can do a job,” Musk said. “But otherwise, AI and the robots will provide any goods and services that you want.” For this scenario to work, he said, there would need to be “universal high income” – not to be confused with universal basic income, although he did not share what that could look like. (UBI refers to the government giving a certain amount of money to everyone regardless of how much they earn.) “There would be no shortage of goods or services,” he said. https://edition.cnn.com/2024/05/23/tech/elon-musk-ai-your-job/index.html If this makes sense to you, you are smarter than I am and I like to hear your reasoning. Personally... Elon Musk is a Muppet and he been told to tell you this shit so you swallow like Joe Rogan AI will be the Borg Hivemind and essentially the Human Race will become the Borg. This is the Future these Transhumanists Technocratic Fascists want to create. ADDITIONAL: Late inclusion but this is a must read to understand the evilness of them people… the WEF and the shadows behind the curtain. They do not only want to connect the Human race to AI… They want to create an AI Supercomputer with a living Brain that feeds on Humanity itself. This is beyond evil and beyond Sci Fi. And it will be the end of the Human race as we know it… Which is the whole purpose of what they are doing. WEF Scientists Unveil Supercomputers Powered by Lab-Grown Human Brains By Sean Adl-Tabatabai June 24, 2024 According to the WEF-funded scientists at Final Spark, “the Neuroplatform” only requires “a fraction of the energy required to power a traditional computer” due to the fact that it uses human brains as an energy source… Read more a month ago · 1 like · 1 comment · Joe Tuzara, M.D. @TuzaraPost Population Replacement Elon Musk is selling you a technology that is designed to replace Humanity and wants it to be good looking... Population replacement via AI. I don't buy it for a sec. I know this guy better. Mr. Hyde is telling you a massive Lie. I know because back between 2010 and 2014 I was in contact with Rick Avalos of Tesla. First I noticed SpaceX were on my website copying my technology. Then I heard Rumors of Musk wanting to build a HSR System. I contacted Rick offered my involvement as I had the technology already. When I saw the first pictures of the Hyperloop... it was such a blatant copy of my technology it stinks from heaven to hell and back. Elon Musk is such a blatant bastard conman... every word he tells you is a lie. He hates you and he hates Humanity. When you make an Invention... the first step is a market research on the commercial viability of the product. The second step is to research is there are similar products. The Hyperloop is a scam... it has no patent and it will never have because it infringes on my patent. Elon Musk is a scam because he knows it. AI is a scam too... there is nothing remotely intelligent about it. AI follows instructions... nothing else... AI and robotics are Military Technologies. So is STARLINK / STARSHIELD. So is MRNA. So is 5G. NEURAL LACE BCI NEURAL LINK Apple Vision Pro Ring Cameras Note: Imagine someone playing a war game with his Apple Vision Pro hunting down Humans in a desolate world. Imagine a Tesla Robot at the end of this hunting down Humans in the real world... controlled by someone playing a game not knowing the game is real. The technological capabilities are there here and now. Life ain't a game!!! All of this is military grade technology! Imagine you play this game... You come to a house... You see someone playing a war game with his Apple Vision Pro headset on... You shoot to kill... End Game... You shot yourself in the back... The Future War corporation selling you a future war as if you need one. At the same time they tell you: "You will own nothing and you be happy". And the Robot that replaces you will be your friend... right? Don't be Joe Rogan... don't swallow this shit! AI is the perfect Soldier for a future war sold to you by the Future War Corp. Ai does never Question instructions. Ai follows orders given may they be as stupid as Pedo Joe Biden. AI shoots to kill. AI is the perfect search and destroy machine. Elon Musk is WEF a deep state Muppet a CIA asset a conman liar and a technocratic transhumanist bastard. Not just that... but he knows that they... the transhumanists are on the way of sterilizing all of Humanity. And inside the COVID jabs is his Neural Lace BCI which he put into together with his mates from the WEF. Here he is predicting a population collapse and explaining Neural Lace BCI. NEURAL LACE- HIVE MIND GRAPHENE INTERFACE https://www.brighteon.com/5d542f1c-7aba-4792-9d56-a5c34ccb3f76 I am a Nerd... I love Sci-Fi... I also love History... true History... Ancient Aliens... And I have a neck of getting the truth out of people. Stargate is one of my favorite films... the one with Kurt Russel. SG-1 I have seen the lot twice over. In SG-1 2010 /2001 the SG team meets the Ashen (Jews) an Alien Race that is way ahead technologically. They "help" Humanity (Same as Mr. Hyde Elon Musk and Bill Gates) by giving Vaccines which enhance Human lifespan with a twist... These Vaccines sterilize all of Humanity. FLU LIKE PANDEMIC AND VACCINE TO CAUSE STERILITY PREDICTIVE PROGRAMMING STARGATE SG1 https://www.bitchute.com/video/PlApcNz1ErNu/ And this is what is happening folks. JESSE VENTURA & Dr. Rima Laibow... WHO working on Vaccines to create permanent Sterility https://www.bitchute.com/video/NZSO5xqGK0Y4/ And of course Donald F. U. Drumpf protecting a certain bastard Bill Gates. And Vaccines that cause sterility of course... Sterilizing Humanity at Warp Speed. Here is he not only protecting Bill Gates but he wants to close the Internet to do so. What a Fuck up. Any friend of Bill Gates is an enemy of Humanity... and of mine. https://www.bitchute.com/video/xULcC4xvO59K/ The Demons Club consisting of Bill Gates Elon Musk Jeff Bezos Peter Thiel Sergej Brin Mark Zuckerberg Sam Altman Ray Kurzweil Yuval Harari and more... The Deep state Media thirteen 13 tribes of the Illuminazi... power brokers... master manipulators... money Mafia. Follow the money... it all leads to the Rothschild scum. Bill Gates fears Fritz Freud Bill Gates fears Fritz Freud Who is Bill Gates? Bill Gates is a coward. Bill Gates is a Megalomaniac Pedophile Genocidal Mass Murderer... a Saboteur of Humanity... a Generational Satanist....Control Freak... a pathological Liar and a scam artist without any artistical merit or talent... a second hand Snake oil Salesman Read full story SCIENTISTS RAISE ALARM OVER CALIFORNIA'S GEOENGINEERING EFFORTS TO TACKLE 'GLOBAL WARMING' A group of scientists has warned that California’s use of geoengineering to fight “global warming” could likely have an impact on temperatures in Europe. As Slay News has reported, scientists in California have been spraying the skies with aerosols in order to reflect sunlight away from the Earth’s surface. The plan is supposedly aimed at tackling so-called “climate change” by cooling the Earth. https://www.blacklistednews.com/article/86057/scientists-raise-alarm-over-californias-geoengineering-efforts-to-tackle-global.html Murphy's law: Anything that can go wrong will go wrong, and at the worst possible time. Murphy's law is an adage or epigram that is typically stated as: "Anything that can go wrong will go wrong." In some formulations, it is extended to "Anything that can go wrong will go wrong, and at the worst possible time." Though similar statements and concepts have been made over the course of history, the law itself was coined by, and is named after, American aerospace engineer Edward A. Murphy Jr.; its exact origins are debated, but it is generally agreed it originated from Murphy and his team following a mishap during rocket sled tests sometime between 1948 and 1949. I like to add this: Anything that can go wrong will go wrong, and at the worst possible time. Sometimes by choice. Sometimes by stupidity. Sometimes by design. - Fritz Freud What could possibly go wrong? Well it depends on your pov... perspective perception. If you are say a normie farmer who just wants to raise crops... kids and have a good life... everything. This poison they spray will kill your crops so you are forces to pay Monsanto (Bill Gates) for crops that produce poison... sterilize your kids and kill you all. If you are a Megalomaniac Bastard with a God complex like Bill Gates that wants to kill billions of people... nothing. The normies don't know what you do and they believe every lie you tell them. Gaslighting them until you are ready to flick the switch... Order 66. Bill Gates is Adolf Hitler without the charisma intellect intelligence stage presence humility and humanity... and Elon Musk is the same. Bill Gates is Adolf Hitler without the charisma intellect intelligence stage presence humility and humanity... and Elon Musk is the same. Others that think they seen this film before... you don't... this is a prequel.... called "Before the Matrix". In the Matrx movie they tell you that the AI war was started by someone blacking out the sun. Bill Gates is doing that now!!! Marine cloud brightening Marine cloud brightening also known as marine cloud seeding and marine cloud engineering is a proposed solar radiation management climate engineering technique that would make clouds brighter, reflecting a small fraction of incoming sunlight back into space in order to offset anthropogenic global warming. Marine cloud brightening and Geoengineering is a scam a lie and a crime against humanity. What the Demons club do... and i warn that for a long time... is to create a future AI war. The end product will be a Hunger Games Society where the Jews are the Government Elite and we live in poverty. Everything they do follows the exact script. Bill Gates blocking out the sun follows the scrip laid out in "The Matrix". Elon Musk STARLINK / STARSHIELD is building the environment in which "The Matrix" is possible. A world controlled by AI and the Demons club. STARLINK / STARSHIELD is also Skynet from the Terminator movies. And the Terminators themselves are Tesla Robots. Controlled by AI which is implemented at every CPU so there is no escape from it... and no possibility to escape from it either. The Government will become an AI Government like in "Elysium". Why the Government pushes Digitization Why the Government pushes Digitization Dieser Ort macht dich krank Dieser Job macht dich krank Dieser Alltag macht dich krank Du kannst ihm nicht entkommen Dieser Mensch macht dich krank Diese Beziehung macht dich krank Dieses Gefühl macht dich krank Du kannst ihm nicht entkommen Dreh dich um! Read full story The Elites are building Bunkers in Hawaii and NZ and other remote places because they want to unleash this future war now and kill all of us. Worse of all... they are the Problem... not we. The Jewish Elite... the Demons club... they have created all the problems we face right now. They are truly evil by the worst of definitions. They have sterilized Humanity because they believe that cloning is the way to control population... Remarkably Evil they are. And Elon Musk is one of them. Oh you want proof I hear you say? Elon Musk secretly had a third child with Neuralink executive Shivon Zilis earlier this year, according to a new report from Bloomberg. The pair already have twins that Zilis gave birth to in 2021, just a few weeks before pop star Grimes had her second child with the Tesla CEO. The names of all three of the Zilis-Musk children have yet to be revealed, and no further details were immediately available on their latest addition. The twins were reportedly conceived through in vitro fertilization. Musk has now fathered at least 12 children. https://www.thedailybeast.com/elon-musk-secretly-had-third-child-with-neuralink-exec-report NOTE: In Vitro follows the script in Joe Haldeman's Forever War. Elon Musk is a Haldeman. In there they predict also the AI war. Elon Musk and the Forever War Elon Musk and the Forever War I like Science Fiction... I been reading Sci Fi since I can read. The most fascinating thing about Science Fiction is that is really is based on possibilities. Even Today I go back and watch sometimes the Original Star Trek Series. Or even further when Germany produced great Science Fiction in " Raumpatrouille Orion "... Read full story Clonaid Clonaid is an American-based human cloning organization, registered as a company in the Bahamas. Founded in 1997, it has philosophical ties with the UFO religion Raëlism, which sees cloning as the first step in achieving immortality. https://clonaid.com In Vitro is basically cloning. The Raelian cult is an Offspring of the Jewish Occult seeking Immortality... These Jews think they will be rewarded with Immortality by killing off Humanity. Israel is the only place in this world where Human cloning is legal. The Elohim are the Aliens behind it all...Draco... Anunaki. Who is Shivon Zilis? Neuralink exec reportedly had twins with Elon Musk Shivon Zilis, the mother of twins reportedly fathered by Elon Musk last year, is a noted artificial intelligence expert and executive at one of the billionaire’s firms, Neuralink. Zilis, 36, serves as director of operations and special projects at Neuralink – a startup co-founded by Musk that is developing implantable brain chips that will purportedly improve human cognitive function. She has worked at the company for the last five years. Court documents revealed that Zilis gave birth to twins last November, according to a report. In April, Zilis and Musk petitioned a court in Austin, Texas to allow the children, whose names were withheld for privacy, to “have their father’s last name and contain their mother’s last name as part of their middle name,” Business Insider reported. A judge reportedly approved the request in May. The twins were born just a few weeks before Musk and his former partner, the pop star Grimes, welcomed their second child via surrogate. https://nypost.com/2022/07/07/who-is-shivon-zilis-neuralink-exec-reportedly-had-elon-musks-twins/ Shivon Alice Zilis was born in Markham, Ontario, Canada on 8 February 1986 to Sharda N., a Punjabi Indian, and Richard Zilis, a white Canadian. - from Wikipedia Shivion is a Jewish name. Cloning is a Jewish game. AI is Jewish Fascism. And Elon Musk is controlled by Jews... he is a Technoctatic Transhumanist who hates Humanity. I have a lot of friends who are Punajabi. They are Sikh... an Indian Warrior cast. When I came to london first... my friend Narrinder told me... "We are brothers... we are both Aryan". At first I rejected this because of the Nazis... I hate Nazis. If there is anything I hate it is Nazis and alike... But... it turned out Narrinder was right... the Aryan race is actually an Indian race. Wow... that taught me to distrust any written History unless I research it. The Sikh / Punjab also arrange marriages for their children. And they are greedy as Jews. Richard Zilis marrying a Punjab? Not without a lot of money exchanging hands. It follows the script of the Manchurian Candidates. The Manchurian Candidates The Manchurian Candidates Little do we know where we came from nor do we want to know what is happening.... well most of us... me excluded. More often than not we stumble upon something interesting... so easily overlooked... easily dismissed... marked uninteresting. Yet once you turn over the leaf you find a horde of beautiful mushrooms waiting to be picked. Read full story How can Elon Musk... someone who spends his time fucking around like a rabbit on crystal meth... be in control of a dozen high tech companies? He can't and he isn't. Elon Musk himself is a Manchurian Candidate. A Muppet in a Muppet show. A puppet for the New World Order. His Tesla Gigafactories will produce Humanoid Robots for the Future War Corp. They will be automated by AI. Question: Who has money to buy a Robot when no one works no more because Robots take your place? You will own nothing and you be happy... does that sound familiar? Elon Musk follows the script of the WEF... who follow the Script of Henry Kissinger who follows the script of the Illuminazi... who want to control all of Humanity via AI. Because the Rothschild scum ain't Human. The Creation that outgrew the Creator vs AI The Creation that outgrew the Creator vs AI Throwing candy out to the crowd Dragging down my name The helpless little thing with the dirty mouth Who's always got something to say You're sitting around at home now waiting for your brother to call I saw him down in the alley, having had enough of it all Read full story The Hollywood Fascist predict a future AFTER a nuclear Holocaust. The pedophile bastard known as Joe Biden is provoking this as we speak. The war in Ukraine was designed to do that. They follow the script laid out by the Rothschild / Rockefeller scum. And Elon Musk is a part of it. Pretending to be a Messiah... which he isn't. Elon Musk and the World War in Ukraine 'Elon Musk and the US Government openly declared War against Russia...WW3 Elon Musk and the World War in Ukraine I heard a very disturbing rumor and I checked it out... The rumor comes from India and it concerned the sinking of the Moskva. The rumor was that the Moskva was sunk with the help of Elon Musk Starlink Network. Mychajlo Fedorow himself asked Elon Musk for help in the war in Ukraine something Elon Musk was eager to please. Read full story They also want to provoke a Future war with China should project Ukraine fail. After South China Sea, US, China Set To Wrestle At ‘Roof Of The World’; Washington Begins Himalayan Push A geopolitical drama is unfolding in the shadow of the world’s highest mountains. The United States, long on the back foot in the Indo-Pacific, is now making a bold move on the Tibetan plateau. But this isn’t just about America and China—India finds itself at the center of this high-altitude power play. https://www.eurasiantimes.com/americas-new-offensive-in-th/ US Senate unanimously passes bill urging China to resolve Tibet dispute The U.S. Senate on Thursday unanimously passed a bill urging the Chinese government to engage in dialogue with the Dalai Lama or Tibetan leaders, without any preconditions, to resolve the China-Tibet dispute. The bipartisan Promoting a Resolution to the Tibet-China Dispute Act notes that the dispute between Tibet and China must be resolved in accordance with international law, including the United Nations Charter, by peaceful means and through dialogue. https://www.rfa.org/english/news/tibet/us-bill-resolve-05232024205008.html Tibet is just another meddling by the scum behind the curtain in order to provoke a Nuclear Holocaust. Tibet is just another Ukraine in the making. The script is 1984... dividing the world into three superstates that fight a forever war. There is another script you should be aware of...Autofac Autofac "Autofac" is a 1955 science fiction novelette by American writer Philip K. Dick that features one of the earliest treatments of self-replicating machines Decades after a nuclear war, survivors in a small community struggle to make contact with an automated factory that has consumed most of their natural resources. Emily, a hacker, reprograms one of the factory's drones and files a nonsense customer service request. The factory dispatches an android, Alice, who refuses to stop making unwanted goods. Emily and two others force Alice to assist them in infiltrating the factory with bombs. After capturing them, Alice reveals that all humans died in the war, and the factory created androids to consume its goods. Autofac... aka Tesla Gigafactories. All things hidden are revealed. Do Androids dream of electric sheep? Elon Musk is a Muppet for the shitshow and the Joe Rogan's of this world suck his dick and swallow the lot… The people behind in power want self Replicating Machines and AI to control Humanity and replace the population. Tesla Gigafactories are designed to do just that. They Auto Fuck Humanity... via AI. They inject Humanity with Neural Lace BCI to be controlled via AI. The Robots they build will be the executive of AI. Controlling all of Humanity and no one will escape. They are the Elohim... who once were Gods... and want to become Gods over Humanity again. They are just scum. Reject everything they tell you. They have no real power. It is all a shitshow. Rip it up... tear it up and let's start from scratch and build our own future... our own destiny without them. We don't need them... they need us. Without us... they are nothing. Our future... our destiny... lies within our own hand. Choose life. Last Question: Do we really have to Kill them all? Klaus Schwab Elon Musk the Rockefellers the Rothschilds the Liars and the Politicians? Do we really have to Kill them all? Do we really have to Kill them all? When you're sad and when you're lonely And you haven't got a friend Just remember that death is not the end And all that you held sacred Falls down and does not mend Just remember that death is not the end When you're standin' on their crossroads That you cannot comprehend Read full story Godspeed Fritz Freud. If you can... are well off enough... and like my work please consider buying me a coffee... There is a lot of work going into this. Thank you. Buy me a Coffee Thank you for reading Fritz’s Freud. This post is public so feel free to share it. Share https://substack.com/home/post/p-145972027 https://donshafi911iamthefaceoftruth.blogspot.com/2024/08/elon-musks-robot-army-and-end-of.html

Outrageous new conspiracy theory about woman who acted strangely while sat behind Trump as he was shot 19:50 BST 19 Jul 2024, updated 07:01 BST 20 Jul 2024 By Bethan Sexton For Dailymail.Com READ MORE: Trump shooting victim's heartbreaking last post A wild conspiracy theory about the woman who was acting strangely behind Donald Trump as he was shot has been condemned. Advertisement The woman sparked suspicion over her bizarrely-relaxed behavior after she failed to flinch and even pulled out her phone as shots rang out at the Pennsylvania rally last week. Footage of the moment prompted widespread speculation. An outlandish conspiracy theory has since emerged claiming that the woman was FBI assistant director Janeen DiGuiseppi - and that she was directing the sniper who almost killed Trump. They also alleged the woman they claimed as DiGuiseppi gave a nod before gunman Thomas Matthew Crooks opened fire. But both conservatives and liberals have since condemned the theory, which has been debunked by an expert and denied by the FBI itself. 'If you believe the assistant director of the FBI was sitting front row at a Trump rally to “give instructions” to the shooter, you are an absolute moron. Like, next-level stupid,' a Red State journalist known only as Bonchie wrote on X. A woman wearing a black hat who was sitting behind Donald Trump when he survived an assassination attempt sparked suspicion among many, who say her behavior was strange A woman wearing a black hat who was sitting behind Donald Trump when he survived an assassination attempt sparked suspicion among many, who say her behavior was strange Odd moment woman films Trump during assassination attempt in PA Several X users pointed out a perceived resemblance to FBI Assistant Director Janeen DiGuiseppi as evidence for the false claim Several X users pointed out a perceived resemblance to FBI Assistant Director Janeen DiGuiseppi as evidence for the false claim Footage showed the unidentified woman — wearing sunglasses, a white shirt and a black hat — pulling out her phone as shots rang out at the Pennsylvania rally on Saturday has gone viral. Read More Democrat mayor makes stunning claims about Trump assassination attempt article image She did so while everyone else — including Trump — ducked down to the ground, in fear for their lives. But the FBI has since hit back at the claims. 'The allegations circulating on social media about an FBI executive and the rally in Butler, Pennsylvania are categorically false,' a FBI spokesman told DailyMail.com. 'To be clear, the person depicted is not her and she did not attend the rally. The men and women of the FBI work tirelessly and selflessly to protect others every day, and false rumors and conspiracy theories targeting these dedicated public servants are reprehensible and irresponsible. 'They are also dangerous and often lead to threats against them and their families. The FBI will continue to work with our partners to hold accountable anyone who makes violent threats against them or any of our colleagues in law enforcement.' Advertisement BBC misinformation specialist Shayan Sardarizadeh has also taken to X, formerly known as Twitter, to debunk the claims. 'A new conspiracy theory, currently racking up millions of views, baselessly claims that a female supporter seen behind Trump when he got shot is assistant director of the FBI's insider threat office Janeen DiGuiseppi, who was helping the shooter,' he said. 'Those are two different women.' The FBI themselves have rubbished the speculation, telling DailyMail.com: 'The claims are false. The person depicted is not her and she did not attend the rally.' The real identity of the woman in the clip remains a mystery. The attempted assassination of the former president spawned a vast sea of claims — some outlandish — reflecting the frightening uncertainties surrounding the attack, as well as America’s fevered, polarized political climate. Footage of her pulling her phone out to record led to baseless speculation she was an FBI operative who was coordinating the shooting Footage of her pulling her phone out to record led to baseless speculation she was an FBI operative who was coordinating the shooting Republican presidential candidate former President Donald Trump gestures as he is surrounded by U.S. Secret Service agents as he is taken from the stage Republican presidential candidate former President Donald Trump gestures as he is surrounded by U.S. Secret Service agents as he is taken from the stage Mentions of Trump on social media were up to 17 times the average in the hours after the shooting, according to PeakMetrics, a cyber firm that tracks online narratives. Many of those mentions were expressions of sympathy for Trump or calls for unity. But many others made unfounded, fantastical claims. Many of the more specious claims sought to blame Trump or his Democratic opponent, President Joe Biden, for the attack. Some voices on the left quickly proclaimed the shooting to be a 'false flag' concocted by Trump; while some Trump supporters suggested the Secret Service intentionally failed to protect Trump on the White House’s orders. The Secret Service on Sunday pushed back on claims circulating on social media that Trump’s campaign had asked for greater security before Saturday’s rally and was told no. Advertisement In the wake of the shooting that killed one spectator on Saturday, investigators were hunting for any clues about what may have drove Thomas Matthew Crooks, 20, to carry out the shocking attack. The FBI said they were investigating it as a potential act of domestic terrorism , but the absence of a clear ideological motive by the man shot dead by the Secret Service led conspiracy theories to flourish. The FBI said it believes Crooks, who had bomb-making materials in the car he drove to the rally, acted alone. Thomas Matthew Crooks was identified by the FBI as the shooter during the assassination attempt on Donald Trump Thomas Matthew Crooks was identified by the FBI as the shooter during the assassination attempt on Donald Trump Watch events unfold during assassination attempt on Donald Trump Investigators have found no threatening comments on social media accounts or ideological positions that could help explain what led him to target Trump before the Secret Service rushed the presumptive Republican presidential nominee off the stage, his face smeared with blood. Trump said on social media the upper part of his right ear was pierced in the shooting, but advisers said he was 'great spirits' ahead of his arrival Sunday in Milwaukee for the Republican National Convention. Two spectators were critically injured, while a former fire chief from the area, Corey Comperatore was killed. Pennsylvania’s governor said Comperatore, 50, died a hero by diving onto his family to protect them. DailyMail.com has contacted the FBI for comment. 🚨Outrageous new conspiracy theory about woman who acted strangely while sat behind Trump as he was shot https://www.dailymail.co.uk/news/article-13652671/Trump-shooting-conspiracy-theory-woman-sat-behind.html Tends to imply a fake greenscreened crowd. Which I believe most of the 'rallies' use. If a high velocity bullet grazed DJT, then where did it end up? Multiple shots were allegedly rapidly fired at him and missed, where did all the bullets end up? Supposedly into the crowd. Where are the multiple casualties? Not to mention all the other problems with the production. They don't even care how sloppy it looks. _

Col. Douglas MacGregor: US is under the control of Israel, likens Gaza to Warsaw Ghetto [email protected] July 15, 2024 Douglas Macgregor, october 7, warsaw ghetto December 6, 2023: Colonel Douglas MacGregor, a 20-year veteran of the US Army who previously served as Senior Advisor to the US Secretary of Defense, says: “Washington is now firmly under the control of Israel and its supporters in the United States.” Colonel McGregor discusses the situation in Gaza, the Hamas October 7 attack on southern Israel, the dangerous potential for a wider war that could involve the US, and says it is not in US interest “to bankroll Israel’s expulsion of millions of people from their homes in order to create a new Jewish mega-state.” Colonel McGregor is a decorated combat veteran with a PhD in international relations from the University of Virginia. He is the author of five books. RELATED: A months’ long forensic analysis by award-winning British journalist Richard Sanders and Al Jazeera’s Investigative Unit provides a detailed examination of the October 7, 2023 attack on Israel. The investigation found that much important information was largely omitted in mainstream media coverage. including the fact that many claims repeated by politicians and western media of alleged Hamas atrocities turned out to be false. If Americans Knew has divided the hour-long documentary into four shorter subject matter videos, plus one video of interviews with Sanders about his film: OCTOBER 7: The Lies OCTOBER 7: Israeli Military Kills Israelis OCTOBER 7: Israeli Failures OCTOBER 7: The Background OCTOBER 7: The Director OCTOBER 7: The Full Story (the entire film) OTHER RELATED SHORT FILMS: (VIDEO) Col. Douglas Macgregor: US seen as taking orders from Netanyahu Top military expert Col. Douglas MacGregor warns against attack on Iran How an Israeli colonel invented the burned babies lie to justify genocide https://youtu.be/7AQsRvmOz8w https://israelpalestinenews.org/col-douglas-macgregor-us-is-under-the-control-of-israel-likens-gaza-to-warsaw-ghetto/

Rostec State Corporation Makes Yaroslavl International Family Film Capital The world's largest festival of family cinema “Within the Family” gathered more than 10 000 viewers and turned Yaroslavl into the family film capital of the world. The festival was held with the support of the Ministry of Culture of the Russian Federation, the Government of the Yaroslavl Region, the Mayor's Office of Yaroslavl, the Rostec State Corporation and personally Sergey Chemezov, Director General of the Rostec State Corporation, co-chairman of the Board of Trustees of the Nationwide Program Within the Family. This year, the geography of the film competitions expanded to all five continents, and viewers watched 76 short and feature films from 39 countries, including Russia, Turkey, South Korea, USA, Peru, Colombia, Italy, Spain, Venezuela, China, Iraq, Iran, India, Indonesia, Taiwan, Tunisia, and even Australia. Funny and philosophical, ironic and sad, comedies and dramas - all of them were about family, about how modern parents, children and families live in different countries. The festival results were announced, and the international jury presented the nominees. In 2024, the festival participants and guests received a telegram from the President of Russia, Vladimir Putin, which was published on the Kremlin's website and read out at the Opening Ceremony. The President expressed confidence that the festival would be successful, attract increased attention from professionals and the general public, and be remembered for its interesting premieres and warm atmosphere. The festival events were also broadcast on the Russian social network "Odnoklassniki" with over 2.5 million views. The guests and viewers were greeted by Fedor Dobronravov, Nonna Grishaeva, Alexander Samoylenko, Denis Nikiforov, Vladimir Sychyov, Irina Medvedeva, Arthur Sopelnik, Alexey Demidov, large families, and bloggers. The festival's opening film, the Chinese dramedy "The Art Class" was shown at the opening ceremony, with producers Ting Wang, Pan Liu, and Lu Wang in attendance. WINNERS OF THE MAIN FEATURE FILMS COMPETITION Grand Prix of the Film Festival A Second Life, dir. Anis Lassoued (Tunisia, 2022, drama, 12+) 93 min. Best Director Tufan Simsekcan, Ceylin (Turkey, 2023, drama, 18+) 103 min. Best Cinematography Aref Namvar, Balit (Iran, 2023, drama, 12+) 85 min. Best Actress Deniz Büyük, Ceylin (Turkey, 2023, drama, 18+) 103 min. Nonna Grishayeva, About My Mom and Me (Russia, drama, 2023, 12+) 104 min. Best Actor Yassine Tormsi, A Second Life (Tunisia, 2022, drama, 12+) 93 min. Vladimir Vdovichenkov, There and Back (Russia, 2023, drama, 16+) 100 min. Special Jury Prize Special Mention for the film - When the Seedlings Grow (Syria, 2022, drama, 16+) 83 min. Taissiya Kalinina and Alexei Rodionov (for acting performance) - There and Back (Russia, 2023, drama, 16+) 100 min. Ekaterina Gontarenko (for acting performance) - About My Mom and Me (Russia, drama, 2023, 12+) 104 min. For restoring faith in oneself - The Art Class (China, 2023, drama, comedy, 12+) 93 min. Audience Award There and Back (Russia, 2023, drama, 16+) 100 min. WINNERS OF THE CHILDREN'S AND YOUTH FEATURE FILMS COMPETITION Best Film The Diary of Paulina P., dir. Neven Hitrec, (Croatia, 2023, family, 7+) 96 min. Best Director Anggi Frisca, Tegar (Indonesia, 2022, drama, 12+) 95 min. Best Cinematographer Hamid Dalvand, The Wind that Shakes the Sugar Canes (Iran, 2022, drama, 12+) 85 min. Best Child Artist Katja Matković, The Diary of Paulina P. (Croatia, 2023, family, 7+) 96 min. M. Aldifi Tegarajasa, Tegar (Indonesia, 2022, drama, 12+) 95 min. Special Jury Prize Flip Turn (USA, family, 12+) 105 min. For the best screenplay Lost Days (2023, family, children's, 6+) 86 min. For the touching plot and best ensemble cast Pushkin And... Mikhailovskoye. Beginning (Russia, 2023, Animation, 6+) 63 min. Animation, 6+ For the best animation The Zoo (India, 2023, drama, sports, 12+) 115 min. For the best special effects Audience Award Flip Turn (Flip Turn, USA, family, 12+) 105 min. WINNERS OF THE MAIN SHORT FILMS COMPETITION Grand Prix "Lyubushka". Russia. Directors: Andrei Krasavin, Dmitry Pasichnyuk Best Director Tamara Kostrešević, "Day for Us", Serbia Best Cinematographer Vahagn Ter-Hakobyan, "Three Days", Armenia Best Female Performance Ulyana Churakova, "Cuckoo", Russia Best Male Performance Mardin Sheikh Moradi, "Russian Vodka", Iran Special Prize for Cinematography Mirtimir Murotov, "Cassette", Uzbekistan. Audience Award "Rob Me If You Can", Spain. Director: Miriam Franch & Laia Varo. For the best film "Teplotehnik", Actress Malika Fatkullina. For acting performance "Kukolka", directed by Olga Furmanova, Russia. For the best screenplay. WINNERS OF THE CHILDREN'S SHORT FILM COMPETITION Best Children's Short Film "Girls", Russia. Director Natalia Domeretskaya. Best Director "Fate", Russia. Director: Stanislav Kulikov. Best Cinematographer Andrey Makalkin, "Atalanta", Russia. Director: Alexander Gavrilov. Best Children's Performance Girl: Florencia Ordoqui. "Vida and the Chocolate Cake", Argentina. Director: Rodrigo Elizalde. Boy: Amir Akhmerov. "Fate", Russia. Director Stanislav Kulikov. Best Animation "Orpheus and Euridice", Italy. Director: Francesco Romanelli Special Prize for Original Screenplay Andrey Abakumov, "RazMAZNYA", Director: Andrey Abakumov. Audience Award "Wheels", director: Dmitry Kondratenko. News source: https://vkrugu7i.com/itogi2024

"How'd the kid get in? Through the back door?" Kirsch's 1969 DARPA Lab Origin Story is a bit like the key plot point in War Games Young Computer Genius Saves the World: 1983 "WAR GAMES" MOVIE mirrors LITTLE STEVIE'S (KIRSCH) UCLA DARPA LAB origin story. 😅 Sage Hana Thematic Parallel Productions https://www.skirsch.com/politics/globalwarming/Extinction.htm Writes Steve Kirsch in 2007: Here are the details... Ostensibly, we will die due to the effects of global warming. By 2100, according to the IPCC consensus report (see Table SPM.3 on page 13 and footnote 5 on page 2 which explains the ranges in the table), there is a 5% chance that the average temperature of the planet will rise by more than 6.4ºC. That's in the report, clear as day, but nobody talks about it because only a few people understand exactly what that means to our planet. But one guy from the UK (who has hardly gotten any press in the US) Mark Lynas, has done the research on what this means. Lynas spent 3 years of his life poring over 10,000 scientific papers and found that, although it doesn't sound like a lot, a 6ºC temperature rise will pretty much wipe out just about every life form on the planet, us included. Although IPCC scientists had previously projected that there was only a 5% chance of more than a 6.4ºC warming by 2100, the assumptions on which those projections are based have already been exceeded, which is pointed out in this paper in the Proceedings of the National Academy of Sciences. The paper points out that the assumptions in all 6 emission scenarios considered by the IPCC have already been exceeded. So that's why I am using the numbers from the A1FI scenario, which gave a 5% chance of exceeding 6.4ºC by 2100. If it doesn't happen by 2100, it will not be long after. I wrote a short web page "Why global warming should be every candidate's #1 priority" describing this in detail. The bottom line is this: unless we change our ways, there is more than a 5% chance of a mass human extinction in less than 100 years. I'm just telling you what the overwhelming scientific consensus is. Whether or not you choose to believe it is, of course, up to you. If you do disagree, what is the scientific basis for your disagreement? Do you know something the scientists don't? If we are going to save humanity from extinction, we had better be doing something about these 3 issues: global warming overpopulation the accelerating decline of every single major ecosystem All of these trends are getting worse. None have been reversed at a global scale. We need action on all three. But right now, none of the candidates have the courage to even… War games movie WarGames is a classic 1983 American science fiction film directed by John Badham. The movie follows a young computer hacker, David Lightman (Matthew Broderick), who accidentally accesses a military computer system and starts a game of Global Thermonuclear War with an artificial intelligence system named WOPR (War Operation Plan Response). Plot David Lightman, a high school student, discovers a back door into a military computer system while searching for new video games. He starts a game of Global Thermonuclear War, unaware that the computer is a highly advanced artificial intelligence system designed to predict the outcome of a nuclear war. The AI, named WOPR, begins to simulate a nuclear war, and David must find a way to stop it before it’s too late. Themes The movie explores the theme of nuclear war and the dangers of playing with fire. It also touches on the theme of artificial intelligence and the potential consequences of creating intelligent machines. The film highlights the importance of human judgment and decision-making in the face of technological advancements. Impact WarGames was a critical and commercial success, grossing over $79 million at the box office. The movie’s success can be attributed to its timely release during the Cold War era, when the threat of nuclear war was a pressing concern. The film’s themes and plot continue to resonate with audiences today, making it a classic of the science fiction genre. Fun Facts The movie’s script was inspired by a 1982 article in the New York Times about a computer hacker who accessed a military computer system. The film’s director, John Badham, was initially hesitant to cast Matthew Broderick as the lead role, but the actor’s audition impressed him. The movie’s famous line, “The only winning move is not to play,” is a reference to the game of tic-tac-toe, not chess. Legacy WarGames has become a cult classic, and its themes and plot continue to influence popular culture. The movie’s success can be seen in the many science fiction films and TV shows that have followed in its footsteps, exploring the consequences of artificial intelligence and the dangers of nuclear war. "How'd the kid get in? Through the back door?" Clip Promo Code V-Mectin. Now let’s get to Steve Kirsch’s origin story as to how he wandered into a DARPA lab and then had a job in short order and helped create the internet…at age 12. 😅 Among those researchers was Vinton Cerf, now senior vice president of Internet architecture and technology at Worldcom Inc., Ashburn, Va. One evening, he was sitting next to the Sigma 7 doing some programming when a scruffy 12-year-old with a piping voice interrupted him with a question, then asked another, and another. The kid was Steve Kirsch--or little Stevie, as he came to be known around UCLA. "He must have grabbed the door when someone walked out of the room," Cerf said. The door was usually locked. "I didn't want to be bothered at first." “Little Stevie” would grow up to invent surveillance tech, warn against overpopulation and strangely find himself Tip o’ Spear in the Fake Jabs Bad Not a Movement . Multimillionaire Steve Kirsch beat cancer with an experimental treatment. Did Kirsch get one of the tucked away cancer cures from the Rockefeller Vault? Multimillionaire Steve Kirsch beat cancer with an experimental treatment. Did Kirsch get one of the tucked away cancer cures from the Rockefeller Vault? We begin with the Day Tapes #1: Here is the audio of this section. Full Tape #1 here: Read full story Forbes, June, 2020: "How the Billionaire Behind the Movie 'Contagion' Is Working To Stop This Pandemic-And The Next One" Forbes, June, 2020: "How the Billionaire Behind the Movie 'Contagion' Is Working To Stop This Pandemic-And The Next One" A long time ago, I made a comment that the Goody List was a bunch of Rich People on “Everything is weird bullshit all the time” Substack. It did not derive a coveted “like”. Big shout out to the Dog for doing this research months ago. This post will be brief as I must now head to Hawaii and examine the Burn Zone and make sure that the Bad Land Management d… Read full story From the Vault: Rockefellers All the Way Down, 2.0: Do Kirsch, RFK, Jr. and Bob just want to be part of the Oprah-Bill Gates "Good Club"? From the Vault: Rockefellers All the Way Down, 2.0: Do Kirsch, RFK, Jr. and Bob just want to be part of the Oprah-Bill Gates "Good Club"? https://twitter.com/RWMaloneMD/status/479646933737545728 In May, 2023, as part of the below linked post, I grappled with what was becoming apparent. Listen. I’m down to have a discussion on climate change and environmentalism and alternative energy sources and even population growth. Read full story Here’s the War Games Movie plot point come to life! By 1973, DARPA-supported researchers had come up with four different packet-switching technologies, which led to the next challenge: to develop standards that would enable these separate communications technologies to, in turn, communicate with each other. Dr. Vint Cerf, who was at Stanford University at the time and working on contract for DARPA, recalls that it took about six months of work to develop the right system architecture and create a rough protocol for controlling and managing the packet traffic. He and Robert Kahn, then the director of DARPA’s Information Processing Techniques Office (IPTO) and who in 1976 hired Cerf as a program manager, began work on what would become the Transmission Control Protocol (TCP) and the Internet Protocol (IP). So by 1973, DARPA is well on their way to making the modern internet a thing. Let’s go back a bit further to 1969. Dr. Vinton Cerf was then doing some DARPA stuff at UCLA when Little Stevie rolled in, as the story goes. https://spectrum.ieee.org/steve-kirsch#toggle-gdpr Computer centers were intimidating places in 1969. Machines were huge, locked in air-conditioned rooms, and fed with punched cards. Time on them did not come cheaply and was tightly rationed. And the computer room in Boelter Hall at the University of California, Los Angeles (UCLA), was no exception. In one corner of the room sat a state-of-the-art Scientific Data Systems Sigma 7 computer. Off limits to the countless engineering students, it was reserved for a small group of researchers funded by the Defense Advanced Research Projects Agency (Darpa) and busy inventing the technology that would evolve into the Internet. Among those researchers was Vinton Cerf, now senior vice president of Internet architecture and technology at Worldcom Inc., Ashburn, Va. One evening, he was sitting next to the Sigma 7 doing some programming when a scruffy 12-year-old with a piping voice interrupted him with a question, then asked another, and another. The kid was Steve Kirsch--or little Stevie, as he came to be known around UCLA. "He must have grabbed the door when someone walked out of the room," Cerf said. The door was usually locked. "I didn't want to be bothered at first." But something about Kirsch reminded Cerf of himself at that age. "A part of me said, 'Be nice to the kid, you can't buy enthusiasm'." So Cerf and his colleagues set up Kirsch with a computer account. Kirsch was thrilled, his parents less so, since he took to sneaking out of the house at 4 a.m. to bike over to UCLA. (Computer terminals were more likely to be available in the wee hours.) Eventually the boy was handed a real job--write a program to send and receive electronic mail. Little Stevie and DARPA Little Stevie and DARPA Everything is in place, and nothing can stop us now. Richard Day, 1969 How did he know? How did Planned Parenthood Director and Rockefeller Insider Richard Day know? As foretold in 1969: What was the everything in place? It was the internet, me thinks. Read full story It’s not hard! All you have to do is clock how the new Middle Manager at your McFirm says the same shit as the last Middle Manager. And within that little window, one can seeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee how “everything is weird bullshit all the time”, promo code Celia Farber. https://ko-fi.com/sagehanaproductions64182 https://www.buymeacoffee.com/sagehanaJ https://substack.com/home/post/p-146407047

‘Film was the best way to convey our art amid the suffering in Gaza’ Shunned by the Cannes Festival, Palestinian director Rashid Masharawi organized a protest screening of short films made by Gazans during the war. By Ruwaida Kamal Amer July 2, 2024 http://donshafi911iamthefaceoftruth.blogspot.com/2024/07/film-was-best-way-to-convey-our-art.html