• What do you think was the driving force behind Suchitra Sen's decision to retreat from the limelight, and how did her enigmatic presence shape her legacy in Indian cinema?
    https://vocal.media/motivation/the-legend-suchitra-sen-a-glimpse-into-her-enigmatic-life
    What do you think was the driving force behind Suchitra Sen's decision to retreat from the limelight, and how did her enigmatic presence shape her legacy in Indian cinema? https://vocal.media/motivation/the-legend-suchitra-sen-a-glimpse-into-her-enigmatic-life
    VOCAL.MEDIA
    The Legend Suchitra Sen: A Glimpse Into Her Enigmatic Life
    The Silver Screen's Timeless Diva Who Captivated Millions with Her Grace, Talent, and Unforgettable Charm
    0 Commentarii 0 Distribuiri 785 Views
  • In the world of #cinema where storytelling meets visual art, #movieposters hold a special place. They are the first glimpse into a film's narrative, capturing the essence of a story within a single image. For those captivated by this unique blend of art and marketing, IMP Awards—a haven for movie poster aficionados—offers a treasure trove of visual delights. Here, we explore what makes this platform a must-visit for film enthusiasts and art lovers alike - https://statuslink.digitalpress.blog/the-art-of-cinema-latest-movie-posters-unveiled/
    In the world of #cinema where storytelling meets visual art, #movieposters hold a special place. They are the first glimpse into a film's narrative, capturing the essence of a story within a single image. For those captivated by this unique blend of art and marketing, IMP Awards—a haven for movie poster aficionados—offers a treasure trove of visual delights. Here, we explore what makes this platform a must-visit for film enthusiasts and art lovers alike - https://statuslink.digitalpress.blog/the-art-of-cinema-latest-movie-posters-unveiled/
    Like
    1
    1 Commentarii 0 Distribuiri 1594 Views
  • top 10 hollywood movie 2024 watch https://shorturl.at/xoazl
    1. Dune: Part Two · 2. Furiosa: A Mad Max Saga · 3. Inside Out 2 · 4. Ghostlight · 5. Challengers · 6. Young Woman and the Sea · 7. Deadpool & Wolverine · 8. Civil War.9. Love Lies Bleeding. 10. The Fall Guy
    #movies #hollywood #hollywoodmovies #topmovies #cinema #cinemanight #netflix #amazonprime #deadpool #wolverine #trending
    top 10 hollywood movie 2024 watch 👉👉https://shorturl.at/xoazl 1. Dune: Part Two · 2. Furiosa: A Mad Max Saga · 3. Inside Out 2 · 4. Ghostlight · 5. Challengers · 6. Young Woman and the Sea · 7. Deadpool & Wolverine · 8. Civil War.9. Love Lies Bleeding. 10. The Fall Guy #movies #hollywood #hollywoodmovies #topmovies #cinema #cinemanight #netflix #amazonprime #deadpool #wolverine #trending
    Love
    1
    0 Commentarii 0 Distribuiri 4841 Views
  • At OneForma, we are pleased to invite you and your entire family to participate in our latest onsite project.

    Purpose:
    We are capturing dynamic videos of people, pets, and objects in action to enhance smartphone cinematic technology.

    Location:
    Join us at our designated locations in NYC and be part of this exciting initiative.

    How It Works:
    - Participate in short 5-20 second video clips featuring people, pets (primarily cats and dogs), and various objects.
    - Coordinators will be onsite to assist you.
    - Bring your children and/or pets along and make it a family experience.

    Duration:
    Approximately 1 hour

    Main Requirements:
    - Age: 18-64
    - City of residence: NYC or nearby
    - Willing to commute to designated locations (office, library, campus, shopping mall, etc.)
    - Comfortable being on camera, performing simple actions (such as walking, talking, or picking up objects)
    - Opportunity to earn extra by participating with your pets, friends, family, and children (ages 6-17).

    Compensation:
    - Earn 90 USD -180 USD for your participation in the study
    - Plus, earn an extra up to $100 through our referral program.

    Join us now and help us shape the future of AI!
    https://go.oneforma.com/3RSJbrz

    REFER A FRIEND and earn $25.00 per successful participant!

    Fill out this referral form https://oneforma.aidaform.com/referral-form-clip-nyc if you know someone who is perfect for our Clip Project!

    A member of our team will be in touch shortly if you meet the requirements.
    At OneForma, we are pleased to invite you and your entire family to participate in our latest onsite project. Purpose: We are capturing dynamic videos of people, pets, and objects in action to enhance smartphone cinematic technology. Location: Join us at our designated locations in NYC and be part of this exciting initiative. How It Works: - Participate in short 5-20 second video clips featuring people, pets (primarily cats and dogs), and various objects. - Coordinators will be onsite to assist you. - Bring your children and/or pets along and make it a family experience. Duration: Approximately 1 hour Main Requirements: - Age: 18-64 - City of residence: NYC or nearby - Willing to commute to designated locations (office, library, campus, shopping mall, etc.) - Comfortable being on camera, performing simple actions (such as walking, talking, or picking up objects) - Opportunity to earn extra by participating with your pets, friends, family, and children (ages 6-17). Compensation: - Earn 90 USD -180 USD for your participation in the study - Plus, earn an extra up to $100 through our referral program. Join us now and help us shape the future of AI! https://go.oneforma.com/3RSJbrz REFER A FRIEND and earn $25.00 per successful participant! Fill out this referral form https://oneforma.aidaform.com/referral-form-clip-nyc if you know someone who is perfect for our Clip Project! A member of our team will be in touch shortly if you meet the requirements.
    0 Commentarii 0 Distribuiri 5457 Views
  • Rudrangi Latest Romantic & Action Tamil Full Movie on Natok Guru.
    https://rb.gy/al467f
    #hollywoodmovies #hollywood #movies #movie #hollywoodactress #hollywoodstudios #hollywoodmovie #bollywood #love #cinema #missionimpossible #hollywoodactors #film #thekissingbooth #actor #hollywooddreams #moviescenes #hollywoodactor #hollywoodstar #bollywoodmovies #actress #netflix #englishsongs #films #bollywoodfashion #hollywoodsongs #englishsongstatus #movielovers #football
    Rudrangi Latest Romantic & Action Tamil Full Movie on Natok Guru. https://rb.gy/al467f #hollywoodmovies #hollywood #movies #movie #hollywoodactress #hollywoodstudios #hollywoodmovie #bollywood #love #cinema #missionimpossible #hollywoodactors #film #thekissingbooth #actor #hollywooddreams #moviescenes #hollywoodactor #hollywoodstar #bollywoodmovies #actress #netflix #englishsongs #films #bollywoodfashion #hollywoodsongs #englishsongstatus #movielovers #football
    RB.GY
    Natok Guru
    Natok Guru is a Bangladeshi Natok Bangla 2024 and Indian Bangla Serial Natok and Hindi Serial Natok, New Bangla Funny Romantic Natok and youtube Natok
    0 Commentarii 0 Distribuiri 6052 Views
  • Rudrangi Latest Romantic & Action Tamil Full Movie on Natok Guru.
    https://rb.gy/al467f
    #hollywoodmovies #hollywood #movies #movie #hollywoodactress #hollywoodstudios #hollywoodmovie #bollywood #love #cinema #missionimpossible #hollywoodactors #film #thekissingbooth #actor #hollywooddreams #moviescenes #hollywoodactor #hollywoodstar #bollywoodmovies #actress #netflix #englishsongs #films #bollywoodfashion #hollywoodsongs #englishsongstatus #movielovers #football
    Rudrangi Latest Romantic & Action Tamil Full Movie on Natok Guru. https://rb.gy/al467f #hollywoodmovies #hollywood #movies #movie #hollywoodactress #hollywoodstudios #hollywoodmovie #bollywood #love #cinema #missionimpossible #hollywoodactors #film #thekissingbooth #actor #hollywooddreams #moviescenes #hollywoodactor #hollywoodstar #bollywoodmovies #actress #netflix #englishsongs #films #bollywoodfashion #hollywoodsongs #englishsongstatus #movielovers #football
    RB.GY
    Natok Guru
    Natok Guru is a Bangladeshi Natok Bangla 2024 and Indian Bangla Serial Natok and Hindi Serial Natok, New Bangla Funny Romantic Natok and youtube Natok
    0 Commentarii 0 Distribuiri 6039 Views
  • The Khazarian Mafia in Hollywood
    Jonas E. Alexis, Senior EditorOctober 25, 2022
    by Jonas E. Alexis, VT Editor

    If you walk into the film industry and start interviewing people like Eli Roth, you will almost certainly hear incredible and bizarre things. Roth would tell you that he aspires to “fuck up an entire generation”[1] through movies.

    Roth and his brethren have been in the business for years, so they know the drill. Roth probably knows the story of Samson and Delilah. He probably knows that Samson’s lust darkened his mind and eventually sent him to his death.[2]

    Roth almost certainly knows that the best way to destroy the morals of his audience is to prey on their lust and appetite. That is why Roth’s brethren have spent years fighting against obscenity laws and pornography in the United States.[3]

    roth2

    As Jewish scholar Nathan Abrams himself puts it,

    “Older generation of Jewish filmmakers and actors, here [Woody] Allen, [Stanley] Kubrick and [Ron] Jeremy, arguably not only increased the Jewishness of their work but updated it to match the new post-1990 sensibility by defining it in increasingly sexualized (and pornographic) terms.”[4]

    Abrams declared elsewhere that “Jewish involvement in porn” is actually “is the result of an atavistic hatred of Christian authority: they are trying to weaken the dominant culture in America by moral subversion.”[5]

    Another Jewish scholar by the name of Josh Lambert tells us that people like Larry David and Sarah Silverman “are challenging America’s powerful religious, family-friendly culture and asserting their Jewishness by glorifying obscenity.”[6]

    Yet David and Silverman are hardly the only people who are “glorifying obscenity” in Hollywood. David Cronenberg obviously beat them to the punch. Cronenberg got to the heart of the matter years ago by laying out his ideological weltanschauung in an interview with Rolling Stone this way:

    “Nothing is true. It’s not an absolute. It’s only a human construct, very definitely able to change and susceptible to change and rethinking. And you can then be free. Free to be unethical, immoral, out of society, and an agent for some other power, never belonging.

    “Ultimately, if you are an existentialist and you don’t believe in God and the judgment after death, then you can do anything you want: You can kill, you can do whatever society considers the most taboo thing.”[7]

    Cronenberg’s moral calculus here is logically and philosophically incoherent. If “nothing is true,” then Cronenberg’s statement that “nothing is true” is not true. In order for the statement to make sense, Cronenberg has to assume that it is true! And if it is true, then the “nothing is true” is categorically false, which means that his entire argument collapses.

    In short, Cronenberg is positing truth claims while denying truth exists! He is trapped in his own ideological matrix.[8]

    Living the incoherency of his system aside, Cronenberg is basically saying that you can only be free if you can come to the conclusion that nothing is true and that morality is, as philosopher Michael Ruse believes, “flimflam.”[9] But because he is morally and intellectually blind, Cronenberg could not realize that his axiom is self-defeating.

    Morality, as we all know, is inexorably linked to practical reason. It is also essential to esthetic truth and intellectual pursuit and honesty. As E. Michael Jones rightly puts it,

    “The intellectual life is a function of the moral life of the thinker. In order to apprehend truth, which is the goal of the intellectual life, one must live a moral life. One can produce an intellectual product, but to the extent that one prescinds from living the moral life, that product will be more a function of internal desire—wish fulfillment, if you will than external reality. This is true of any intellectual field and any deeply held desire.”[10]

    Truth, as Plato puts it, is like seeing things the way they really are.[11] And the practical reason (another word for morality) is one of the main tools for discovering metaphysical truth.

    Yet since Cronenberg dismisses practical reason in his ideological calculus, there was no way for him to make a logical point without falling into his own trap. In the process, he has become a monster, as one scholar has argued.[12]

    The Rolling Stone interviewer asked, “Does the artist have any moral or social responsibility?” Cronenberg:

    “No…Your responsibility is to be irresponsible. As soon as you talk about social or political responsibility, you’ve amputated the best limbs you’ve got as an artist. You are plugging into a very restrictive system that is going to push and pull and mold you and is going to make your art totally useless and ineffective.”[13]

    Cronenberg’s philosophy, scholar William Beard tells us, is “the disappearance of ethics.”[14] It is actually “a world of unimpeded desires without consequences, where ‘everything is permitted.’ Metaphorically, this is the world of violent video games, of indulgent Hollywood movies, and also of the transgressive, boundary-piercing cinema of David Cronenberg.”[15]

    No responsibility, no morality, no ethical values, and no limit, nothing but ultimate meaninglessness and existential hell in movies. Existence itself, as indicated in Cronenberg’s movie eXistenZ, means corruption, moral degradation, and ultimately pathetic death. The axiom of eXistenZ is that “nothing is true; everything is permitted.”[16]

    “Every time I kill someone in my movie,” says Cronenberg, “I’m rehearsing my own death…It’s an existential truth, it’s very raw and real.” Didn’t Cronenberg state that nothing was true? Why is he now smuggling in truth in his philosophical trap?

    Cronenberg, who has a “historic affinity with existentialism,”[17] is also playing with the lives of his viewers. He admits that eXistenZ is filled with “existential propaganda.”[18] Scholar William Beard comments:

    “The disappearance of stable theoretical foundations for human society and human values, the stark realization of the insignificant position of humanity in a material cosmos, the undermining of all kinds of knowledge about the world and ourselves, leaves the existential human subject without a clear guideline for living, with no certainty of anything but his or her own death…Culture, science, the whole edifice of modern European civilization are ineffectual in addressing the individual’s desperate plight.”[19]

    Once the existentialist denies metaphysical truth, he has to start creating his own “truth”: “From this, we must create ourselves as meaningful beings, and create the world as meaningful for ourselves. From this we must build up the new foundations of our own lives, adding other people, culture, history, and politics tentatively and fragmentedly as necessary…”[20]

    Existentialists like Cronenberg, says Beard, “cut individuals off from the fundamental questions of personal existence, and leave them alienated in a world crowded with facts but void of meaning.”[21] The philosophy of existentialism teaches Cronenberg that people “are all doomed to die and be swallowed up by Nothingness, but along the way, we may carve out a niche or ledge on the cliff…”[22]

    Therefore “science” and technology are meaningful if they can advance sexual desires and appetite.[23] It was no coincidence that Cronenberg seized technology in the information age to advance his appetite to a wider audience. He bragged that “technology is with us,”[24] meaning that he can use that kind of medium to get his essentially Freudian and therefore Talmudic ideas to unsuspecting viewers.

    Put simply, Cronenberg is indirectly reinventing what Nietzsche would have called the transvaluation of all values, which again states that morality is an illusion and that any culture which becomes docile to the moral order must be overthrown.

    But in order to do that, Cronenberg has to go back to his revolutionary roots, which is neither Western nor rational but essentially Talmudic or Freudian: “I think we start off with what Freud called a polymorphous perverseness.”[25]

    One can easily argue that this “polymorphous perverseness” is at the core of virtually every Cronenberg film. In fact, Cronenberg admitted that characters in movies like Crash, M. Butterfly, Naked Lunch, Dead Ringers, and Stereo, were “reinventing sexuality,”[26] which is another way of saying that Cronenberg’s characters were subverting the sexual order.[27] Cronenberg’s existential philosophy, Beard says, is

    “sexual or predatory, a drive, an appetite, that invokes Freud far more readily than the Sartre who heatedly rejected a Freudian view of life in which individuals were unfree prisoners of their psychic histories and hardwired desires.”[28]

    Cronenberg’s characters in eXistenZ, Beard continues,

    “seem to reproduce that quasi-Freudian sense that their individual freedom—a sacrosanct item of the existentialist creed—is compromised by appetites that are so powerful they are strongly impelled to do something ethically ugly. This happens to Pikul in the Chinese restaurant. He finds he wants to kill the waiter and is told by Geller that the impulse is part of his game character’s make-up and that he won’t be able to do anything to stop it.”[29]

    David and Brandon Cronenberg
    David and Brandon Cronenberg
    The interesting thing is that Cronenberg has successfully passed his essentially diabolical ideas to his son Brandon, who is now following the family tradition. That fact became quite obvious when David edited Brandon’s first feature film Antiviral,[30] which the Rolling Stone itself has described as “sickening,” and which has the same “disturbing obsession with bodies and technology that animates his father’s films, from The Fly and Dead Ringers to Videodrome and Existenz.”[31] The Rolling Stone reported,

    “The son was infected with his father’s own sense of cerebral horror, and he is not rebelling against it. ‘I wrestled with it at first,’ he says, ‘but you get affected by how you grow up….’”[32]

    Cronenberg, whether he likes it or not, should be called a Satanist precisely because he is anti-Logos.[33] But there is a bigger picture here. Cronenberg’s ideology has been transported to places like Japan as well. For example, one of Japan’s most controversial filmmakers is none other than Takashi Miike.

    Miike says that he is a fervent admirer of directors like David Lynch (Lost Highway), Paul Verhoeven (Basic Instinct), and of course David Cronenberg. These people are what one should call cultural subverters. Verhoeven meant it when he said:

    “As a director, my goal is to be completely open. Just look at how I portray sex in my films. They’re considered shocking and obscene because I like to carefully examine human sexuality. It has to be realistic.”[34]

    Verhoeven also declares that he has been “fascinated by the occult: black magic, UFOs, and kinetic energy. I also experimented with hypnotism, trying to get my friends to remember former lives.”[35] It was a natural step for Verhoeven to move from an interest in the occult to bringing his viewpoint to life in films. Turning from the unknown and unknowable, Verhoeven replaced his own ideology with reality:

    “My films became my anchor to reality, and I began to make extremely realistic movies. I felt compelled to show things as explicitly as possible—a tendency which many film critics have dismissed as banal.”[36]

    Verhoeven applied this tendency most often to the area of sexuality, explicitly portraying sex in movies like Showgirls, Basic Instinct, Turkish Delight, and The Fourth Man. Yet even in RoboCop, which in comparison has little sexuality, Verhoeven’s worldview is clear—this time he is substituting Logos incarnate with his own imagination:

    “It’s pure resurrection. For me, RoboCop is a Cytale. First, Murphy is gunned down in the most horrific way: that is Crucifixion. And it has to be so violent because the audience has to remember him.

    “Before that, he has not done anything in the film. He comes to the police station to put on his uniform, then he goes after the villains with his partner, and bang! he is dead. That shooting is the only thing about him—I did that deliberately.

    “Next, the film makes a steep descent into the finite, after which he experiences his Resurrection, in a modern-day…RoboCop is a Jesus figure—an American Jesus…Americans want to be humane, but if they think it takes too long, Christian morality is pushed aside for the moment and they go for their weapons—just like Robocop.”[37]

    Biographer Rob van Scheers writes,

    “Both in his films and in his personal life, Paul Verhoeven has always practiced a free sexual morality of which he makes no secret…Verhoeven would add in the gay magazine The Advocate: ‘Sex is a form of play—doing what you did when you were four or five years old and were playing in the street with your friends. Once you are grown up, it is difficult to be playful, but one of the ways you can is with sex. It is a way of showing yourself: That’s how I’m made. This is what I like.”[38]

    Takashi Miike and Eli roth
    Takashi Miike and Eli roth
    In short, Verhoeven and Takashi Miike are on the same subversive boat. Both individuals want to overthrow the moral order. Eli Roth and Takashi Miike are also in the same boat, working to “fu$k an entire generation.” Of course, Roth himself admitted that he admires Miike’s work. In fact, Roth would have loved to make Ichi the Killer 2. Keep in mind that Ichi the Killer is one of Miike’s “most controversial films,” an “ultra-violent” film that portrays “sadomasochistic” scenes.

    Miike admits in an interview with the BBC that he is a “feminist,” so it was inevitable that he would pull this ideology out of his film. “Miike has garnered international notoriety for depicting shocking scenes of extreme violence and sexual perversions…” Of course, this is exactly what Eli Roth and David Cronenberg have been doing for years.

    What we are seeing here is that Hollywood stirred the subversive pot, and other nations such as Japan and South Korea followed suit. Even the new South Korean movie, Train to Busan, “borrows heavily from World War Z in its depiction of the fast-moving undead masses while also boasting an emotional core the Brad Pitt-starring extravaganza often lacked.”[39]

    If no social progress is possible outside the moral order, then Satanists in Hollywood are contributing to the demise of social docility and cultural harmony around the world. The solution?

    A return to practical reason and metaphysical Logos, the essence of true creativity and beauty. Movies such as The Lord of the Rings were written under those premises. As Israel Shamir rightly points out, Logos is “the main fountain of creativity.” Shamir also argues that true visual art or poetry simply cannot exist outside of Logos.[40]

    If Satanists in Hollywood reject “the main fountain of creativity,” then they can only produce degradation, ugliness, meaninglessness, despair, and ultimate chaos and confusion. It was only a matter of time before the art world was used as a weapon against Logos:

    “A photograph of a crucifix in a container of urine, entitled Piss Christ, was exhibited in the Whitney Museum, which is headed by a great friend of [former Israeli Prime Minister] Ariel Sharon, a member of Mega, Leonard Lauder.”[41]

    This is one reason why people like Carolee Schneemann use nothing but blatant sadistic/ sadomasochistic sexual imagery in their “art.”

    First published in October 2016.

    Citations

    [1] Quoted in Stuart Dredge, “Netflix series Hemlock Grove: ‘People want their horror horrific,’ says Eli Roth,” Guardian, April 10, 2013.
    [2] See E. Michael Jones, The Jewish Revolutionary Spirit and Its Impact on World History (South Bend: Fidelity Press, 2008), 1054-1056.
    [3] See Josh Lambert, Unclean Lips: Obscenity, Jews, and American Culture (New York: New York University Press, 2014).
    [4] Nathan Abrams, The New Jew in Film: Exploring Jewishness and Judaism in Contemporary Cinema (New Brunswick: Rutgers University Press, 2012), 72.
    [5] Nathan Abrams, “Triple-exthnics,” Jewish Quarterly, Winter 2004.
    [6] Josh Lambert, “‘Dirty Jews’ and the Christian Right,” Haaretz, February 3, 2014.
    [7] David Breskin, “David Cronenberg: The Rolling Stone Interview,” Rolling Stone, February 6, 1992: 66-70.
    [8] It is almost the same thing with relativism. I have been listening to an interview E. Michael Jones did with Alex Fontana during which Fontana declared that he doesn’t know if he agrees with “objective reality.” He then lays out his position by saying, “I guess I am a relativist.” I was completely stunned because during the entire interview Fontana was basically dissecting some ideas in the culture and implicitly arguing that they were wrong! Fontana could not see that there is no way to adjudicate two fundamentally opposite ideas if relativism is true. I was also shocked because relativism has been abandoned by serious thinkers years ago precisely because it is devoid of coherency and rigor. This is why Jones told him that relativism “is incoherent. It makes no sense ultimately.” I have discussed the incoherency of relativism in numerous articles. An example can be found here.
    [9] Michael Ruse, “God is dead. Long live morality,” Guardian, March 15, 2010.
    [10] E. Michael Jones, Degenerate Moderns: Modernity as Rationalized Sexual Misbehavior (South Bend: Fidelity Press, 2012), 15.
    [11] Plato, The Republic (New York: Oxford University Press, 1993), 116.
    [12] See for example William Beard, The Artist as Monster: The Cinema of David Cronenberg (Toronto: University of Toronto Press, 2006).
    [13] Breskin, “David Cronenberg: The Rolling Stone Interview,” Rolling Stone, February 6, 1992: 66-70.
    [14] William Beard, The Artist as Monster: The Cinema of David Cronenberg (Toronto: University of Toronto Press, 2006), 434.
    [15] Ibid., 443.
    [16] Ibid., 434
    [17] Ibid., 429.
    [18] Ibid., 430.
    [19] Ibid., 430-431.
    [20] Ibid., 431.
    [21] Ibid.
    [22] Ibid., 433.
    [23] Ibid., 430.
    [24] Ibid., 446.
    [25] Breskin, “David Cronenberg: The Rolling Stone Interview,” Rolling Stone, February 6, 1992: 66-70.
    [26] Beard, Artist as Monster, 452.
    [27] Beard goes into great detail of this. See pages 452-453, 455-456.
    [28] Beard, Artist as Monster, 433.
    [29] Ibid., 434.
    [30] Bruce Kirkland, “Brandon Cronenberg brings first feature film ‘Antiviral’ home,” Toronto Sun, September 9, 2012.
    [31] Logan Hill, “’Antiviral’ Explores Sickness of Celebrity Culture,” Rolling Stone, April 10, 2013.
    [32] Ibid.
    [33] For a dissertation on this, see E. Michael Jones, “The Great Satan and Me: Reflections on Iran and Postmodernism’s Faustian Pact,” Culture Wars, July/August 2015.
    [34] Rob van Scheers, Paul Verhoeven (London: Faber & Faber, 1997), 159-161.
    [35] Paul Verhoeven, Jesus of Nazareth (New York: Seven Stories Press, 2010), xi, 5.
    [36] Ibid., 6.
    [37] Van Scheers, Paul Verhoeven, 195.
    [38] Ibid., 258.
    [39] Clark Collis, “Train to Busan: EW review,” Entertainment Weekly, July 22, 2016.
    [40] Israel Shamir, Cabbala of Power (Charleston, SC: BookSurge, 2007), 153.
    [41] Ibid., 150.
    ATTENTION READERS

    We See The World From All Sides and Want YOU To Be Fully Informed
    In fact, intentional disinformation is a disgraceful scourge in media today. So to assuage any possible errant incorrect information posted herein, we strongly encourage you to seek corroboration from other non-VT sources before forming an educated opinion.

    About VT - Policies & Disclosures - Comment Policy
    Due to the nature of uncensored content posted by VT's fully independent international writers, VT cannot guarantee absolute validity. All content is owned by the author exclusively. Expressed opinions are NOT necessarily the views of VT, other authors, affiliates, advertisers, sponsors, partners, or technicians. Some content may be satirical in nature. All images are the full responsibility of the article author and NOT VT.

    https://veteranstoday.com/2022/10/25/the-khazarian-mafia-in-hollywood/
    The Khazarian Mafia in Hollywood Jonas E. Alexis, Senior EditorOctober 25, 2022 by Jonas E. Alexis, VT Editor If you walk into the film industry and start interviewing people like Eli Roth, you will almost certainly hear incredible and bizarre things. Roth would tell you that he aspires to “fuck up an entire generation”[1] through movies. Roth and his brethren have been in the business for years, so they know the drill. Roth probably knows the story of Samson and Delilah. He probably knows that Samson’s lust darkened his mind and eventually sent him to his death.[2] Roth almost certainly knows that the best way to destroy the morals of his audience is to prey on their lust and appetite. That is why Roth’s brethren have spent years fighting against obscenity laws and pornography in the United States.[3] roth2 As Jewish scholar Nathan Abrams himself puts it, “Older generation of Jewish filmmakers and actors, here [Woody] Allen, [Stanley] Kubrick and [Ron] Jeremy, arguably not only increased the Jewishness of their work but updated it to match the new post-1990 sensibility by defining it in increasingly sexualized (and pornographic) terms.”[4] Abrams declared elsewhere that “Jewish involvement in porn” is actually “is the result of an atavistic hatred of Christian authority: they are trying to weaken the dominant culture in America by moral subversion.”[5] Another Jewish scholar by the name of Josh Lambert tells us that people like Larry David and Sarah Silverman “are challenging America’s powerful religious, family-friendly culture and asserting their Jewishness by glorifying obscenity.”[6] Yet David and Silverman are hardly the only people who are “glorifying obscenity” in Hollywood. David Cronenberg obviously beat them to the punch. Cronenberg got to the heart of the matter years ago by laying out his ideological weltanschauung in an interview with Rolling Stone this way: “Nothing is true. It’s not an absolute. It’s only a human construct, very definitely able to change and susceptible to change and rethinking. And you can then be free. Free to be unethical, immoral, out of society, and an agent for some other power, never belonging. “Ultimately, if you are an existentialist and you don’t believe in God and the judgment after death, then you can do anything you want: You can kill, you can do whatever society considers the most taboo thing.”[7] Cronenberg’s moral calculus here is logically and philosophically incoherent. If “nothing is true,” then Cronenberg’s statement that “nothing is true” is not true. In order for the statement to make sense, Cronenberg has to assume that it is true! And if it is true, then the “nothing is true” is categorically false, which means that his entire argument collapses. In short, Cronenberg is positing truth claims while denying truth exists! He is trapped in his own ideological matrix.[8] Living the incoherency of his system aside, Cronenberg is basically saying that you can only be free if you can come to the conclusion that nothing is true and that morality is, as philosopher Michael Ruse believes, “flimflam.”[9] But because he is morally and intellectually blind, Cronenberg could not realize that his axiom is self-defeating. Morality, as we all know, is inexorably linked to practical reason. It is also essential to esthetic truth and intellectual pursuit and honesty. As E. Michael Jones rightly puts it, “The intellectual life is a function of the moral life of the thinker. In order to apprehend truth, which is the goal of the intellectual life, one must live a moral life. One can produce an intellectual product, but to the extent that one prescinds from living the moral life, that product will be more a function of internal desire—wish fulfillment, if you will than external reality. This is true of any intellectual field and any deeply held desire.”[10] Truth, as Plato puts it, is like seeing things the way they really are.[11] And the practical reason (another word for morality) is one of the main tools for discovering metaphysical truth. Yet since Cronenberg dismisses practical reason in his ideological calculus, there was no way for him to make a logical point without falling into his own trap. In the process, he has become a monster, as one scholar has argued.[12] The Rolling Stone interviewer asked, “Does the artist have any moral or social responsibility?” Cronenberg: “No…Your responsibility is to be irresponsible. As soon as you talk about social or political responsibility, you’ve amputated the best limbs you’ve got as an artist. You are plugging into a very restrictive system that is going to push and pull and mold you and is going to make your art totally useless and ineffective.”[13] Cronenberg’s philosophy, scholar William Beard tells us, is “the disappearance of ethics.”[14] It is actually “a world of unimpeded desires without consequences, where ‘everything is permitted.’ Metaphorically, this is the world of violent video games, of indulgent Hollywood movies, and also of the transgressive, boundary-piercing cinema of David Cronenberg.”[15] No responsibility, no morality, no ethical values, and no limit, nothing but ultimate meaninglessness and existential hell in movies. Existence itself, as indicated in Cronenberg’s movie eXistenZ, means corruption, moral degradation, and ultimately pathetic death. The axiom of eXistenZ is that “nothing is true; everything is permitted.”[16] “Every time I kill someone in my movie,” says Cronenberg, “I’m rehearsing my own death…It’s an existential truth, it’s very raw and real.” Didn’t Cronenberg state that nothing was true? Why is he now smuggling in truth in his philosophical trap? Cronenberg, who has a “historic affinity with existentialism,”[17] is also playing with the lives of his viewers. He admits that eXistenZ is filled with “existential propaganda.”[18] Scholar William Beard comments: “The disappearance of stable theoretical foundations for human society and human values, the stark realization of the insignificant position of humanity in a material cosmos, the undermining of all kinds of knowledge about the world and ourselves, leaves the existential human subject without a clear guideline for living, with no certainty of anything but his or her own death…Culture, science, the whole edifice of modern European civilization are ineffectual in addressing the individual’s desperate plight.”[19] Once the existentialist denies metaphysical truth, he has to start creating his own “truth”: “From this, we must create ourselves as meaningful beings, and create the world as meaningful for ourselves. From this we must build up the new foundations of our own lives, adding other people, culture, history, and politics tentatively and fragmentedly as necessary…”[20] Existentialists like Cronenberg, says Beard, “cut individuals off from the fundamental questions of personal existence, and leave them alienated in a world crowded with facts but void of meaning.”[21] The philosophy of existentialism teaches Cronenberg that people “are all doomed to die and be swallowed up by Nothingness, but along the way, we may carve out a niche or ledge on the cliff…”[22] Therefore “science” and technology are meaningful if they can advance sexual desires and appetite.[23] It was no coincidence that Cronenberg seized technology in the information age to advance his appetite to a wider audience. He bragged that “technology is with us,”[24] meaning that he can use that kind of medium to get his essentially Freudian and therefore Talmudic ideas to unsuspecting viewers. Put simply, Cronenberg is indirectly reinventing what Nietzsche would have called the transvaluation of all values, which again states that morality is an illusion and that any culture which becomes docile to the moral order must be overthrown. But in order to do that, Cronenberg has to go back to his revolutionary roots, which is neither Western nor rational but essentially Talmudic or Freudian: “I think we start off with what Freud called a polymorphous perverseness.”[25] One can easily argue that this “polymorphous perverseness” is at the core of virtually every Cronenberg film. In fact, Cronenberg admitted that characters in movies like Crash, M. Butterfly, Naked Lunch, Dead Ringers, and Stereo, were “reinventing sexuality,”[26] which is another way of saying that Cronenberg’s characters were subverting the sexual order.[27] Cronenberg’s existential philosophy, Beard says, is “sexual or predatory, a drive, an appetite, that invokes Freud far more readily than the Sartre who heatedly rejected a Freudian view of life in which individuals were unfree prisoners of their psychic histories and hardwired desires.”[28] Cronenberg’s characters in eXistenZ, Beard continues, “seem to reproduce that quasi-Freudian sense that their individual freedom—a sacrosanct item of the existentialist creed—is compromised by appetites that are so powerful they are strongly impelled to do something ethically ugly. This happens to Pikul in the Chinese restaurant. He finds he wants to kill the waiter and is told by Geller that the impulse is part of his game character’s make-up and that he won’t be able to do anything to stop it.”[29] David and Brandon Cronenberg David and Brandon Cronenberg The interesting thing is that Cronenberg has successfully passed his essentially diabolical ideas to his son Brandon, who is now following the family tradition. That fact became quite obvious when David edited Brandon’s first feature film Antiviral,[30] which the Rolling Stone itself has described as “sickening,” and which has the same “disturbing obsession with bodies and technology that animates his father’s films, from The Fly and Dead Ringers to Videodrome and Existenz.”[31] The Rolling Stone reported, “The son was infected with his father’s own sense of cerebral horror, and he is not rebelling against it. ‘I wrestled with it at first,’ he says, ‘but you get affected by how you grow up….’”[32] Cronenberg, whether he likes it or not, should be called a Satanist precisely because he is anti-Logos.[33] But there is a bigger picture here. Cronenberg’s ideology has been transported to places like Japan as well. For example, one of Japan’s most controversial filmmakers is none other than Takashi Miike. Miike says that he is a fervent admirer of directors like David Lynch (Lost Highway), Paul Verhoeven (Basic Instinct), and of course David Cronenberg. These people are what one should call cultural subverters. Verhoeven meant it when he said: “As a director, my goal is to be completely open. Just look at how I portray sex in my films. They’re considered shocking and obscene because I like to carefully examine human sexuality. It has to be realistic.”[34] Verhoeven also declares that he has been “fascinated by the occult: black magic, UFOs, and kinetic energy. I also experimented with hypnotism, trying to get my friends to remember former lives.”[35] It was a natural step for Verhoeven to move from an interest in the occult to bringing his viewpoint to life in films. Turning from the unknown and unknowable, Verhoeven replaced his own ideology with reality: “My films became my anchor to reality, and I began to make extremely realistic movies. I felt compelled to show things as explicitly as possible—a tendency which many film critics have dismissed as banal.”[36] Verhoeven applied this tendency most often to the area of sexuality, explicitly portraying sex in movies like Showgirls, Basic Instinct, Turkish Delight, and The Fourth Man. Yet even in RoboCop, which in comparison has little sexuality, Verhoeven’s worldview is clear—this time he is substituting Logos incarnate with his own imagination: “It’s pure resurrection. For me, RoboCop is a Cytale. First, Murphy is gunned down in the most horrific way: that is Crucifixion. And it has to be so violent because the audience has to remember him. “Before that, he has not done anything in the film. He comes to the police station to put on his uniform, then he goes after the villains with his partner, and bang! he is dead. That shooting is the only thing about him—I did that deliberately. “Next, the film makes a steep descent into the finite, after which he experiences his Resurrection, in a modern-day…RoboCop is a Jesus figure—an American Jesus…Americans want to be humane, but if they think it takes too long, Christian morality is pushed aside for the moment and they go for their weapons—just like Robocop.”[37] Biographer Rob van Scheers writes, “Both in his films and in his personal life, Paul Verhoeven has always practiced a free sexual morality of which he makes no secret…Verhoeven would add in the gay magazine The Advocate: ‘Sex is a form of play—doing what you did when you were four or five years old and were playing in the street with your friends. Once you are grown up, it is difficult to be playful, but one of the ways you can is with sex. It is a way of showing yourself: That’s how I’m made. This is what I like.”[38] Takashi Miike and Eli roth Takashi Miike and Eli roth In short, Verhoeven and Takashi Miike are on the same subversive boat. Both individuals want to overthrow the moral order. Eli Roth and Takashi Miike are also in the same boat, working to “fu$k an entire generation.” Of course, Roth himself admitted that he admires Miike’s work. In fact, Roth would have loved to make Ichi the Killer 2. Keep in mind that Ichi the Killer is one of Miike’s “most controversial films,” an “ultra-violent” film that portrays “sadomasochistic” scenes. Miike admits in an interview with the BBC that he is a “feminist,” so it was inevitable that he would pull this ideology out of his film. “Miike has garnered international notoriety for depicting shocking scenes of extreme violence and sexual perversions…” Of course, this is exactly what Eli Roth and David Cronenberg have been doing for years. What we are seeing here is that Hollywood stirred the subversive pot, and other nations such as Japan and South Korea followed suit. Even the new South Korean movie, Train to Busan, “borrows heavily from World War Z in its depiction of the fast-moving undead masses while also boasting an emotional core the Brad Pitt-starring extravaganza often lacked.”[39] If no social progress is possible outside the moral order, then Satanists in Hollywood are contributing to the demise of social docility and cultural harmony around the world. The solution? A return to practical reason and metaphysical Logos, the essence of true creativity and beauty. Movies such as The Lord of the Rings were written under those premises. As Israel Shamir rightly points out, Logos is “the main fountain of creativity.” Shamir also argues that true visual art or poetry simply cannot exist outside of Logos.[40] If Satanists in Hollywood reject “the main fountain of creativity,” then they can only produce degradation, ugliness, meaninglessness, despair, and ultimate chaos and confusion. It was only a matter of time before the art world was used as a weapon against Logos: “A photograph of a crucifix in a container of urine, entitled Piss Christ, was exhibited in the Whitney Museum, which is headed by a great friend of [former Israeli Prime Minister] Ariel Sharon, a member of Mega, Leonard Lauder.”[41] This is one reason why people like Carolee Schneemann use nothing but blatant sadistic/ sadomasochistic sexual imagery in their “art.” First published in October 2016. Citations [1] Quoted in Stuart Dredge, “Netflix series Hemlock Grove: ‘People want their horror horrific,’ says Eli Roth,” Guardian, April 10, 2013. [2] See E. Michael Jones, The Jewish Revolutionary Spirit and Its Impact on World History (South Bend: Fidelity Press, 2008), 1054-1056. [3] See Josh Lambert, Unclean Lips: Obscenity, Jews, and American Culture (New York: New York University Press, 2014). [4] Nathan Abrams, The New Jew in Film: Exploring Jewishness and Judaism in Contemporary Cinema (New Brunswick: Rutgers University Press, 2012), 72. [5] Nathan Abrams, “Triple-exthnics,” Jewish Quarterly, Winter 2004. [6] Josh Lambert, “‘Dirty Jews’ and the Christian Right,” Haaretz, February 3, 2014. [7] David Breskin, “David Cronenberg: The Rolling Stone Interview,” Rolling Stone, February 6, 1992: 66-70. [8] It is almost the same thing with relativism. I have been listening to an interview E. Michael Jones did with Alex Fontana during which Fontana declared that he doesn’t know if he agrees with “objective reality.” He then lays out his position by saying, “I guess I am a relativist.” I was completely stunned because during the entire interview Fontana was basically dissecting some ideas in the culture and implicitly arguing that they were wrong! Fontana could not see that there is no way to adjudicate two fundamentally opposite ideas if relativism is true. I was also shocked because relativism has been abandoned by serious thinkers years ago precisely because it is devoid of coherency and rigor. This is why Jones told him that relativism “is incoherent. It makes no sense ultimately.” I have discussed the incoherency of relativism in numerous articles. An example can be found here. [9] Michael Ruse, “God is dead. Long live morality,” Guardian, March 15, 2010. [10] E. Michael Jones, Degenerate Moderns: Modernity as Rationalized Sexual Misbehavior (South Bend: Fidelity Press, 2012), 15. [11] Plato, The Republic (New York: Oxford University Press, 1993), 116. [12] See for example William Beard, The Artist as Monster: The Cinema of David Cronenberg (Toronto: University of Toronto Press, 2006). [13] Breskin, “David Cronenberg: The Rolling Stone Interview,” Rolling Stone, February 6, 1992: 66-70. [14] William Beard, The Artist as Monster: The Cinema of David Cronenberg (Toronto: University of Toronto Press, 2006), 434. [15] Ibid., 443. [16] Ibid., 434 [17] Ibid., 429. [18] Ibid., 430. [19] Ibid., 430-431. [20] Ibid., 431. [21] Ibid. [22] Ibid., 433. [23] Ibid., 430. [24] Ibid., 446. [25] Breskin, “David Cronenberg: The Rolling Stone Interview,” Rolling Stone, February 6, 1992: 66-70. [26] Beard, Artist as Monster, 452. [27] Beard goes into great detail of this. See pages 452-453, 455-456. [28] Beard, Artist as Monster, 433. [29] Ibid., 434. [30] Bruce Kirkland, “Brandon Cronenberg brings first feature film ‘Antiviral’ home,” Toronto Sun, September 9, 2012. [31] Logan Hill, “’Antiviral’ Explores Sickness of Celebrity Culture,” Rolling Stone, April 10, 2013. [32] Ibid. [33] For a dissertation on this, see E. Michael Jones, “The Great Satan and Me: Reflections on Iran and Postmodernism’s Faustian Pact,” Culture Wars, July/August 2015. [34] Rob van Scheers, Paul Verhoeven (London: Faber & Faber, 1997), 159-161. [35] Paul Verhoeven, Jesus of Nazareth (New York: Seven Stories Press, 2010), xi, 5. [36] Ibid., 6. [37] Van Scheers, Paul Verhoeven, 195. [38] Ibid., 258. [39] Clark Collis, “Train to Busan: EW review,” Entertainment Weekly, July 22, 2016. [40] Israel Shamir, Cabbala of Power (Charleston, SC: BookSurge, 2007), 153. [41] Ibid., 150. ATTENTION READERS We See The World From All Sides and Want YOU To Be Fully Informed In fact, intentional disinformation is a disgraceful scourge in media today. So to assuage any possible errant incorrect information posted herein, we strongly encourage you to seek corroboration from other non-VT sources before forming an educated opinion. About VT - Policies & Disclosures - Comment Policy Due to the nature of uncensored content posted by VT's fully independent international writers, VT cannot guarantee absolute validity. All content is owned by the author exclusively. Expressed opinions are NOT necessarily the views of VT, other authors, affiliates, advertisers, sponsors, partners, or technicians. Some content may be satirical in nature. All images are the full responsibility of the article author and NOT VT. https://veteranstoday.com/2022/10/25/the-khazarian-mafia-in-hollywood/
    Like
    1
    0 Commentarii 0 Distribuiri 26316 Views
  • Some Say Israel Did 9/11... and Much More
    Matthew Tower presents a Bold and Compelling Account of Recent History

    Anthony James Hall


    Matthew Tower has come up with a very significant video that explains much about our present dilemmas through the lens of a compelling interpretation of history. A key to his thesis is that beginning in the 1950s, James Jesus Angleton, the Head of the Counterintelligence Division of the CIA, betrayed the United States. Angleton’s treason has crippled the US Republic ever since.

    As Tower sees, Angleton was instrumental in the assassination of US President John F. Kennedy. This Israel-instigated execution cleared the way for the installation of Lyndon Baines Johnson. President Johnson took Israel’s side in the Six Day War in 1967. Johnson’s machinations included his sanctioning of the notorious and lethal assault by the Israeli Air Force on the USS Liberty. That ruthless assault by the IDF on the US Armed Forces remains denied by officialdom to this day.

    Starting with the CIA, Angeton worked closely with his Zionist colleagues to subordinate the US government in order to serve the political aspirations animating the Zionist leadership of the USA and Israel. Since the assassinated presidency of JFK, no US President has been able to come to Office from either branch of the Uniparty without being vetted by the Israel Lobby.

    The Zionist ownership of the US presidency forms just the beginning of a much larger pattern. The Zionist proprietorships extend with some few exceptions to many other branches of government, civil society, the media, academia and the judiciary.

    Taking his lead from Christopher Bollyn, who is interviewed at some length in the documentary film, Tower views the events of 9/11 as the basis for another major coup for the most extreme faction of the Likudnik Zionist Lobby. Benjamin Netanyahu presently leads and represents this radical group.

    From their inception, the Likudniks have led the way in the Zionist quest to absorb much of the Middle East into a single Jewish Supremacist Empire.

    Like many other observers, including me, Tower sees that a number of the core facets of the 9/11 power grab were re-enacted in the events of October 7, 2023 (10/7). The film maker refers to 10/7 as “Israel’s Second 9/11.” With his current campaign to incite warfare between Iran and the United States, Netanyahu and his US backers are currently engaged in assassinating leaders of the Axis of Resistance to advance the agenda of a wider war.


    Tower proposes the widespread adoption of the slogan, “Israel Did 9/11.” Tower believes this simple phrase cuts through many of the complexities and obfuscations hampering clear understanding of the nature of these incredibly dangerous times when the Zionist war mongers in the Israel-US leadership are totally out of control.

    Tower’s effort to present recent history in a clear and easily comprehensible way may not be to everyone’s liking. Pundits such as, for instance, Chris Hedges and Julian Assange might sneer at Tower’s interpretation of 9/11 which does involve some streamlining of the narrative to fit the style and content of the larger thesis.

    While some might question a few of the finer details of interpretation, however, Tower’s bold connection of many dots does in fact illuminate many of the basic outlines of what has really transpired to make the world as it is today. Tower’s simple and straightforward manner of cinematic presentation should qualify Israel’s Second 9/11 for extensive showings in schools and universities.

    Under current conditions, however, this prospect is decidedly unlikely. It could only be healthy if some educators could find creative ways to challenging this kind of censorious and woke status quo that is not serving society well. In the meantime, Tower’s introduction provides a much more sound and evidence-based way of viewing history than that presented in many official narratives.

    “Israel’s Second 9/11” constitutes, therefore, a worthy platform that others can build upon, extend, draw from, and refine. Bravo to Tower for realizing this ambitious and worthy project.



    https://substack.com/home/post/p-146934782
    Some Say Israel Did 9/11... and Much More Matthew Tower presents a Bold and Compelling Account of Recent History Anthony James Hall Matthew Tower has come up with a very significant video that explains much about our present dilemmas through the lens of a compelling interpretation of history. A key to his thesis is that beginning in the 1950s, James Jesus Angleton, the Head of the Counterintelligence Division of the CIA, betrayed the United States. Angleton’s treason has crippled the US Republic ever since. As Tower sees, Angleton was instrumental in the assassination of US President John F. Kennedy. This Israel-instigated execution cleared the way for the installation of Lyndon Baines Johnson. President Johnson took Israel’s side in the Six Day War in 1967. Johnson’s machinations included his sanctioning of the notorious and lethal assault by the Israeli Air Force on the USS Liberty. That ruthless assault by the IDF on the US Armed Forces remains denied by officialdom to this day. Starting with the CIA, Angeton worked closely with his Zionist colleagues to subordinate the US government in order to serve the political aspirations animating the Zionist leadership of the USA and Israel. Since the assassinated presidency of JFK, no US President has been able to come to Office from either branch of the Uniparty without being vetted by the Israel Lobby. The Zionist ownership of the US presidency forms just the beginning of a much larger pattern. The Zionist proprietorships extend with some few exceptions to many other branches of government, civil society, the media, academia and the judiciary. Taking his lead from Christopher Bollyn, who is interviewed at some length in the documentary film, Tower views the events of 9/11 as the basis for another major coup for the most extreme faction of the Likudnik Zionist Lobby. Benjamin Netanyahu presently leads and represents this radical group. From their inception, the Likudniks have led the way in the Zionist quest to absorb much of the Middle East into a single Jewish Supremacist Empire. Like many other observers, including me, Tower sees that a number of the core facets of the 9/11 power grab were re-enacted in the events of October 7, 2023 (10/7). The film maker refers to 10/7 as “Israel’s Second 9/11.” With his current campaign to incite warfare between Iran and the United States, Netanyahu and his US backers are currently engaged in assassinating leaders of the Axis of Resistance to advance the agenda of a wider war. Tower proposes the widespread adoption of the slogan, “Israel Did 9/11.” Tower believes this simple phrase cuts through many of the complexities and obfuscations hampering clear understanding of the nature of these incredibly dangerous times when the Zionist war mongers in the Israel-US leadership are totally out of control. Tower’s effort to present recent history in a clear and easily comprehensible way may not be to everyone’s liking. Pundits such as, for instance, Chris Hedges and Julian Assange might sneer at Tower’s interpretation of 9/11 which does involve some streamlining of the narrative to fit the style and content of the larger thesis. While some might question a few of the finer details of interpretation, however, Tower’s bold connection of many dots does in fact illuminate many of the basic outlines of what has really transpired to make the world as it is today. Tower’s simple and straightforward manner of cinematic presentation should qualify Israel’s Second 9/11 for extensive showings in schools and universities. Under current conditions, however, this prospect is decidedly unlikely. It could only be healthy if some educators could find creative ways to challenging this kind of censorious and woke status quo that is not serving society well. In the meantime, Tower’s introduction provides a much more sound and evidence-based way of viewing history than that presented in many official narratives. “Israel’s Second 9/11” constitutes, therefore, a worthy platform that others can build upon, extend, draw from, and refine. Bravo to Tower for realizing this ambitious and worthy project. https://substack.com/home/post/p-146934782
    SUBSTACK.COM
    Some Say Israel Did 9/11... and Much More
    Matthew Tower presents a Bold and Compelling Account of Recent History
    Like
    1
    0 Commentarii 0 Distribuiri 6299 Views
  • Some Say Israel Did 9/11... and Much More
    Matthew Tower presents a Bold and Compelling Account of Recent History

    Anthony James Hall


    Matthew Tower has come up with a very significant video that explains much about our present dilemmas through the lens of a compelling interpretation of history. A key to his thesis is that beginning in the 1950s, James Jesus Angleton, the Head of the Counterintelligence Division of the CIA, betrayed the United States. Angleton’s treason has crippled the US Republic ever since.

    As Tower sees, Angleton was instrumental in the assassination of US President John F. Kennedy. This Israel-instigated execution cleared the way for the installation of Lyndon Baines Johnson. President Johnson took Israel’s side in the Six Day War in 1967. Johnson’s machinations included his sanctioning of the notorious and lethal assault by the Israeli Air Force on the USS Liberty. That ruthless assault by the IDF on the US Armed Forces remains denied by officialdom to this day.

    Starting with the CIA, Angeton worked closely with his Zionist colleagues to subordinate the US government in order to serve the political aspirations animating the Zionist leadership of the USA and Israel. Since the assassinated presidency of JFK, no US President has been able to come to Office from either branch of the Uniparty without being vetted by the Israel Lobby.

    The Zionist ownership of the US presidency forms just the beginning of a much larger pattern. The Zionist proprietorships extend with some few exceptions to many other branches of government, civil society, the media, academia and the judiciary.

    Taking his lead from Christopher Bollyn, who is interviewed at some length in the documentary film, Tower views the events of 9/11 as the basis for another major coup for the most extreme faction of the Likudnik Zionist Lobby. Benjamin Netanyahu presently leads and represents this radical group.

    From their inception, the Likudniks have led the way in the Zionist quest to absorb much of the Middle East into a single Jewish Supremacist Empire.

    Like many other observers, including me, Tower sees that a number of the core facets of the 9/11 power grab were re-enacted in the events of October 7, 2023 (10/7). The film maker refers to 10/7 as “Israel’s Second 9/11.” With his current campaign to incite warfare between Iran and the United States, Netanyahu and his US backers are currently engaged in assassinating leaders of the Axis of Resistance to advance the agenda of a wider war.


    Tower proposes the widespread adoption of the slogan, “Israel Did 9/11.” Tower believes this simple phrase cuts through many of the complexities and obfuscations hampering clear understanding of the nature of these incredibly dangerous times when the Zionist war mongers in the Israel-US leadership are totally out of control.

    Tower’s effort to present recent history in a clear and easily comprehensible way may not be to everyone’s liking. Pundits such as, for instance, Chris Hedges and Julian Assange might sneer at Tower’s interpretation of 9/11 which does involve some streamlining of the narrative to fit the style and content of the larger thesis.

    While some might question a few of the finer details of interpretation, however, Tower’s bold connection of many dots does in fact illuminate many of the basic outlines of what has really transpired to make the world as it is today. Tower’s simple and straightforward manner of cinematic presentation should qualify Israel’s Second 9/11 for extensive showings in schools and universities.

    Under current conditions, however, this prospect is decidedly unlikely. It could only be healthy if some educators could find creative ways to challenging this kind of censorious and woke status quo that is not serving society well. In the meantime, Tower’s introduction provides a much more sound and evidence-based way of viewing history than that presented in many official narratives.

    “Israel’s Second 9/11” constitutes, therefore, a worthy platform that others can build upon, extend, draw from, and refine. Bravo to Tower for realizing this ambitious and worthy project.



    https://anthonyjhall.substack.com/p/some-say-israel-did-911-and-much?utm_medium=web&triedRedirect=true
    Some Say Israel Did 9/11... and Much More Matthew Tower presents a Bold and Compelling Account of Recent History Anthony James Hall Matthew Tower has come up with a very significant video that explains much about our present dilemmas through the lens of a compelling interpretation of history. A key to his thesis is that beginning in the 1950s, James Jesus Angleton, the Head of the Counterintelligence Division of the CIA, betrayed the United States. Angleton’s treason has crippled the US Republic ever since. As Tower sees, Angleton was instrumental in the assassination of US President John F. Kennedy. This Israel-instigated execution cleared the way for the installation of Lyndon Baines Johnson. President Johnson took Israel’s side in the Six Day War in 1967. Johnson’s machinations included his sanctioning of the notorious and lethal assault by the Israeli Air Force on the USS Liberty. That ruthless assault by the IDF on the US Armed Forces remains denied by officialdom to this day. Starting with the CIA, Angeton worked closely with his Zionist colleagues to subordinate the US government in order to serve the political aspirations animating the Zionist leadership of the USA and Israel. Since the assassinated presidency of JFK, no US President has been able to come to Office from either branch of the Uniparty without being vetted by the Israel Lobby. The Zionist ownership of the US presidency forms just the beginning of a much larger pattern. The Zionist proprietorships extend with some few exceptions to many other branches of government, civil society, the media, academia and the judiciary. Taking his lead from Christopher Bollyn, who is interviewed at some length in the documentary film, Tower views the events of 9/11 as the basis for another major coup for the most extreme faction of the Likudnik Zionist Lobby. Benjamin Netanyahu presently leads and represents this radical group. From their inception, the Likudniks have led the way in the Zionist quest to absorb much of the Middle East into a single Jewish Supremacist Empire. Like many other observers, including me, Tower sees that a number of the core facets of the 9/11 power grab were re-enacted in the events of October 7, 2023 (10/7). The film maker refers to 10/7 as “Israel’s Second 9/11.” With his current campaign to incite warfare between Iran and the United States, Netanyahu and his US backers are currently engaged in assassinating leaders of the Axis of Resistance to advance the agenda of a wider war. Tower proposes the widespread adoption of the slogan, “Israel Did 9/11.” Tower believes this simple phrase cuts through many of the complexities and obfuscations hampering clear understanding of the nature of these incredibly dangerous times when the Zionist war mongers in the Israel-US leadership are totally out of control. Tower’s effort to present recent history in a clear and easily comprehensible way may not be to everyone’s liking. Pundits such as, for instance, Chris Hedges and Julian Assange might sneer at Tower’s interpretation of 9/11 which does involve some streamlining of the narrative to fit the style and content of the larger thesis. While some might question a few of the finer details of interpretation, however, Tower’s bold connection of many dots does in fact illuminate many of the basic outlines of what has really transpired to make the world as it is today. Tower’s simple and straightforward manner of cinematic presentation should qualify Israel’s Second 9/11 for extensive showings in schools and universities. Under current conditions, however, this prospect is decidedly unlikely. It could only be healthy if some educators could find creative ways to challenging this kind of censorious and woke status quo that is not serving society well. In the meantime, Tower’s introduction provides a much more sound and evidence-based way of viewing history than that presented in many official narratives. “Israel’s Second 9/11” constitutes, therefore, a worthy platform that others can build upon, extend, draw from, and refine. Bravo to Tower for realizing this ambitious and worthy project. https://anthonyjhall.substack.com/p/some-say-israel-did-911-and-much?utm_medium=web&triedRedirect=true
    ANTHONYJHALL.SUBSTACK.COM
    Some Say Israel Did 9/11... and Much More
    Matthew Tower presents a Bold and Compelling Account of Recent History
    0 Commentarii 0 Distribuiri 6012 Views
  • German Media Admits Unvaxxed Are ‘Winners,’ Demands Government ‘Apologize’
    Frank BergmanJuly 31, 2024 - 12:23 pm

    A major corporate media outlet in Germany has just declared that people who refused to take Covid mRNA shots during and after the pandemic are “the winners.”

    During a bombshell segment on German legacy media outlet Welt, the panel argued that the government owes the public an apology for claiming Covid was a “pandemic of the unvaccinated.”

    Prominent German reporter Hans-Ulrich Jörges said the unvaccinated were “the winners” because they refused to comply with the government’s mass vaccination agenda.

    Jörges called for public apologies from key government officials who perpetuated the narrative that the pandemic was solely a “pandemic of the unvaccinated.”

    He began the discussion by reflecting on the pandemic era.

    The journalists described the Covid pandemic as a challenging time marked by confusion and fear.

    However, he then declared that those who refused to submit to government and media pressure to get vaccinated have now been proved correct.

    “The winners for me are the unvaccinated during the Covid times” he proclaimed.

    “They have now been proved right.

    “And there’s nothing left to argue about that.”

    He cited the bombshell revelations from the unredacted crisis team protocols from the Robert Koch Institute.

    “It was officially determined by them that the statement, ‘the pandemic is a pandemic of the unvaccinated,’ is not correct,” Jörges highlighted.

    “Literally not correct,” he emphasized.

    Underscoring the severe implications of these false claims, Jörges noted the injustices faced by the unvaccinated.

    “There was this 2G rule, that only vaccinated and recovered people could move around freely,” he lamented.

    “The unvaccinated were not allowed to go to the cinema, theater, concert, or restaurant.

    “They couldn’t do anything except work, even though they had to get tested every day.”

    For many, these infringements were not just inconvenient but they stripped the public of their personal freedoms and dignity.

    In a powerful call for accountability, Jörges named powerful government officials and prominent figures.

    He argued that they should come forward and apologize to the German people.

    “There are all those who championed the phrase ‘pandemic of the unvaccinated,’” Jörges noted.

    “Mr. Spahn, the Health Minister. Mr. Söder, Mr. Lauterbach, Mr. Ramelow from the Left Party.

    “And, hear this, the Federal President, Mr. Steinmeier, also propagated this,” he stated.

    The reporter expressed disbelief and disappointment in these leaders’ actions.

    “And they have been insulted and berated in such a way that one can only be ashamed of it in retrospect,” he asserted.

    Jörges continued by demanding direct action against those responsible.

    “I think they should now publicly apologize for it,” he said.

    “I want to see someone stand up, have the courage, and say, ‘I was wrong back then, I’m sorry, now I see what has happened to many people because of this, I apologize.’”

    He cited Spahn’s earlier statement: “We will have to forgive a lot at the end of the pandemic.”

    Jörges argued that Spahn should be the first to act and ask for forgiveness.

    WATCH:

    READ MORE – 74% of ALL Deaths ‘Directly’ Linked to Covid Shots, Autopsy Data Shows

    https://slaynews.com/news/german-media-admits-unvaxxed-winners-demands-government-apologize/
    German Media Admits Unvaxxed Are ‘Winners,’ Demands Government ‘Apologize’ Frank BergmanJuly 31, 2024 - 12:23 pm A major corporate media outlet in Germany has just declared that people who refused to take Covid mRNA shots during and after the pandemic are “the winners.” During a bombshell segment on German legacy media outlet Welt, the panel argued that the government owes the public an apology for claiming Covid was a “pandemic of the unvaccinated.” Prominent German reporter Hans-Ulrich Jörges said the unvaccinated were “the winners” because they refused to comply with the government’s mass vaccination agenda. Jörges called for public apologies from key government officials who perpetuated the narrative that the pandemic was solely a “pandemic of the unvaccinated.” He began the discussion by reflecting on the pandemic era. The journalists described the Covid pandemic as a challenging time marked by confusion and fear. However, he then declared that those who refused to submit to government and media pressure to get vaccinated have now been proved correct. “The winners for me are the unvaccinated during the Covid times” he proclaimed. “They have now been proved right. “And there’s nothing left to argue about that.” He cited the bombshell revelations from the unredacted crisis team protocols from the Robert Koch Institute. “It was officially determined by them that the statement, ‘the pandemic is a pandemic of the unvaccinated,’ is not correct,” Jörges highlighted. “Literally not correct,” he emphasized. Underscoring the severe implications of these false claims, Jörges noted the injustices faced by the unvaccinated. “There was this 2G rule, that only vaccinated and recovered people could move around freely,” he lamented. “The unvaccinated were not allowed to go to the cinema, theater, concert, or restaurant. “They couldn’t do anything except work, even though they had to get tested every day.” For many, these infringements were not just inconvenient but they stripped the public of their personal freedoms and dignity. In a powerful call for accountability, Jörges named powerful government officials and prominent figures. He argued that they should come forward and apologize to the German people. “There are all those who championed the phrase ‘pandemic of the unvaccinated,’” Jörges noted. “Mr. Spahn, the Health Minister. Mr. Söder, Mr. Lauterbach, Mr. Ramelow from the Left Party. “And, hear this, the Federal President, Mr. Steinmeier, also propagated this,” he stated. The reporter expressed disbelief and disappointment in these leaders’ actions. “And they have been insulted and berated in such a way that one can only be ashamed of it in retrospect,” he asserted. Jörges continued by demanding direct action against those responsible. “I think they should now publicly apologize for it,” he said. “I want to see someone stand up, have the courage, and say, ‘I was wrong back then, I’m sorry, now I see what has happened to many people because of this, I apologize.’” He cited Spahn’s earlier statement: “We will have to forgive a lot at the end of the pandemic.” Jörges argued that Spahn should be the first to act and ask for forgiveness. WATCH: READ MORE – 74% of ALL Deaths ‘Directly’ Linked to Covid Shots, Autopsy Data Shows https://slaynews.com/news/german-media-admits-unvaxxed-winners-demands-government-apologize/
    SLAYNEWS.COM
    German Media Admits Unvaxxed Are 'Winners,' Demands Government 'Apologize' - Slay News
    A major corporate media outlet in Germany has just declared that people who refused to take Covid mRNA shots during and after the pandemic are "the winners."
    0 Commentarii 0 Distribuiri 3820 Views
  • Gladiator II | Official Trailer (2024 Movie) - Paul Mescal, Pedro Pascal, Denzel Washington
    https://cinemahallbd247.blogspot.com/2024/07/%20Gladiator%20II%20%20Official-Trailer-2024-Movie.html
    Gladiator II | Official Trailer (2024 Movie) - Paul Mescal, Pedro Pascal, Denzel Washington https://cinemahallbd247.blogspot.com/2024/07/%20Gladiator%20II%20%20Official-Trailer-2024-Movie.html
    CINEMAHALLBD247.BLOGSPOT.COM
    Gladiator II | Official Trailer- 2024 Movie
    Gladiator II: Directed by Ridley Scott. With Joseph Quinn, Connie Nielsen, Paul Mescal, Pedro Pascal. After his home is conquered by the tyrannical Em
    Like
    1
    1 Commentarii 0 Distribuiri 1065 Views
  • The Event: Secret Military Tribunals, Gesara Military Law, Castle Rock & Global Powers Unraveled – Inside Vatican, Buckingham Palace, Big Pharma, and Beyond! (“Rods of God”, Q2337)
    By Medeea GreereJune 19, 2024Updated:June 19, 202411 Mins Read

    Ready to uncover the truth? Sick of the lies? Join our Telegram Channel now. It’s time for the real story! Stay informed! My gratitude to all my readers!

    Envisioning a grand, almost cinematic scenario reminiscent of biblical proportions, it appears that behind the scenes, there are significant actions taking place. It’s not a global conflict as some might think, but rather a sequence of events that involve activating various military forces, targeting specific landmarks with alleged ties to secretive groups, and implementing GESARA funds, ultimately leading to a collaborative effort to rebuild society.

    It’s often referred to as “The Event,” and it carries a profound sense of importance.

    Some of the key landmarks tied to purported secret societies, as highlighted by various sources, include the Vatican, Buckingham Palace, and two White House locations (in the USA and Germany). There’s also mention of the 3 Gorges Dam in China, and even CERN on the Swiss/French border is suggested as a possible target. The extent of these actions in Russia remains uncertain.

    Another perspective suggests a connection between Big Pharma activities in Wuhan and Israel, implying that Israel, along with the Khazarian group, has influence over the Chinese Communist Party (CCP), as well as the media. Allegedly, 34 structures, including buildings and dams, associated with these secretive organizations, will be affected, possibly through unconventional means like the “Rods of God.” »»» PROJECT ODIN + Military GESARA = EBS: A Formula that Will Change the Course of History Forever!

    The unfolding events are predicted to transpire globally over the days leading up to Easter, marking the conclusion of a period with biblical undertones. This includes the grounding of planes and trains, the temporary cessation of power, transitioning to Tesla’s free energy, and the targeting of 34 structures linked to these secretive groups.

    Additional actions are anticipated, such as the shutdown of Bitcoin servers, a significant reduction in the cryptocurrency market, and the creation of a simulated WW3 event, complete with nuclear sirens.


    What is the secret to a long healthy life?
    Water-related events, a stock market crash, and the imposition of global martial law are part of the narrative. A mysterious operation known as “CASTLE ROCK” is mentioned, potentially involving advanced quantum systems and Project Odin, as well as references to Nesara/Gesara/RV, election interventions via military courts, military tribunals, confessions, and a 10-day presentation resembling a movie.

    The narrative also asserts that the Israeli Mossad has extensive control over global media outlets, and the mention of Project Odin is suggested as a potent tool to counter deplatforming. The intention is to shield these new quantum systems from the influence of powerful clandestine organizations.

    There are references to Q2337, which hints at Mossad media assets being removed, resulting in a worldwide media blackout, leading to the adoption of quantum systems. This is said to be the reason for activating the Military Emergency Broadcast System (EBS). Additionally, Starlink is strategically positioned in this narrative.

    An interesting element of this intricate plan is the mention of a TURKSAT rocket launched from the USA in January, with the specific purpose of facilitating military communications to people’s televisions and radios in Africa, the Middle East, Europe, and Central Asia.

    BOOM!!! Divine Dialogue: Mysterious Secret Phrase UNLOCKS the Power to Have Every Prayer Answered Instantly!

    The so-called “EVENT” is a multifaceted occurrence, including a global blackout to transition to Tesla energy, the disabling of media satellites, the introduction of Quantum Financial Systems (QFS), the application of “Rods of God” on dams and 34 targeted structures, and much more.

    These 34 structures are deemed highly significant and include iconic locations like the White House, royal castles, Buckingham Palace, the Vatican, the Getty Museum, and the Playboy Mansion. The potential outcome is a stock market collapse, as it is viewed as a grand spectacle. The plan also outlines a shift from Rothschild’s central bank notes to Rainbow Treasury Notes, backed by precious metals instead of oil and war.

    WARNING: How True Patriots Can Defend Their Family and Faith from This Latest Attack from The Deep State



    The upcoming days seem to hold considerable uncertainty, with concerns about the discontinuation of free money for banks and bond sell-offs. This prompts the question: Are we prepared for what lies ahead? Fear and anticipation blend together in these uncertain times, but many hold onto faith and belief that promises will be kept.

    Do you remember of a significant power outage affecting up to 10 countries simultaneously by the Space Force in January, preceded by a similar incident in Israel. This suggests that the ability to orchestrate large-scale power outages exists, and this is tied to Tesla’s technology.

    The narrative emphasizes the necessity of a blackout, coinciding with global military exercises such as Defender Europe 21 (COVID-19), which encompasses Europe and Africa, and a similar exercise in Australia, in addition to the United States’ involvement. All of these activities seem to be part of a coordinated, global military operation that aims to transition to Gesara (likely referring to GESARA, an alleged economic reset).

    Shocking Secret EXPOSED: Ex-Big Pharma Employee Discovers Breakthrough Formula: EAT THIS ONCE A DAY TO LOWER BLOOD SUGAR BELOW 100 ALL DAY

    The final stage is suggested to involve a simulated World War III scenario that activates sirens in every national military command center. This fabricated conflict is intended to justify numerous actions that have already been executed in secret, such as Gesara Military Law, secret military tribunals, confessions, and more, with the goal of rebuilding and creating new structures, a symbolic renewal of society.

    WhipLash: What are some of the Very BIG Satanic Illuminati landmarks in the world. Q showed us them. Vatican, Buchinghan Palace, Whitehouse x 2 (USA, Germany), 3GD in China. Cern on the Swiss/French Border possible. What about Russia?

    THE RED PILL: Discover The Secret Used By A Former CIA Scientist To Open Your ‘3rd EYE’



    Another Post from WhipLash347

    Big Pharma in Wuhan = Isreal

    Isreal/Khazarians controls CCP.

    The Media etc

    34 Satanic Buildings and Dams will Fall.

    Rods of God

    WORLDWIDE over the coming days to Easter (2024?). Ending of Biblical Period.

    Planes & Trains grounded

    Lights/Power switched off

    Changing over to Tesla Free energy

    34 Satan buildings & dams bombed

    Bitcoin Servers trued off

    99.5% of Crypto gone China Coins.

    WW3 Scare Event. Nuke Sirens

    Water Event

    Stock Market Crash

    Global Martial Law

    CASTLE ROCK -Scenario

    Quantum Systems. Project Odin Switched on.

    Nesara/Gesara/RV

    Election Flipping via Military Courts

    Military Tribunals/confessions/10 day movie

    Revals

    Inauguration

    The ISRAELI MOSSAD control the WORLD’s MEDIA out of the US.

    Attached is Q1871 outlining this.

    Project Odin as mentioned by Ron CodeMonkeyz is a POWERFUL Anti-Deplatforming Tool.

    Project Odin is part of Quantum Starlink. Our new Quantum Systems are to be protected by Secret Space Programs out of the Cabal’s reach.

    Q2337 tells you Mossad Media Assets will be removed. Think people like Alex Jones, Anderson Cooper etc and also Mossad Satellites.

    Israeli intelligence – stand down.

    [TERM_3720x380-293476669283001]

    Media assets will be removed.

    This part of 2527 tells you that something powerful is going to knock out Mossad Media Satellites.

    This will blackout the media worldwide, Switch us over to the Quantum Systems.

    This is PROJECT ODIN. All in All give the reason to Activate the Military EBS.

    Starlink [17] seems to of tactically placed itself at the right time.

    If you look up the TURKSAT Rocket that launched from the USA in January you will see it was specifically for MILITARY COMMS to peoples TV’s & RADIO’s in AFRICA, MIDDLE EAST, EUROPE & CENTRAL ASIA.



    THE EVENT has many facets too it.

    The WorldWide Blackout to change over to TESLA Energy. Knocking out Media Satellites, QFS,Rods of God on Dams & 34 Buildings & much much more.

    34 Buildings will be in the EVENT.

    They are very significant. In Whitehouse, Royal Castles, Buckingham Palace, Vatican, Getty Museum, Playboy Mansion and the like.

    This will surely make the Stock Market collapse. It is all a show, 99.5% of Crypto’s will be removed from existence with the event.

    Swapping from Rothschilds Central Bank Notes to Rainbow Treasury Notes now backed by Precious Metals (Not Oil/Wars) Tomorrow free money stops for backs. Bonds sell of to get off books. Seems all is lined up for scare event…stay safe.

    Are we still comfy ?

    Or are we scared ?

    A little bit of both is normal.

    Trump keeps his promises.

    Have faith in the Lord Our God.

    He will comfort you through the storm.



    Don’t miss the latest news:

    BOOM! DISCLOSURE (Declassified & Authorized): The Truth About Julian Assange and Wikileaks!

    In a world gripped by uncertainty and shadowy power struggles, one man and his organization stand at the center of a whirlwind of controversy, intrigue, and clandestine operations. Julian Assange, the enigmatic founder of WikiLeaks, has long been a figure of both adulation and vilification. But what if the truth about Assange and WikiLeaks is far more explosive and consequential than we’ve been led to believe? Brace yourselves, dear readers, for a journey into the heart of the most audacious revelations of our time.

    This is the Disclosure: Declassified and Authorized – The Truth About Julian Assange & WikiLeaks

    Julian Assange and WikiLeaks. From their meteoric rise to infamy in the early 2010s to their pivotal role in shaping the geopolitical landscape, Assange and his organization have been both praised as champions of transparency and condemned as enemies of the state. But what if everything we thought we knew about Assange and WikiLeaks was just the tip of the iceberg?

    READ THE FULL ARTICLE HERE: https://amg-news.com/boom-disclosure-declassified-authorized-the-truth-about-julian-assange-and-wikileaks/



    DISCLOSURE: Current Wartime President & CIC, Donald J. Trump Declared a Global Defence War – Executed Traitors, Clintons, Obama, VP Biden & Obliterated globalist Deep State

    President Trump’s Defiant Stand Against the Globalist Deep State

    In an unprecedented move that will echo through history, the current wartime President and Commander-in-Chief, Donald J. Trump, has declared a global defense war. Operation STORM 2024 has begun, and its thunderous impact is reshaping the very fabric of our world.

    Today, we stand witness to such a hero in the form of President Donald J. Trump, a man whose unwavering courage and unyielding determination have ignited a global revolution against the entrenched powers of the deep state.

    DISCLOSURE: The truth can be a bitter pill to swallow, yet it is essential for the preservation of our freedom. President Trump’s declaration of a global defense war is not merely a political maneuver; it is a revelation of the sinister forces that have long manipulated the course of human events. From the shadows, traitors have conspired against the interests of the American people and the world at large.

    The Clintons, Obama, Vice President Biden, and their ilk have sold their souls to the globalist agenda, betraying their oaths and their fellow citizens for personal gain.

    READ THE FULL ARTICLE HERE: https://amg-news.com/disclosure-current-wartime-president-cic-donald-j-trump-declared-a-global-defence-war-executed-traitors-clintons-obama-vp-biden-obliterated-globalist-deep-state/



    White Hats’ INTEL Expose: EBS, Game Theory Operations, Obama Hidden Agendas, Deep State Operations, CIA Exposure, NATO Collapse, Military Infiltration & Civil Unrest

    Welcome to the center stage, where we unravel the secrets of the White Hats and their relentless pursuit of exposing Barack Obama, his hidden agendas, and the murky world of the Deep State.

    In the murky world of politics, truth often remains elusive, hidden beneath layers of secrecy and deceit. But when it comes to the White Hats, they have made it their mission to shine a blinding spotlight on the enigmatic past and present of Barack Obama. This article delves into the labyrinthine conspiracies that swirl around Obama’s alleged life corruption and agendas, all connected to what they ominously call “Deep State Operations.”

    Tucker Carlson’s Explosive Allegations. Tucker Carlson, a prominent figure in the world of journalism, has recently thrown his hat into the ring. He is spearheading a campaign to expose Barack Obama, alleging that the former President is concealing a significant secret – his sexuality. While such claims might seem outlandish, the White Hats believe this revelation is a pivotal operation that could discredit the Obamas in their potential bid for the 2024 presidential race.

    READ MORE HERE: https://amg-news.com/white-hats-intel-expose-ebs-game-theory-operations-obama-hidden-agendas-deep-state-operations-cia-exposure-nato-collapse-military-infiltration-civil-unrest/



    Awakening Humanity: Even if you Don’t Believe in Q, this is a Must-Watch Video That Defies the Deep State!

    Are you ready to unveil the truth, shatter the illusions, and pave the way for a brighter future? Whether you’re a skeptic or a believer, one thing is certain: the time for complacency is over.

    Welcome to a world where the Deep State trembles and the globalists cower in fear.

    Welcome to a movement that refuses to be silenced.

    Welcome to the must-watch video that will change everything.

    The Must-Watch Video That Defies the Deep State!

    READ THE FULL ARTICLE HERE: https://amg-news.com/awakening-humanity-even-if-you-dont-believe-in-q-this-is-a-must-watch-video-that-defies-the-deep-state/

    Content Redistribution Policy


    https://amg-news.com/the-event-secret-military-tribunals-gesara-military-law-castle-rock-global-powers-unraveled-inside-vatican-buckingham-palace-big-pharma-and-beyond-rods-of-god/
    The Event: Secret Military Tribunals, Gesara Military Law, Castle Rock & Global Powers Unraveled – Inside Vatican, Buckingham Palace, Big Pharma, and Beyond! (“Rods of God”, Q2337) By Medeea GreereJune 19, 2024Updated:June 19, 202411 Mins Read Ready to uncover the truth? Sick of the lies? Join our Telegram Channel now. It’s time for the real story! Stay informed! My gratitude to all my readers! Envisioning a grand, almost cinematic scenario reminiscent of biblical proportions, it appears that behind the scenes, there are significant actions taking place. It’s not a global conflict as some might think, but rather a sequence of events that involve activating various military forces, targeting specific landmarks with alleged ties to secretive groups, and implementing GESARA funds, ultimately leading to a collaborative effort to rebuild society. It’s often referred to as “The Event,” and it carries a profound sense of importance. Some of the key landmarks tied to purported secret societies, as highlighted by various sources, include the Vatican, Buckingham Palace, and two White House locations (in the USA and Germany). There’s also mention of the 3 Gorges Dam in China, and even CERN on the Swiss/French border is suggested as a possible target. The extent of these actions in Russia remains uncertain. Another perspective suggests a connection between Big Pharma activities in Wuhan and Israel, implying that Israel, along with the Khazarian group, has influence over the Chinese Communist Party (CCP), as well as the media. Allegedly, 34 structures, including buildings and dams, associated with these secretive organizations, will be affected, possibly through unconventional means like the “Rods of God.” »»» PROJECT ODIN + Military GESARA = EBS: A Formula that Will Change the Course of History Forever! The unfolding events are predicted to transpire globally over the days leading up to Easter, marking the conclusion of a period with biblical undertones. This includes the grounding of planes and trains, the temporary cessation of power, transitioning to Tesla’s free energy, and the targeting of 34 structures linked to these secretive groups. Additional actions are anticipated, such as the shutdown of Bitcoin servers, a significant reduction in the cryptocurrency market, and the creation of a simulated WW3 event, complete with nuclear sirens. What is the secret to a long healthy life? Water-related events, a stock market crash, and the imposition of global martial law are part of the narrative. A mysterious operation known as “CASTLE ROCK” is mentioned, potentially involving advanced quantum systems and Project Odin, as well as references to Nesara/Gesara/RV, election interventions via military courts, military tribunals, confessions, and a 10-day presentation resembling a movie. The narrative also asserts that the Israeli Mossad has extensive control over global media outlets, and the mention of Project Odin is suggested as a potent tool to counter deplatforming. The intention is to shield these new quantum systems from the influence of powerful clandestine organizations. There are references to Q2337, which hints at Mossad media assets being removed, resulting in a worldwide media blackout, leading to the adoption of quantum systems. This is said to be the reason for activating the Military Emergency Broadcast System (EBS). Additionally, Starlink is strategically positioned in this narrative. An interesting element of this intricate plan is the mention of a TURKSAT rocket launched from the USA in January, with the specific purpose of facilitating military communications to people’s televisions and radios in Africa, the Middle East, Europe, and Central Asia. BOOM!!! Divine Dialogue: Mysterious Secret Phrase UNLOCKS the Power to Have Every Prayer Answered Instantly! The so-called “EVENT” is a multifaceted occurrence, including a global blackout to transition to Tesla energy, the disabling of media satellites, the introduction of Quantum Financial Systems (QFS), the application of “Rods of God” on dams and 34 targeted structures, and much more. These 34 structures are deemed highly significant and include iconic locations like the White House, royal castles, Buckingham Palace, the Vatican, the Getty Museum, and the Playboy Mansion. The potential outcome is a stock market collapse, as it is viewed as a grand spectacle. The plan also outlines a shift from Rothschild’s central bank notes to Rainbow Treasury Notes, backed by precious metals instead of oil and war. WARNING: How True Patriots Can Defend Their Family and Faith from This Latest Attack from The Deep State The upcoming days seem to hold considerable uncertainty, with concerns about the discontinuation of free money for banks and bond sell-offs. This prompts the question: Are we prepared for what lies ahead? Fear and anticipation blend together in these uncertain times, but many hold onto faith and belief that promises will be kept. Do you remember of a significant power outage affecting up to 10 countries simultaneously by the Space Force in January, preceded by a similar incident in Israel. This suggests that the ability to orchestrate large-scale power outages exists, and this is tied to Tesla’s technology. The narrative emphasizes the necessity of a blackout, coinciding with global military exercises such as Defender Europe 21 (COVID-19), which encompasses Europe and Africa, and a similar exercise in Australia, in addition to the United States’ involvement. All of these activities seem to be part of a coordinated, global military operation that aims to transition to Gesara (likely referring to GESARA, an alleged economic reset). Shocking Secret EXPOSED: Ex-Big Pharma Employee Discovers Breakthrough Formula: EAT THIS ONCE A DAY TO LOWER BLOOD SUGAR BELOW 100 ALL DAY The final stage is suggested to involve a simulated World War III scenario that activates sirens in every national military command center. This fabricated conflict is intended to justify numerous actions that have already been executed in secret, such as Gesara Military Law, secret military tribunals, confessions, and more, with the goal of rebuilding and creating new structures, a symbolic renewal of society. WhipLash: What are some of the Very BIG Satanic Illuminati landmarks in the world. Q showed us them. Vatican, Buchinghan Palace, Whitehouse x 2 (USA, Germany), 3GD in China. Cern on the Swiss/French Border possible. What about Russia? THE RED PILL: Discover The Secret Used By A Former CIA Scientist To Open Your ‘3rd EYE’ Another Post from WhipLash347 Big Pharma in Wuhan = Isreal Isreal/Khazarians controls CCP. The Media etc 34 Satanic Buildings and Dams will Fall. Rods of God WORLDWIDE over the coming days to Easter (2024?). Ending of Biblical Period. Planes & Trains grounded Lights/Power switched off Changing over to Tesla Free energy 34 Satan buildings & dams bombed Bitcoin Servers trued off 99.5% of Crypto gone China Coins. WW3 Scare Event. Nuke Sirens Water Event Stock Market Crash Global Martial Law CASTLE ROCK -Scenario Quantum Systems. Project Odin Switched on. Nesara/Gesara/RV Election Flipping via Military Courts Military Tribunals/confessions/10 day movie Revals Inauguration The ISRAELI MOSSAD control the WORLD’s MEDIA out of the US. Attached is Q1871 outlining this. Project Odin as mentioned by Ron CodeMonkeyz is a POWERFUL Anti-Deplatforming Tool. Project Odin is part of Quantum Starlink. Our new Quantum Systems are to be protected by Secret Space Programs out of the Cabal’s reach. Q2337 tells you Mossad Media Assets will be removed. Think people like Alex Jones, Anderson Cooper etc and also Mossad Satellites. Israeli intelligence – stand down. [TERM_3720x380-293476669283001] Media assets will be removed. This part of 2527 tells you that something powerful is going to knock out Mossad Media Satellites. This will blackout the media worldwide, Switch us over to the Quantum Systems. This is PROJECT ODIN. All in All give the reason to Activate the Military EBS. Starlink [17] seems to of tactically placed itself at the right time. If you look up the TURKSAT Rocket that launched from the USA in January you will see it was specifically for MILITARY COMMS to peoples TV’s & RADIO’s in AFRICA, MIDDLE EAST, EUROPE & CENTRAL ASIA. THE EVENT has many facets too it. The WorldWide Blackout to change over to TESLA Energy. Knocking out Media Satellites, QFS,Rods of God on Dams & 34 Buildings & much much more. 34 Buildings will be in the EVENT. They are very significant. In Whitehouse, Royal Castles, Buckingham Palace, Vatican, Getty Museum, Playboy Mansion and the like. This will surely make the Stock Market collapse. It is all a show, 99.5% of Crypto’s will be removed from existence with the event. Swapping from Rothschilds Central Bank Notes to Rainbow Treasury Notes now backed by Precious Metals (Not Oil/Wars) Tomorrow free money stops for backs. Bonds sell of to get off books. Seems all is lined up for scare event…stay safe. Are we still comfy ? Or are we scared ? A little bit of both is normal. Trump keeps his promises. Have faith in the Lord Our God. He will comfort you through the storm. Don’t miss the latest news: BOOM! DISCLOSURE (Declassified & Authorized): The Truth About Julian Assange and Wikileaks! In a world gripped by uncertainty and shadowy power struggles, one man and his organization stand at the center of a whirlwind of controversy, intrigue, and clandestine operations. Julian Assange, the enigmatic founder of WikiLeaks, has long been a figure of both adulation and vilification. But what if the truth about Assange and WikiLeaks is far more explosive and consequential than we’ve been led to believe? Brace yourselves, dear readers, for a journey into the heart of the most audacious revelations of our time. This is the Disclosure: Declassified and Authorized – The Truth About Julian Assange & WikiLeaks Julian Assange and WikiLeaks. From their meteoric rise to infamy in the early 2010s to their pivotal role in shaping the geopolitical landscape, Assange and his organization have been both praised as champions of transparency and condemned as enemies of the state. But what if everything we thought we knew about Assange and WikiLeaks was just the tip of the iceberg? READ THE FULL ARTICLE HERE: https://amg-news.com/boom-disclosure-declassified-authorized-the-truth-about-julian-assange-and-wikileaks/ DISCLOSURE: Current Wartime President & CIC, Donald J. Trump Declared a Global Defence War – Executed Traitors, Clintons, Obama, VP Biden & Obliterated globalist Deep State President Trump’s Defiant Stand Against the Globalist Deep State In an unprecedented move that will echo through history, the current wartime President and Commander-in-Chief, Donald J. Trump, has declared a global defense war. Operation STORM 2024 has begun, and its thunderous impact is reshaping the very fabric of our world. Today, we stand witness to such a hero in the form of President Donald J. Trump, a man whose unwavering courage and unyielding determination have ignited a global revolution against the entrenched powers of the deep state. DISCLOSURE: The truth can be a bitter pill to swallow, yet it is essential for the preservation of our freedom. President Trump’s declaration of a global defense war is not merely a political maneuver; it is a revelation of the sinister forces that have long manipulated the course of human events. From the shadows, traitors have conspired against the interests of the American people and the world at large. The Clintons, Obama, Vice President Biden, and their ilk have sold their souls to the globalist agenda, betraying their oaths and their fellow citizens for personal gain. READ THE FULL ARTICLE HERE: https://amg-news.com/disclosure-current-wartime-president-cic-donald-j-trump-declared-a-global-defence-war-executed-traitors-clintons-obama-vp-biden-obliterated-globalist-deep-state/ White Hats’ INTEL Expose: EBS, Game Theory Operations, Obama Hidden Agendas, Deep State Operations, CIA Exposure, NATO Collapse, Military Infiltration & Civil Unrest Welcome to the center stage, where we unravel the secrets of the White Hats and their relentless pursuit of exposing Barack Obama, his hidden agendas, and the murky world of the Deep State. In the murky world of politics, truth often remains elusive, hidden beneath layers of secrecy and deceit. But when it comes to the White Hats, they have made it their mission to shine a blinding spotlight on the enigmatic past and present of Barack Obama. This article delves into the labyrinthine conspiracies that swirl around Obama’s alleged life corruption and agendas, all connected to what they ominously call “Deep State Operations.” Tucker Carlson’s Explosive Allegations. Tucker Carlson, a prominent figure in the world of journalism, has recently thrown his hat into the ring. He is spearheading a campaign to expose Barack Obama, alleging that the former President is concealing a significant secret – his sexuality. While such claims might seem outlandish, the White Hats believe this revelation is a pivotal operation that could discredit the Obamas in their potential bid for the 2024 presidential race. READ MORE HERE: https://amg-news.com/white-hats-intel-expose-ebs-game-theory-operations-obama-hidden-agendas-deep-state-operations-cia-exposure-nato-collapse-military-infiltration-civil-unrest/ Awakening Humanity: Even if you Don’t Believe in Q, this is a Must-Watch Video That Defies the Deep State! Are you ready to unveil the truth, shatter the illusions, and pave the way for a brighter future? Whether you’re a skeptic or a believer, one thing is certain: the time for complacency is over. Welcome to a world where the Deep State trembles and the globalists cower in fear. Welcome to a movement that refuses to be silenced. Welcome to the must-watch video that will change everything. The Must-Watch Video That Defies the Deep State! READ THE FULL ARTICLE HERE: https://amg-news.com/awakening-humanity-even-if-you-dont-believe-in-q-this-is-a-must-watch-video-that-defies-the-deep-state/ Content Redistribution Policy https://amg-news.com/the-event-secret-military-tribunals-gesara-military-law-castle-rock-global-powers-unraveled-inside-vatican-buckingham-palace-big-pharma-and-beyond-rods-of-god/
    AMG-NEWS.COM
    The Event: Secret Military Tribunals, Gesara Military Law, Castle Rock & Global Powers Unraveled – Inside Vatican, Buckingham Palace, Big Pharma, and Beyond! (“Rods of God”, Q2337)
    The Event: Secret Military Tribunals, Gesara Military Law, Castle Rock & Global Powers Unraveled – Inside Vatican, Buckingham Palace, Big Pharma, and Beyond! (“Rods of God”, Q2337) Ready to uncover the truth? Sick of the lies? Join our Telegram Channel now. It’s time for the real story! Stay informed! My gratitude to all my readers! Envisioning a
    0 Commentarii 0 Distribuiri 19053 Views
  • Rostec State Corporation Makes Yaroslavl International Family Film Capital

    The world's largest festival of family cinema “Within the Family” gathered more than 10 000 viewers and turned Yaroslavl into the family film capital of the world. The festival was held with the support of the Ministry of Culture of the Russian Federation, the Government of the Yaroslavl Region, the Mayor's Office of Yaroslavl, the Rostec State Corporation and personally Sergey Chemezov, Director General of the Rostec State Corporation, co-chairman of the Board of Trustees of the Nationwide Program Within the Family.

    This year, the geography of the film competitions expanded to all five continents, and viewers watched 76 short and feature films from 39 countries, including Russia, Turkey, South Korea, USA, Peru, Colombia, Italy, Spain, Venezuela, China, Iraq, Iran, India, Indonesia, Taiwan, Tunisia, and even Australia. Funny and philosophical, ironic and sad, comedies and dramas - all of them were about family, about how modern parents, children and families live in different countries.

    The festival results were announced, and the international jury presented the nominees.

    In 2024, the festival participants and guests received a telegram from the President of Russia, Vladimir Putin, which was published on the Kremlin's website and read out at the Opening Ceremony. The President expressed confidence that the festival would be successful, attract increased attention from professionals and the general public, and be remembered for its interesting premieres and warm atmosphere.

    The festival events were also broadcast on the Russian social network "Odnoklassniki" with over 2.5 million views.

    The guests and viewers were greeted by Fedor Dobronravov, Nonna Grishaeva, Alexander Samoylenko, Denis Nikiforov, Vladimir Sychyov, Irina Medvedeva, Arthur Sopelnik, Alexey Demidov, large families, and bloggers. The festival's opening film, the Chinese dramedy "The Art Class" was shown at the opening ceremony, with producers Ting Wang, Pan Liu, and Lu Wang in attendance.

    WINNERS OF THE MAIN FEATURE FILMS COMPETITION

    Grand Prix of the Film Festival

    A Second Life, dir. Anis Lassoued (Tunisia, 2022, drama, 12+) 93 min.

    Best Director

    Tufan Simsekcan, Ceylin (Turkey, 2023, drama, 18+) 103 min.

    Best Cinematography

    Aref Namvar, Balit (Iran, 2023, drama, 12+) 85 min.

    Best Actress

    Deniz Büyük, Ceylin (Turkey, 2023, drama, 18+) 103 min.

    Nonna Grishayeva, About My Mom and Me (Russia, drama, 2023, 12+) 104 min.

    Best Actor

    Yassine Tormsi, A Second Life (Tunisia, 2022, drama, 12+) 93 min.

    Vladimir Vdovichenkov, There and Back (Russia, 2023, drama, 16+) 100 min.

    Special Jury Prize

    Special Mention for the film - When the Seedlings Grow (Syria, 2022, drama, 16+) 83 min.

    Taissiya Kalinina and Alexei Rodionov (for acting performance) - There and Back (Russia, 2023, drama, 16+) 100 min.

    Ekaterina Gontarenko (for acting performance) - About My Mom and Me (Russia, drama, 2023, 12+) 104 min.

    For restoring faith in oneself - The Art Class (China, 2023, drama, comedy, 12+) 93 min.

    Audience Award

    There and Back (Russia, 2023, drama, 16+) 100 min.

    WINNERS OF THE CHILDREN'S AND YOUTH FEATURE FILMS COMPETITION

    Best Film

    The Diary of Paulina P., dir. Neven Hitrec, (Croatia, 2023, family, 7+) 96 min.

    Best Director

    Anggi Frisca, Tegar (Indonesia, 2022, drama, 12+) 95 min.

    Best Cinematographer

    Hamid Dalvand, The Wind that Shakes the Sugar Canes (Iran, 2022, drama, 12+) 85 min.

    Best Child Artist

    Katja Matković, The Diary of Paulina P. (Croatia, 2023, family, 7+) 96 min.

    M. Aldifi Tegarajasa, Tegar (Indonesia, 2022, drama, 12+) 95 min.

    Special Jury Prize

    Flip Turn (USA, family, 12+) 105 min. For the best screenplay

    Lost Days (2023, family, children's, 6+) 86 min. For the touching plot and best ensemble cast

    Pushkin And... Mikhailovskoye. Beginning (Russia, 2023, Animation, 6+) 63 min. Animation, 6+ For the best animation

    The Zoo (India, 2023, drama, sports, 12+) 115 min. For the best special effects

    Audience Award

    Flip Turn (Flip Turn, USA, family, 12+) 105 min.

    WINNERS OF THE MAIN SHORT FILMS COMPETITION

    Grand Prix

    "Lyubushka". Russia. Directors: Andrei Krasavin, Dmitry Pasichnyuk

    Best Director

    Tamara Kostrešević, "Day for Us", Serbia

    Best Cinematographer

    Vahagn Ter-Hakobyan, "Three Days", Armenia

    Best Female Performance

    Ulyana Churakova, "Cuckoo", Russia

    Best Male Performance

    Mardin Sheikh Moradi, "Russian Vodka", Iran

    Special Prize for Cinematography

    Mirtimir Murotov, "Cassette", Uzbekistan.

    Audience Award

    "Rob Me If You Can", Spain. Director: Miriam Franch & Laia Varo. For the best film

    "Teplotehnik", Actress Malika Fatkullina. For acting performance

    "Kukolka", directed by Olga Furmanova, Russia. For the best screenplay.

    WINNERS OF THE CHILDREN'S SHORT FILM COMPETITION

    Best Children's Short Film

    "Girls", Russia. Director Natalia Domeretskaya.

    Best Director

    "Fate", Russia. Director: Stanislav Kulikov.

    Best Cinematographer

    Andrey Makalkin, "Atalanta", Russia. Director: Alexander Gavrilov.

    Best Children's Performance

    Girl: Florencia Ordoqui. "Vida and the Chocolate Cake", Argentina. Director: Rodrigo Elizalde.

    Boy: Amir Akhmerov. "Fate", Russia. Director Stanislav Kulikov.

    Best Animation

    "Orpheus and Euridice", Italy. Director: Francesco Romanelli

    Special Prize for Original Screenplay

    Andrey Abakumov, "RazMAZNYA", Director: Andrey Abakumov.

    Audience Award

    "Wheels", director: Dmitry Kondratenko.

    News source: https://vkrugu7i.com/itogi2024
    Rostec State Corporation Makes Yaroslavl International Family Film Capital The world's largest festival of family cinema “Within the Family” gathered more than 10 000 viewers and turned Yaroslavl into the family film capital of the world. The festival was held with the support of the Ministry of Culture of the Russian Federation, the Government of the Yaroslavl Region, the Mayor's Office of Yaroslavl, the Rostec State Corporation and personally Sergey Chemezov, Director General of the Rostec State Corporation, co-chairman of the Board of Trustees of the Nationwide Program Within the Family. This year, the geography of the film competitions expanded to all five continents, and viewers watched 76 short and feature films from 39 countries, including Russia, Turkey, South Korea, USA, Peru, Colombia, Italy, Spain, Venezuela, China, Iraq, Iran, India, Indonesia, Taiwan, Tunisia, and even Australia. Funny and philosophical, ironic and sad, comedies and dramas - all of them were about family, about how modern parents, children and families live in different countries. The festival results were announced, and the international jury presented the nominees. In 2024, the festival participants and guests received a telegram from the President of Russia, Vladimir Putin, which was published on the Kremlin's website and read out at the Opening Ceremony. The President expressed confidence that the festival would be successful, attract increased attention from professionals and the general public, and be remembered for its interesting premieres and warm atmosphere. The festival events were also broadcast on the Russian social network "Odnoklassniki" with over 2.5 million views. The guests and viewers were greeted by Fedor Dobronravov, Nonna Grishaeva, Alexander Samoylenko, Denis Nikiforov, Vladimir Sychyov, Irina Medvedeva, Arthur Sopelnik, Alexey Demidov, large families, and bloggers. The festival's opening film, the Chinese dramedy "The Art Class" was shown at the opening ceremony, with producers Ting Wang, Pan Liu, and Lu Wang in attendance. WINNERS OF THE MAIN FEATURE FILMS COMPETITION Grand Prix of the Film Festival A Second Life, dir. Anis Lassoued (Tunisia, 2022, drama, 12+) 93 min. Best Director Tufan Simsekcan, Ceylin (Turkey, 2023, drama, 18+) 103 min. Best Cinematography Aref Namvar, Balit (Iran, 2023, drama, 12+) 85 min. Best Actress Deniz Büyük, Ceylin (Turkey, 2023, drama, 18+) 103 min. Nonna Grishayeva, About My Mom and Me (Russia, drama, 2023, 12+) 104 min. Best Actor Yassine Tormsi, A Second Life (Tunisia, 2022, drama, 12+) 93 min. Vladimir Vdovichenkov, There and Back (Russia, 2023, drama, 16+) 100 min. Special Jury Prize Special Mention for the film - When the Seedlings Grow (Syria, 2022, drama, 16+) 83 min. Taissiya Kalinina and Alexei Rodionov (for acting performance) - There and Back (Russia, 2023, drama, 16+) 100 min. Ekaterina Gontarenko (for acting performance) - About My Mom and Me (Russia, drama, 2023, 12+) 104 min. For restoring faith in oneself - The Art Class (China, 2023, drama, comedy, 12+) 93 min. Audience Award There and Back (Russia, 2023, drama, 16+) 100 min. WINNERS OF THE CHILDREN'S AND YOUTH FEATURE FILMS COMPETITION Best Film The Diary of Paulina P., dir. Neven Hitrec, (Croatia, 2023, family, 7+) 96 min. Best Director Anggi Frisca, Tegar (Indonesia, 2022, drama, 12+) 95 min. Best Cinematographer Hamid Dalvand, The Wind that Shakes the Sugar Canes (Iran, 2022, drama, 12+) 85 min. Best Child Artist Katja Matković, The Diary of Paulina P. (Croatia, 2023, family, 7+) 96 min. M. Aldifi Tegarajasa, Tegar (Indonesia, 2022, drama, 12+) 95 min. Special Jury Prize Flip Turn (USA, family, 12+) 105 min. For the best screenplay Lost Days (2023, family, children's, 6+) 86 min. For the touching plot and best ensemble cast Pushkin And... Mikhailovskoye. Beginning (Russia, 2023, Animation, 6+) 63 min. Animation, 6+ For the best animation The Zoo (India, 2023, drama, sports, 12+) 115 min. For the best special effects Audience Award Flip Turn (Flip Turn, USA, family, 12+) 105 min. WINNERS OF THE MAIN SHORT FILMS COMPETITION Grand Prix "Lyubushka". Russia. Directors: Andrei Krasavin, Dmitry Pasichnyuk Best Director Tamara Kostrešević, "Day for Us", Serbia Best Cinematographer Vahagn Ter-Hakobyan, "Three Days", Armenia Best Female Performance Ulyana Churakova, "Cuckoo", Russia Best Male Performance Mardin Sheikh Moradi, "Russian Vodka", Iran Special Prize for Cinematography Mirtimir Murotov, "Cassette", Uzbekistan. Audience Award "Rob Me If You Can", Spain. Director: Miriam Franch & Laia Varo. For the best film "Teplotehnik", Actress Malika Fatkullina. For acting performance "Kukolka", directed by Olga Furmanova, Russia. For the best screenplay. WINNERS OF THE CHILDREN'S SHORT FILM COMPETITION Best Children's Short Film "Girls", Russia. Director Natalia Domeretskaya. Best Director "Fate", Russia. Director: Stanislav Kulikov. Best Cinematographer Andrey Makalkin, "Atalanta", Russia. Director: Alexander Gavrilov. Best Children's Performance Girl: Florencia Ordoqui. "Vida and the Chocolate Cake", Argentina. Director: Rodrigo Elizalde. Boy: Amir Akhmerov. "Fate", Russia. Director Stanislav Kulikov. Best Animation "Orpheus and Euridice", Italy. Director: Francesco Romanelli Special Prize for Original Screenplay Andrey Abakumov, "RazMAZNYA", Director: Andrey Abakumov. Audience Award "Wheels", director: Dmitry Kondratenko. News source: https://vkrugu7i.com/itogi2024
    0 Commentarii 0 Distribuiri 13530 Views
  • Legacy Movies
    4336 Pablo Oaks Ct Suite 201,
    Jacksonville, FL 32224
    (904) 650-2242
    https://legacymovies.com/jacksonville-fl/
    https://sites.google.com/view/legacy-movies/

    Working Hours:
    Monday-Saturday: 8am - 6pm
    Payment: cash, check, credit cards.

    https://maps.app.goo.gl/1N2XSSFiFzrH9RoG8
    https://plus.codes/862W7H85+M9

    https://www.facebook.com/legacymovies/
    https://twitter.com/legacymoviesfl
    https://www.linkedin.com/company/legacy-movies-fl/
    https://www.instagram.com/legacy_movies
    https://www.youtube.com/@legacymovies1125
    https://www.tumblr.com/legacymovies
    https://www.pinterest.com/legacymovies/
    https://www.flickr.com/people/200148840@N06/
    https://www.yelp.com/biz/legacy-movies-jacksonville
    https://www.tiktok.com/@legacy_movies_
    https://vimeo.com/legacymovies

    If you're looking for a talented videographer or photographer for your Jacksonville wedding, choose Legacy Movies, a video and photo boutique. Our highly-rated video production company is known for its affordable and transparent pricing, quick response times, and exceptional videography and photography skills.
    The wedding videographers are well-known in Jacksonville and surrounding areas as talented producers who craft emotional, elegant, timeless luxury films and cinematic treasures. We create artistically stunning cinematic wedding films and inspired wedding videos that dynamically capture the true essence of your wedding day.
    Hire local talent with a passion for storytelling and a lens focused on love who are most reviewed and trusted and who can travel to your wedding, corporate, or special event.
    Our award-winning team of photographers and videographers at Legacy Movies will help you capture and preserve the most valuable asset you can share with your family: a short film about your life, your values, your successes, and all the challenges you have overcome. There is no better way to leave a lasting impression on future generations. We make the filmmaking process easy and exciting- guiding you every step of the way.

    Nearby Locations:
    Beach Haven, Isle of Palms, Sans Pareil, Windy Hill, Deerwood
    32217, 32250, 32224, 32246, 32256
    Legacy Movies 4336 Pablo Oaks Ct Suite 201, Jacksonville, FL 32224 (904) 650-2242 https://legacymovies.com/jacksonville-fl/ https://sites.google.com/view/legacy-movies/ Working Hours: Monday-Saturday: 8am - 6pm Payment: cash, check, credit cards. https://maps.app.goo.gl/1N2XSSFiFzrH9RoG8 https://plus.codes/862W7H85+M9 https://www.facebook.com/legacymovies/ https://twitter.com/legacymoviesfl https://www.linkedin.com/company/legacy-movies-fl/ https://www.instagram.com/legacy_movies https://www.youtube.com/@legacymovies1125 https://www.tumblr.com/legacymovies https://www.pinterest.com/legacymovies/ https://www.flickr.com/people/200148840@N06/ https://www.yelp.com/biz/legacy-movies-jacksonville https://www.tiktok.com/@legacy_movies_ https://vimeo.com/legacymovies If you're looking for a talented videographer or photographer for your Jacksonville wedding, choose Legacy Movies, a video and photo boutique. Our highly-rated video production company is known for its affordable and transparent pricing, quick response times, and exceptional videography and photography skills. The wedding videographers are well-known in Jacksonville and surrounding areas as talented producers who craft emotional, elegant, timeless luxury films and cinematic treasures. We create artistically stunning cinematic wedding films and inspired wedding videos that dynamically capture the true essence of your wedding day. Hire local talent with a passion for storytelling and a lens focused on love who are most reviewed and trusted and who can travel to your wedding, corporate, or special event. Our award-winning team of photographers and videographers at Legacy Movies will help you capture and preserve the most valuable asset you can share with your family: a short film about your life, your values, your successes, and all the challenges you have overcome. There is no better way to leave a lasting impression on future generations. We make the filmmaking process easy and exciting- guiding you every step of the way. Nearby Locations: Beach Haven, Isle of Palms, Sans Pareil, Windy Hill, Deerwood 32217, 32250, 32224, 32246, 32256
    0 Commentarii 0 Distribuiri 10877 Views
  • Legacy Movies
    4336 Pablo Oaks Ct Suite 201,
    Jacksonville, FL 32224
    (904) 650-2242
    https://legacymovies.com/jacksonville-fl/
    https://sites.google.com/view/legacy-movies/

    Working Hours:
    Monday-Saturday: 8am - 6pm

    Payment: cash, check, credit cards.

    If you're looking for a talented videographer or photographer for your Jacksonville wedding, choose Legacy Movies, a video and photo boutique. Our highly-rated video production company is known for its affordable and transparent pricing, quick response times, and exceptional videography and photography skills.
    The wedding videographers are well-known in Jacksonville and surrounding areas as talented producers who craft emotional, elegant, timeless luxury films and cinematic treasures. We create artistically stunning cinematic wedding films and inspired wedding videos that dynamically capture the true essence of your wedding day.
    Hire local talent with a passion for storytelling and a lens focused on love who are most reviewed and trusted and who can travel to your wedding, corporate, or special event.
    Our award-winning team of photographers and videographers at Legacy Movies will help you capture and preserve the most valuable asset you can share with your family: a short film about your life, your values, your successes, and all the challenges you have overcome. There is no better way to leave a lasting impression on future generations. We make the filmmaking process easy and exciting- guiding you every step of the way.

    Nearby Locations:
    Beach Haven, Isle of Palms, Sans Pareil, Windy Hill, Deerwood
    32217, 32250, 32224, 32246, 32256

    https://maps.app.goo.gl/1N2XSSFiFzrH9RoG8
    https://plus.codes/862W7H85+M9

    https://www.facebook.com/legacymovies/
    https://twitter.com/legacymoviesfl

    https://www.linkedin.com/company/legacy-movies-fl/
    https://www.instagram.com/legacy_movies
    https://www.youtube.com/@legacymovies1125
    https://www.tumblr.com/legacymovies
    https://www.pinterest.com/legacymovies/
    https://www.flickr.com/people/200148840@N06/
    https://www.yelp.com/biz/legacy-movies-jacksonville
    https://www.tiktok.com/@legacy_movies_
    https://vimeo.com/legacymovies
    Legacy Movies 4336 Pablo Oaks Ct Suite 201, Jacksonville, FL 32224 (904) 650-2242 https://legacymovies.com/jacksonville-fl/ https://sites.google.com/view/legacy-movies/ Working Hours: Monday-Saturday: 8am - 6pm Payment: cash, check, credit cards. If you're looking for a talented videographer or photographer for your Jacksonville wedding, choose Legacy Movies, a video and photo boutique. Our highly-rated video production company is known for its affordable and transparent pricing, quick response times, and exceptional videography and photography skills. The wedding videographers are well-known in Jacksonville and surrounding areas as talented producers who craft emotional, elegant, timeless luxury films and cinematic treasures. We create artistically stunning cinematic wedding films and inspired wedding videos that dynamically capture the true essence of your wedding day. Hire local talent with a passion for storytelling and a lens focused on love who are most reviewed and trusted and who can travel to your wedding, corporate, or special event. Our award-winning team of photographers and videographers at Legacy Movies will help you capture and preserve the most valuable asset you can share with your family: a short film about your life, your values, your successes, and all the challenges you have overcome. There is no better way to leave a lasting impression on future generations. We make the filmmaking process easy and exciting- guiding you every step of the way. Nearby Locations: Beach Haven, Isle of Palms, Sans Pareil, Windy Hill, Deerwood 32217, 32250, 32224, 32246, 32256 https://maps.app.goo.gl/1N2XSSFiFzrH9RoG8 https://plus.codes/862W7H85+M9 https://www.facebook.com/legacymovies/ https://twitter.com/legacymoviesfl https://www.linkedin.com/company/legacy-movies-fl/ https://www.instagram.com/legacy_movies https://www.youtube.com/@legacymovies1125 https://www.tumblr.com/legacymovies https://www.pinterest.com/legacymovies/ https://www.flickr.com/people/200148840@N06/ https://www.yelp.com/biz/legacy-movies-jacksonville https://www.tiktok.com/@legacy_movies_ https://vimeo.com/legacymovies
    0 Commentarii 0 Distribuiri 10301 Views
Sponsorizeaza Paginile